KARUGTONG ANG KAHAPON (1975)

Basic Information: Directed: Fely Crisostomo; Story: Nerissa Cabral; Screenplay:Mike Relon Makiling; Cast: Vilma Santos, Edgar Mortiz, Gloria Romero, Celia Rodriguez, Eddie Garcia, Jay Ilagan, Romy Mallari, Joseph Sytangco, Patria Plata, Ronald Ruiz; Original Music: Danny Subido; Cinematography: Ricardo Herrera; Film Editing: Gervacio Santos; Film poster: Video48

Plot Description: "...When the happy, well-adjusted daughter of a middle-class couple discovers her father's infidelity to her mother, her hysterical and overblown response to the discovery leads one to wonder how well-adjusted she could have been.." - Clarke Fountain, Rovi, Blockbuster (READ MORE)

Film Achievement: Vilma Santos gave a notable performance; Entry to the 1975 MMFF

Film Reviews: Institusyon ng pamilya ang isa mga situwasyong pinoproblema ng kabataan sa Karugtong Ang Kahapon (Roma Films, Inc., 1975), iskrip ni Mike Relon Makiling, direksiyon ni Fely Crisostomo. Nariyan din ang problema ng pagiging magkaribal sa pag-ibig, pag-ibig sa pagitan ng mga nakatatanda, pagkagumon sa masamang bisyo at mga kaugnay pang usapin. Sa lahat ng ito, nagalugad ang iba’t-ibang lalim o kadalasan babaw ng pananaw, gawi at asal kaugnay ng kabataan bilang sektor. Sang-ayon ito sa limitasyon ng pagsasalarawan ng mga tagalikha ng pelikula, ng manunulat at ng direktor. Sa pelikulang ito, ginawa ni Raquel (Vilma Santos) ang tipikal na solusyon ng kabataan kapag nagkakaroon ng di-pagkakasundo sa bahay, ang magwala. At tipikal din ang reaksiyon ng ama nitong si Rafael (Eddie Garcia) sa kilos ng anak. Kung gayon, ayaw pumasok ng pelikula sa mga bagong pintong susubok tumakas sa mga de-kahong situwasyon na mag-uusisa sa pagtuturing ng lagay ng kabataang babae. Sa isang dako naman, binibigyang kahulugan ang pagiging progresibo ng modernong babae sa kanyang pagiging halaghag sa pag-uugali. Maari siyang magmura at makipagbastusan sa inaakalang kerida ng kanyang amang si Beatrice (Gloria Romero) at makipagrelasyon kay Freddie (Edgar Mortiz). Ito naman ang kabilang dako ng pagbibigay ng karakter sa katauhan ni Raquel. Sinisi nito ang ama sa pagkamatay ng inang si Norma (Celia Rodriguez) hanggang sa tuluyan itong malulong sa ipinagbabawal na gamot…" - Jojo De Vera, Sari-sarng Sineng Pinoy (READ MORE)

Karugtong Ang Kahapon, Starring Vilma, daughter of a “happy” couple Eddie Garcia and Gloria Romero. Throw in the other woman of Eddie, Celia Rodriguez, and as expected, another morality play was born. Shown at the first MMFF. - Koleksyon (READ MORE)

"...Starring Vilma, daughter of a “happy” couple Eddie Garcia and Gloria Romero. Throw in the other woman of Eddie, Celia Rodriguez and as expected, another morality play was born. Shown at the first MMFF..." - Mario O. Garces (READ MORE)

"...Nora Aunor's entry, NV Productions’ Batu-Bato sa Langit (directed by Luciano B. Carlos), was a hit and won as 3rd Best Picture. Vilma Santos, on the other hand, gave a notable performance in Roma Films' Karugtong ang Kahapon. That time, Nora and Vilma were in their peak, their career and the movies they made were being followed closely, compared, watched, praised, scrutinized both by fans and critics. Their storied and fierce rivalry dominated our movie industry for years. In fact, one could argue that even to this day, a Filipino movie fan is either a Noranian or a Vilmanian..." - Wikipedia (READ MORE)

