Tuesday, December 30, 2014

ITO ANG PILIPINO (1967)


Basic Information: Directed: Cesar Gallardo; Story: Augusto Buenaventura; Screenplay: Augusto Buenaventura; Cast: Joseph Estrada, Mario Montenegro, Barbara Perez, Eddie Garcia, Gloria Sevilla, Johnny Monteiro, Vic Silayan, Yolanda Guevarra, Eddie Infante, Elsa Boufard, Jose Vergara, Ely Ramos Jr., Jose Garcia, Rafael Jimenez, Romy Diaz, Jose Padilla Jr., Anita Linda, Lou Salvador Jr., Angelo Ventura, Jay Ilagan, Vilma Santos, Rene Rueda, Avel Morado, Ben Datu, Lou Salvador; Executive producer: Joseph Estrada; Original Music: Ariston Avelino; Cinematography: Felipe Sacdalan; Release Date: Disyembre 30, 1966 – Enero 9, 1967; Production Co.: Emar Productions; Film Poster: Video 48

Plot Description: Story of Tomas Ronquillo (Joseph Estrada) before the Spanish revolt of 1896. His struggle to fight for his family and the oppressive Spaniards.

Film Achievement: The 15th Filipino Academy of Movie Arts and Sciences Awards Night was held 1n 1967 for the Outstanding Achievements for the year 1966. - Best Picture - Ito ang Pilipino — Emar Pictures; Best Actor - Joseph Estrada; Best Supporting Actor - Eddie Garcia; Best Story - Augusto Buenaventura; Best Cinematography - Felipe Sacdalan; Best Director Nomination - Cesar Gallardo; Best Actress Nomination - Barbara Perez; Best Supporting Actress Nomination - Gloria Sevilla — Ito ang Pilipino

Film Reviews: - “…In 1966, Estrada was “just” an actor portraying a bandit fighting the Spaniards, led by Eddie Garcia. Directed by Cesar “Chat” Gallardo, an important scene in the film featured the late Vic Silayan telling the young Estrada that he would be the country’s next president-to which, Estrada’s character answered in disbelief, saying it was impossible, because he could neither read nor write! Prophetically, the historical film presaged the actor’s political career. Who would have known that he’d become the 13th president of the Philippines?! At the screening, Estrada’s leading lady, Barbara Perez, who was first seen in 195’6′s “Chabacano,” was in the audience to watch the “lost” film revived by the Society of Filipino Archivists for Film (SOFIA). The actress shares: “Back then, I kept getting in and out show biz, especially when I had to give birth!…” - Rica Arevalo (READ MORE)

"...Director-scriptwriter Totoy Buenaventura, one of President Joseph Estrada’s favorite filmmakers, is this year’s lifetime achievement awardee of the Manila Film Festival. A Manileño, Buenaventura was born on Feb. 2, 1933 in Tondo, Manila, where he also finished elementary (Magat Salamat Elementary School) and high school (Torres High School). He took up bachelor of arts at Far Eastern University in downtown Manila. Buenaventura wrote scripts and directed films set in Manila, many of which starred Joseph Estrada. The Manila Film Festival honored him with a best director award in 1971 for “Ang Uliran.” Buenaventura’s writing and directorial credits include “Geron Busabos,” “Ito ang Pilipino,” “Erap Is My Guy,” “Bakya Mo Neneng,” “Kumander Alibasbas,” “Diligin Mo ng Hamog ang Uhaw na Lupa,” and “Sa mga Kuko ng Agila,” all starring Josesph Estrada..." - Sol Jose Vanzi, June 5, 1999 (READ MORE)

Ang Giting ng Pilipino - "Ang katutubong giting ng mga Pilipino ang pinapaksa ng pelikulant Ito Ang Pilipino ng Emar Pictures. Ang pakikipaglaban ng magigiting na bayani upang matamo ang kalayaan ay siyang nagpapagalaw sa pelikulang ito na tinatampukan nina Joseph Estrada at Barbara Perez. Kasama rin dito sina Mario Montenegro, Johnny Monteiro at Elsa Bouffard. Sa iba't ibang yugto ng panahon mula kay Lapulapu, nagpamalas ang lahing kayumanggi ng kagulat-gulat na giting at tapang sa mga bansang nang-alipin sa ating kapuluan. Sa panahon ng pananakop ng mga kastila, hindi mabilang na pagbabangon ang nakatala sa kasaysayan upang malagot ang gapon ng pagkakaalipin. Sa kabila ng pagiging maliit at mahinang bansa, ang Pilipinas ay hindi nawawalan ng mga anak na hindi natakot magbuwis ng buhay sa maraming mararwal na larangan alang-alang sa kalayaan, maging noong lumunsad ang mga Amerikano at nitong huli ay nang pataksil na manalasa ang mga Hapones. Napapanahon madin ang pelikulang katulad ng Ito Ang Pilipino upang maipakilala ang katutubong kabayanihan ng mga Pilipino." - Tagumpay Magazine, 21 December 1966 (READ MORE)




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Saturday, December 27, 2014

Rubia is 36!











