Special Film: Kampanerang kuba (1974)

Kampanerang Kuba (1974) (lit. Hunchbacked Lady Bellringer) was a fantasy soap opera television series broadcast by ABS-CBN in the Philippines. It was inspired by 1973 film with same title, which was starred by Vilma Santos and Bobot Mortiz. It was tagged as Pinoy Disney. It was originally based from a comic book series written by Pablo Gomez. - Wikipedia (READ MORE)

"...Kampanerang Kuba’s convoluted long story maybe attributed to the original comics material written by Pablo Gomez. A good director should iron out all the unbelievable plots specially all the one-dimensional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that viewer might wonder why she is so mean. Also, with her tower-nesque beauty, why she decided to remained in a town where everything seems to be so trivial and everyone seems loves to gossip, even the men. Nilo Saez (with Jose Flores Sibal wrote the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuriating when she started to do her verbal and physical abuse of Andang. With limited dialogue, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos, both did what they can to portrayed their respective roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. She appeared to be gearing up for more versatile roles that requires her not to sing but to act..." - RV (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Pablo S. Gomez and Vilma Santos

Golden Age - "...Pablo is the last of the great komiks-writers from the Golden Age of Philippine Komiks, an era when komiks writing reached its pinnacle because of Gomez' and his contemporaries (Clodualdo del Mundo, Francisco Coching, Mars Ravelo, and Tony Velasquez)writings. Gomez' more famous komiks-nobelas were Kurdapya, Eva Fonda, Pitong Gatang, MN, Kamay ni Hilda, Recuerdo, Susanang Daldal, Taong Buwaya, Batang Bangkusay, Pagbabalik ng Lawin, and of course, Kampanerang Kuba. "I was writing for as long as I can remember it", he smiles. "Komiks writing comes naturally for me, its just like a normal thing to do everyday, just like eating" In 1963, when Ace Publications closed down due to labor strike, Gomez started his own publications company, the PSG Publications. It published such titles as United Komiks, Continental Komiks, Universal Komiks, Kidlat Komiks, and Planet Komiks. His publications company started the careers of many great komiks artists and writers like Alex Nino and Carlo J. Caparas, to name a few. For a time, PSG became the biggest rival of GASI, until Pablo was forced to close the company due to the slump in the komiks business because of Martial Law. Yet, he never stopped writing. He has hundreds of stories and scripts still unpublished to this day, all of them he kept stored in his steel file cabinet, or on top of his table, or under his oval bed (which was a gift by his friend Ms. Susan Roces). Up to now, Pablo never gets tired of writing, and everytime I visit him in his home, I usually find him in front of his vintage typewriter creating new stories and plots for the younger generation of komiks readers. One can only wonder at the sheer force of his imagination and the vastness of his knowledge. Indeed, like his craft, Pablo is ageless, and like his greatest works, he is immortal..." - Dennis Villegas, PilipinoKomiks, 07 December 2005 (READ MORE)

Proofreader - "...Gomez started as a radio announcer over DZRH in 1946. Later, he became a stage impressario, touring the entire archipelago. In 1949, he entered an utterly new and altered world: the world of letters. The publication of a prose story started him off, “Ang Baliw sa Libingang Luma”, followed later by a komiks short story, “Putol na Kamay”. The reading public then had interesting glimpses of superb examples of the craft of Pablo S. Gomez. Nevertheless, these were not stories that catapulted him to prominence. But these were enough to land him a job with the Ace Publications as proofreader. After a year, he moved on to become editor of Hiwaga Komiks, at the same time writing for Pilipino Komiks, Tagalog Klasiks and Espesyal Komiks. “Apat na Taga”, his first komiks novel, was such an instant hit that Sampaguita Pictures turned it into a movie. Mars Ravelo was the leading innovator of the era that everyone – including Gomez himself – was haunted by the former’s success. “MN”, “Recuerdo”, “Kurdapya” and “Susanang Daldal” were all calculated to give Ravelo a run for his money..." - Komiklopedia The Philippine Komiks Encyclopedia (READ MORE)