"Dahil Father’s Day ngayon, nais nating bigyan ng magandang tribute ang nakilala nang ama ng maraming­ artista ng iba’t ibang henerasyon na si Eddie Garcia. Hindi lang mahusay na bida at kontrabida si Eddie kundi mahusay rin siya bilang isang film director. Taong 1961 nang idirek ni Eddie ang kanyang unang pelikula titled “Karugtong Ng Kahapon” kunsaan bida sina Mario Montenegro, Rita Gomez, Ric Rodrigo at Marlene Dauden. Higit na 36 movies pa ang dinirek ni Eddie na iba-iba ang tema..." - Ruel Mendoza, Abante, 15 June 2019 (READ MORE)

RELATED READING:

• Ang Ngayon... Karugtong ang Kahapon
• The 1975 Metro Manila Film Festival: Estrada, Solis Top Awardees
• IMDB: Karugtong ang kahapon (1975)
• Vilma Santos-Edgar Mortiz Love Team Circa 1970
• IMDB: Edgar Mortiz
• Vilma Santos From Wikipedia
• Edgar Mortiz From Wikipedia
• Vi and Bot Photo Album
• Ang Makulay na Buhay-Pag-ibig ni Rosa Vilma Santos
• Ultimate Scrapbook (Repost)
• Pelikula, ATBP’s Nostalgia 2: Vilma and Edgar
• Top 10 Leading Men
• Vilma and Edgar Duet (Video)

Vilma Santos' Early Female Directors

Maria Saret

Maria Saret is a Filipina film director and writer. She was first recognized for her 1966 screenplay of the film Miranda: Ang lagalag na sirena starring teen star, Marifi. In 1973 she directed her first feature film, the drama about women in prison, "Bakit may bilanggo sa anak ni Eba?" starring Gina Pareño, Rosanna Ortiz and Alona Alegre. Saret was nominated for the 1989 FAMAS best director award for the movie Lorenzo Ruiz, The Saint...A Filipino! She won the best screenplay at the Film Academy of the Philippines for the same film.

Amorseko Kumakabit, Kumakapit (1978) - Vi co-starred with George Estregan (their second film, after Ibong Lukaret), Ernie Garcia, Rez Cortez, Beth Bautista, Brenda Del Rio. (READ MORE)

Susan Kelly Edad 20 (1977)- Vi co-starred with Dante Rivero (their second film, after Mga Tigre ng Sierra Cruz), Anthony Alonzo, Sandy Garcia, Cloyd Robinson.(READ MORE)

Leody Diaz

Leody Diaz is a Filipina film director and actress. Her earlier credit consists of 1965's Labanang Babae (The fight of Women) as an actor and as the writer of Bella Bandida (Bella, The Woman Bandit), She started directing in 1967 via Target: The A-go-go Generation, a comedy musical which became her main genre of her body of work.

Darna and The Giants (1973) - Top Box Office Film of 1973 MMFF (READ MORE)

Dulce Corazon (1972) - Edgar Mortiz-Vilma Santos film with Nympha Bonifacio, Scarlet. (READ MORE)

Because You're Mine (1970) - Edgar Mortiz-Vilma Santos film with Anita Linda. (READ MORE)

Sweethearts (1970) - Edgar Mortiz-Vilma Santos film which also became an album. (READ MORE)

Topical, Realistic Themes "...Tony and the Tagalog Ilang-Ilang Productions plan not only to produce big budgeted films for international competition next year, but to bring into local movies topical, realistic themes like student power, social unrest, violence in our midst, etc. But meanwhile, the gring has to go on. Right now he is filming Blue Seal Mata Hari under the direction of Leody Diaz, where he is experimenting on teaming up Filipino actors with colored women and vice - versa. And for the first time, he said, a Filipina actress, sex siren Liza Belmonte, consented to be kissed by a colored man in this film. So it goes too with Tony, where he is paired with two colored women with kissing scenes..." - P. Oden Amurao, Republic Weekly, 03 October 1967 (READ MORE)

Consueelo P. Osorio

Consuelo P. Osorio is a Filipina film director and actress. Her earlier acting credits consists of 1949's Bulakenyo and 1984's Bagets Part 2, her first and last films.. Like Leody Diaz, Consuelo became active in late 60s to early 70s directing singing teen stars in musical-comedy or musical-drama genres. Peque Galaga, the popular director of Oro Plata Mata fame, was quoted saying, Consuelo P. Osorio of Premiere Productions as his early mentor because, "It was she who tutored him on points such as casting that would spell success in surviving in the industry."