Action Writer - "...Gomez also headed PSG Publishing House, which published titles like United Komiks, Universal Komiks, Kidlat Komiks, Continental Komiks, and Planet Komiks in the 1960s and ‘70s. He was also screenwriter for a number of films starring the late King of Philippine Cinema, Fernando Poe Jr., including Eseng ng Tondo, Probinsyano, Kahit Konting Pagtingin, Sta. Quiteria, Kalibre 45 and Mahal San Ka Nanggaling Kagabi? “I became an action writer for FPJ,” Gomez wrote back in 2004, in an article which appeared in the Film Academy of the Philippines website. “I wrote more than a hundred movies for him.” Gomez was also known for helming the ABS-CBN fantasy television series Wansapanataym and Kampanerang Kuba. In one of his last interviews, Gomez pointed out the irony that komiks were “enjoying a revival on television, the same medium that killed it.” These include some of his own works, such as Petrang Kabayo which is currently on its third movie version, and Juanita Banana which ABS-CBN is producing as a TV show. ABS-CBN is also set to bring Gomez’s Mutya to TV later in 2011..." - Fidelis Angela Tan, The POC, 03 January 2011 (READ MORE)

Best Friend - "...Ever since she started acting and appearing in movies made by Sampaguita Studios, Susan Roces hasn't changed her style since this was stipulated in the contract she signed that she maintain her pageboy hairstyle. Suan and I became the best of friends and eventhough she got married to FPJ, we still have kept in touch and have been friends ever since. When Susan and ronnie got married, she gave all her personal belongings to me. She gave me her round bed, cabinert, dresser and other things. Many of Susan's friends were offering to buy these from her while others were asking for them, but she chose to give all of them to me. "I know that you are my friend and you always take good care of the things I give to you, " Susan told me. Every year when I celebrate my birthday, Susan would visit my home, look in my room and see if the things she gave me years ago are still there. I told her "I will never have them replaced, the things you gave me." She replied that she was thankful that she didn't go wrong in choosing me to take care of her treasured possessions." Susan also loves to eat food and she would join us whenever we would invite her to go out to Muntinlupa, attend a stage show or partake of the delicious food offered to us at a fiesta. Both of us would take the jeepney whenever we would go shopping at Divisoria and people there would not even recognize her. Once you become Susan's friend, she never forget you because for her, a friend is always a friend. She is always there when you need her help and she never forgets to greet you a happy birthday during your special day. Whe you get sick or hospitalized because of an accident, Susan is always the first by your side, ready to give you help when you need something..." - Pablo S. Gomez, Philippine Free Press, 03 January 2004 (READ MORE)

Pablo S. Gomez and Vilma Santos

• Mga Batang Bangketa (1970) - Directed by Armando De Guzman and from the original story and screenplay of Pablo S. Gomez, Mga Batang Bangketa was one of the early films of teen stars Vilma Santos and Edgar Mortiz.
• Ding Dong (1970) - Tirso Cruz III played the title role while Vi was his leading lady. The film was directed by Mar S. Torres from the original story and screenplay of Pablo S. Gomez.
• Kamay na Gumagapang (1974) - Directed by Tony Cayado and Mauro Bautista adapted screenplay from Pablo S. Gomez original story. Kamay na Gumagapang was first serialized in Pilipino Komiks, a Filipino local comic-magazine. The film featured Vilma Santos with 70s' singing star, Romeo Miranda as her leaing man.
• Kampanerang na Kuba (1974) - From the original comic story of Pablo S. Gomez, Kampanerang Kuba was similar to Hunchback of Notre Damme but the gender. The film was directed by Nilo Saez who also credited as one of the scriptwriter who adapted the comic material of Gomez. The other one was Jose Flores Sibal. Vi was in the title role opposite Edgar Mortiz. Celia Rodriguez and Dindo Fernando played supporting roles.
• Asawa Ko Huwag Mong Agawin (1987) - Pablo S. Gomez' original novel titled "Paano Ba Sasabihing Paalam Na" was adapted by Jose Javier Reyes and Jake Cocadiz and directed by Emmanuel H. Borlaza. The film featured Vilma Santos and Amalia Fuentez.
• Ikaw ang mahal ko (1996) - Fernando Poe Jr. and Vilma Santos last film together before his untimely demise in 2004. Gomez wrote the script.

Pablo S. Gomez is one of the top komiks writers in the Philippines. He is also a movie scriptwriter and director. His most popular works include Kurdapya, Petrang Kabayo, among others. Born in Sampaloc, Manila on 25 January 1931, he is the son of Olimpio Gomez and Pacita Salonga. He studied at Legarda Elementary School, Jose Abad Santos High School, National Teachers' College and Ateneo de Manila University...It was in the 50th FAMAS Awards in 2001 that he was given the Dr. Jose Perez Memorial Award for Journalism. On 26 December 2010, Gomez died due to cardiac and pulmonary arrest. He was 79 years old. - Wikipedia (READ MORE)

Related Reading:

• Komiks veteran Pablo S. Gomez dies
• FAMAS: Pablo S. Gomez
• Pablo S. Gomez: A Filipino comics legend
• Komiks Master Pablo S. Gomez Dies!
• Pablo S. Gomez, January 25, 1931-December 26, 2010
• Vilma in Horror Films
• An Interview with Pablo S. Gomez
• Death of a legend
• Luna Awards Sidelights
• Ang Kampanerang Kuba
• Ang Kampanerang Kuba
(Video)

Kampanerang Kuba's religious rituals and miracles

Kampanerang Kuba started with Andang (Vilma Santos), a hunch back bell-ringer running away from the people in the market. She was accused of stealing. When she got back from the church (where she lives and work), she was confronted and physically assaulted by Tateng (Celia Rodriguez) for no apparent reason. Thankfully, Father Damian, the old sick priest intervened. He has long been her protector. Andang felt sad when she found out that Father Damian is leaving. On his absence, a young priest, Father Agaton (Edgar Mortiz) will take over. Aside from ringing the bell, Andang clean and feed the piglets (owned by Ellen and Tateng, they are the church’s caretakers). She normally eats with her bare hands while talking to her patron saint, Saint Martin. She talks and treats the idol alongside the church’s bell towers like they are humans. Meanwhile, Tateng, the daughter of the head caretaker, Ellen (Patria Plata), is a sex maniac who loves to abuse Andang. She also seduce men in exchange of material things like jewelry.

One time Andang caught Tateng having sex with Crispin (Dindo Fernando) inside the church, when Tateng found out that she was around, she physically abuse her. Then the following day, while feeding the piglets, Tateng verbally abuse her. Andang retaliate and the two had mud-wrestling inside pig pen. Tateng’s mother Ellen was about to join the fight when Father Agaton arrived and intervened. The next day, a group of women arrived and accused Tateng of accepting gifts from their husband that they own. When Tateng overheard the loud complaints, she quickly went to Andang and pretended she wanted to make amends and gave her a necklace. When the group of women finally faced Tateng, she lied and told them to look for the jewelry at Andang.

The women then went to Andang and accused her of stealing. Afraid of her safety, Andang went to the church’s roof telling them that if they will not stop, she will jump. Tateng convinced Andang not to jump and that she is her friend. The trusting Andang came back and was welcome by the women with physical assaults. They tied her down with a long rope and dragged her on the ground until Crispin, who riding the horse (where Andang was tied down) reached the town’s mountain hill where he threw Andang’s lifeless body. When Andang miraculously regained consciousness, she was seen talking to her patron saint, Saint Martin. He blessed her and was able to bring her back to the church. There, she was blessed by the Virgin Mary. A holy miracle happened, flower petals falls down from the sky and holy lights beams Andang. She slowly changed from the ugly hunch back girl into a beautiful woman. As turned out she became Sandra Belmonte. A woman long gone and who were once the topic of town gossips. Sandra’s two sister found her into the church the next day. Surprised and very thankful, they brought her back to their big home. Andang now assumed the identity of Sandra. Sandra as it turned out has suitor, Roel (Ernie Garcia) who she didn’t like. She also discovered that she missed her life as Andang and now sure that she is in love with Father Agaton.