Ateng Osorio - "...I asked the receptionist who was the TV writer present that day and she mentioned the name: Consuelo Osorio, also known as Ateng Osorio. She told me which studio she was working that time and I proceeded to find her. Unfortunately, upon entering the TV barn, a production assistant told me that she actually went to the cafeteria to have coffee. So I went to the cafeteria and tried to find her. I asked the person at the till to point out to me Miss Osorio, and she did. She was seated at a table, smoking, talking to another lady, and both of them, I noticed, were looking at me. I approached them and introduced myself. She gave me a handshake and introduced the other lady: “She’s Mitos Villareal, our director.” After shaking Miss Villareal’s hand, I didn’t hesitate to tell them that I was there because I want to become a writer for TV and the movies. They both smiled. “You’re a bit too young to work as a writer,” Ateng told me. “Besides, you look more like an actor than a writer! We immediately noticed you the moment you entered this room. You are unusually fair. You are even fairer than Jeanne Young. Leave your phone number with me, I’ll find something and I’ll give you a call....Well, perfect timing. I need someone your age. I am auditioning today and tomorrow for new talents for BBC Channel 2. Since I already know that you can do it, you’re in. I need you to come for taping on Saturday night. Come with me and I’ll give you the script.” I wanted to say no, but for some reason, I couldn’t. Besides, this lady was super nice and I didn’t want to say no to her. So I went with her and we proceeded to the office and the producer of the show handed me a blue mimeographed script. It says: PROGRAM: Dulambuhay ni Rosa Vilma WRITER: O.B. Pangilinan MAINSTAY: Vilma Santos. To make the long story short, I ended up appearing with Vilma Santos and Walter Navarro. I played Walter’s younger brother in that episode. Thank God all my scenes were take one. And after the show aired, all my friends teased me non-stop about it. Ateng Osorio was directing films that time as well and she wanted to cast me in them but I begged off. I finally told her that acting is not what I wanted to do. I want to write. She then said: “I’m committed for seven months to direct movies which I have already written myself. After they are all finished, we’ll discuss a movie I will be directing for Barangay Pictures. I have a storyline. You will write the screenplay..." - Jose Mari Lee, Pinoy Comics TV Movies (READ MORE)

I Do Love You (1970) - Eddie Peregrina-Vilma Santos film with Esperanza Fabon and Bebong Osorio. (READ MORE)

Jukebox King (1969) - Eddie Peregrina-Vilma Santos film with Edgar Mortiz, Esperanza Fabon and Bebong Osorio. (READ MORE)

Mardy (1969) - Eddie Peregrina-Vilma Santos film with Esperanza Fabon and Bebong Osorio. (READ MORE)

My Darling Eddie (1969) - Eddie Peregrina-Vilma Santos film with Edgar Mortiz, Esperanza Fabon and Bebong Osorio. (READ MORE)

Fely Crisostomo

Fely Crisostomo is a Filipina film director and actress. She was the first woman to win the FAMAS Award for Best Director in 1967. (READ MORE)

Mga Reynang Walang Trono (1976) Co-directed by Amalia Muhlach (see below) (READ MORE)

Karugtong Ang Kahapon (1975) - “…Starring Vilma, daughter of a “happy” couple Eddie Garcia and Gloria Romero. Throw in the other woman of Eddie, Celia Rodriguez and as expected, another morality play was born. Shown at the first MMFF…” - Mario O. Garces (READ MORE)

May hangganan ang pag-ibig (1970) - Featured Eddie Perigrina, Romy Mallari, Millie Mercado (READ MORE)

Other Female Directors

Ophelia & Paris (1973) Directed by Celia Diaz-Laurel. The first movie of Vilma Santos and Cocoy Laurel, the other films are: Disco Fever and Pinay American Style (READ MORE).

Mga Reynang Walang Trono (1976) Directed by Amalia Muhlach (Amalia Fuentes). "...Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears..." - Mario O. Garces (READ MORE)