Can’t control her feelings anymore, she went to the church for the Catholic ritual of confession. And with Father Agaton, she confess her love for him. Tateng overheard this, and coerced the priest to have sex with her in exchange for her silence but failed. In retaliation, she spread this information to the town’s people. Headed by Tateng’s admirer, Max Alvarado, the priest was confronted by the angry people. The priest denied the affair. The town’s people decided to tied the priest into a post and burn him. This is because the priest doesn’t want leave the church. When Sandra who was with Roel, discovered what was happening, she luckily escape madness and went inside the church to pray to Saint Martin. Her pray were answered by the sudden ringing of the church’s bells followed by a loud thunder. It started to rain killing the fire and saving the poor priest. It was a miracle. Tateng’s sinful mind cleared and she ask Father Agaton’s forgiveness, who gladly obliged. Father Agaton then search for Sandra when her suitor Roel appeared. They both went to the church tower and saw Andang instead. The end.

Kampanerang Kuba’s convoluted long story maybe attributed to the original comics material written by Pablo Gomez. A good director should iron out all the unbelievable plots specially all the one-dimensional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that viewer might wonder why she is so mean. Also, with her tower-nesque beauty, why she decided to remained in a town where everything seems to be so trivial and everyone seems loves to gossip, even the men. Nilo Saez (with Jose Flores Sibal wrote the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuriating when she started to do her verbal and physical abuse of Andang. With limited dialogue, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos, both did what they can to portrayed their respective roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. She appeared to be gearing up for more versatile roles that requires her not to sing but to act.

RELATED READING:

• Kampanerang Kuba (1974)
• Pinoy Classics Review: Kampanerang Kuba (1973)
• Vilma Santos-Edgar Mortiz Love Team Circa 1970
• Edgar Loves Vilma
• IMDB: Edgar Mortiz
• Vilma Santos From Wikipedia
• Edgar Mortiz From Wikipedia
• Vilma Santos-Edgar Mortiz Love Team Circa 1970
• Vi and Bot Photo Album
• Ang Makulay na Buhay-Pag-ibig ni Rosa Vilma Santos
• Ultimate Scrapbook (Repost)
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• Top 10 Leading Men
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KAMPANERANG KUBA (1974)

Basic Information: Directed: Nilo Saez; Story: Pablo S. Gomez; Screenplay: Nilo Saez, Jose Flores Sibal; Cast: Vilma Santos, Edgar Mortiz, Celia Rodriguez, Dindo Fernando, Rosanna Marquez, Perla Bautista, Max Alvarado, Ernie Garcia, Tony Santos, Jr., Patria Plata, Metring David, Greg Lozano, Joaquin Fajardo, Steve Alcarado, Romy Luartes, Francisco Cruz, Carmen Romasanta, Danny Rojo, Edwin Cruz, SOS Daredevils; Original Music: Tito Arevalo; Cinematography: Benjamin L. Lobo; Executive producer: Produced: Tagalog Ilang-Ilang Productions, Espiridion Laxa

Plot Description: Kampanerang Kuba (lit. Hunchbacked Lady Bellringer) was a fantasy soap opera television series broadcast by ABS-CBN in the Philippines. It was inspired by 1973 film with same title, which was starred by Vilma Santos and Bobot Mortiz. It was tagged as Pinoy Disney. It was originally based from a comic book series written by Pablo Gomez. - Wikipedia

Film Achievement: Adapted from comics written Pablo S. Gomez and illustrated by Alex Nino for Planet Komiks, 1971. Remade into TV series in 2005 by ABS-CBN and starring Anne Curtis, Luis Manzano, Jomari Yllana with Edgar Mortiz and directed by Wenn Deramas, Andoy Ranay. - Komiklopedia

Film Reviews: Kampanerang Kuba’s convulated, long story maybe attributed to the original comics material of Pablo Gomez. A good director should ironed out all the twists and turns and all its one-dimenssional characters. For example, Celia Rodriguez character, Tateng. She is so masochistic that it is just right to know why she is so mean and that with her towernesque beauty, she decided to remained in the town where everything seems to be so tribial. Nilo Saez (with Jose Flores Sibal adapted the script) failed miserably in this regard. Shot in Nagcarlan Laguna, Kampanerang Kuba showcased the old Filipino beliefs in patron saints, religious rituals and miracles. It also demonstrates that people can be so cruel, can passed judgement, and can asked for forgiveness that quick when confronted with truth. All will be forgiving without taking into account all the harm that they have done. In the real world, these people will be punished. Celia Rodriguez seems to be wooden in so many scenes but equally infuririating when she started to do her verbal and physical abuse of Anda. With limited dialouge, a young Dindo Fernando portrayed Tateng’s lover convincingly. All the other supporting roles including Perla Bautista, Ernie Garcia and others gave a forgettable performances. About the two main lead, Edgar Mortiz and Vilma Santos did what they can to portrayed their roles. Edgar Mortiz seems to be trying very hard to be effective as the priest but acting is clearly not his forte. Would this be different if Jay Ilagan did this role? Vilma Santos succeed more with her solo scenes, talking to the patron saints and the bell tower, eating with her bare hands and trying to beautify her ugly face. – RV, (READ MORE)

“Despite of (or perhaps because of) her hideous appearance, she is held dear by the parish priest Padre Damaso but abhorred by the church caretaker, Edeng who maltreats her at every opportunity. Andang is ugly, ugly, ugly and deserves all the pain she can get…don’t think Mang Martin will give the miracle for free. Vilma emerges as the ugly hunchback Andeng! Sandra is gone! Death to fantasy!…” – Silver Screen Surfer, (READ MORE)

Feast for Eyes, Soul - "With only a little over an hour spent on the road, Lenten pilgrims can explore the heritage churches of Laguna province for the traditional “visita iglesia” (church visit) today. Laguna has 86 Catholic churches, 26 of these built between the 16th and 19th centuries. The churches give pilgrims glimpses of the Catholic faith’s beginnings and its role in the spiritual and cultural development of Laguna. Jerry Gaela, 51, a parish priest administering St. Paul the First Hermit Cathedral in San Pablo City, said that while visita iglesia was not a required practice among Catholics, it was “additional devotion for personal and spiritual growth.” Visita iglesia is traditionally done on the night of Maundy Thursday when the Blessed Sacrament is displayed in the churches. People used to visit seven churches, but now, they would go to as many as 14 churches and pray at the Stations of the Cross. The spirit is “to accompany the Lord in his Passion,” Gaela said. These are seven of Laguna’s heritage churches worth a visit today...San Bartolome Apostol Church, Nagcarlan town, The baroque church, 15 km from San Pablo, was first built in 1583 using light materials. It was in 1752 when the second church was built from stone and brick. However, the structure was damaged by a fire in 1781. A choir loft was added when the church was rebuilt in 1845 by Rev. Vicente Velloc, who also built the nearby Nagcarlan underground cemetery. The church was featured in the 1974 film, “Kampanerang Kuba,” starring now Batangas Rep. Vilma Santos-Recto, and the film’s 2005 television remake of the same title, starring Anne Curtis..." - Kimmy Baraoidan, Philippine Daily Inquirer, 13 April 2017 (READ MORE) #LagunaChurches

Related Reading:

• Edgar Mortiz From Wikipedia
• Pablo S. Gomez From Wikipedia