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Friday, December 26, 2014

32nd Year Anniversary of Haplos (1982 - 2014)



Plot Description: Al (Christopher De Leon) is a balikbayan who returns to his former hometown where his mother is buried. There he meets his childhood friend Cristy (Vilma Santos) who works as a counselor for family planning. Eventually they develop a romantic relationship and end up as a couple. However, a mysterious lady appears one day while Al tends to his mother's grave. Al falls in love with the stranger and is now torn between her and Cristy. Haplos is another cinematic masterpiece by famed screenwriter Ricardo Lee. It is the official entry to the 1982 Metro Manila Film Festival. With Vilma Santos and Christopher De Leon in the lead roles and supported by Rio Locsin, Haplos is a brilliant movie with a mind-boggling twist in the story. It's a must-see for all Pinoy film buffs. - neTVision



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Thursday, December 25, 2014

1977 MMFF


The 3rd Metro Manila Film Festival was held in the year 1977. Previously known as Metropolitan Film Festival, it was changed to Metro Manila Film Festival. Burlesk Queen grabbed most of the awards. - Wikipedia (READ MORE)

Controversial Awards Night - "...In 1977, it was apparent that the actress in Vilma Santos fully emerged when she won the MMFF Best Actress award for the controversial Celso Ad Castillo period drama Burlesk Queen. Unfortunately, her winning was marred by nasty talks (na kesyo binawi ang mga napanalunan ng pelikula, including Vi’s trophy or medallion.) It seems nakaapekto ‘yun sa awarding na pambuong taon: at the FAMAS, Vilma lost to Susan Roces (for Maligno, also by Castillo); and, at the Gawad Urian, to Daria Ramirez (for Eddie Romero’s Sino ’ng Kapiling, Sino’ng Kasiping?). As for Nora Aunor, matapos ang grand entrance niya sa big league bilang major award-winning actress (with a double victory, unmatched at the time), isang actionromance- drama ang kanyang nagging panlaban: Augusto Buenaventura’s Bakya Mo Neneng, which paired her off with Tirso Cruz III and Joseph Estrada. The film won as Best Picture sa FAMAS. Nora’s and Vilma’s starrers were big moneymakers at the 1977 MMFF..." - William Reyes (READ MORE)

"...Look ninyo kung paanong nag-away at nag-gantihan ang dalawang maka-Nora at maka-Vilma! In 1977, pinakyaw ng Burlesk Queen ni Vilma Santos ang halos lahat ng awards. May tumutol, nag-ingay at nag-away-away (Hello, Lolit! Ang Scam!) kaya nag-utos si Madam Imelda na bawiin ang mga award! Wala namang kumuha uli nu'ng mga tropeo. Parang Vangie Pascual na tumangging bumalik sa Miss World contest to claim her crown bilang pamalit sa nanalong "Miss World" na may anak na pala! Snob?...And so, pinakyaw nga ng Burlesk Queen (1977) ang mga award. Gumanti ng sumunod na taon ang Noranians! Para lang matalbugan at mas mataasan ang napakyaw na awards ni Vilma Santos at ng Burlesk Queen, only a single acting award was given the following year; Best Performer award for Nora Aunor in Atsay! Walang Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress. Wala. Sabi nang isang award lang ang ibinigay na para bang encompassing ang performance ni Ate Guy more than Ate Vi. Galing?!..." - Alfie Lorenzo, Abante Tonite (READ MORE)

"...Naalaala namin ang "gulo" rin noong 1977 na open ang awayan ni Lino Brocka na director ng Inay at ni Rolando Tinio na isang juror. Muntik pa silang magsuntukan after the awards. Ang dahilan: Nanalo ang Burlesk Queen ni Celso Ad Castillo ng lahat ng awards except three (art direction at cinematography na punta sa Mga Bilanggong Birhen nina Tita Midz at best technical film ni Mike de Leon, Kung Mangarap Ka't Magising). May favoritism daw. Hate daw ng ilang jurors si Brocka. Dahil sa ingay ng print media, winidraw ng MMDA (si Mrs. Imelda Marcos ang big boss) ang mga tropeo. Ewan kung naisauli nina Celso, Vilma Santos, Rollie Quizon, Joonee Gamboa, Rosemarie Gil at producer Romy Ching ang mga tropeo nila na ‘binale-wala’ ng MMFF 1977 committee. Mabilis ang desisyon. Walang umangal..." - Billy Balbastro, Abante Tonite (READ MORE)

"...On its third year in 1977, the awards - won mostly by Burlesque Queen, were recalled by the organizer, then called the Metro Manila Commission, over some minor furor. I wouldn't want to elaborate on this scandal anymore because most of the personages involved in the issue have long passed on to the other world. It’s not even clear to this day, in fact, if that recall was official because no trophies were returned and the festival’s annual souvenir program (at least the last time I saw one) still carries Burlesque Queen in its honor roll..." - The Philippine Star (READ MORE)

Award Winners:


Time Magaziine - "...The Philippines: Let Them See Films. When politics became pretty much a one-man show in the Philippines, the people lost a prime source of entetainment. Part of the gap has been filled by a burhome-grown film industry, which displayed nine of its new productions at the Manila Film Festival last month. Some 2 million moviegoers saw the films. Some of the movies were historical dramas pointing up the search for a Filipino identity during the long years of Spanish rule. But the most acclaimed were contemporary stories with a heavy populist touch. The festival’s smash hit was Burlesk Queen, starring Filipino Superstar Vilma Santos. It tells the syrupy tale of a poor girl who turns to burlesque dancing to support a crippled father. She falls in love with the son of a politician, elopes with him, and then tragically loses him back to his possessive mother. The treacle is supplemented with some gritty argument about the rights and wrongs of burlesque, with a lefthanded dig at censors. Huffs the burlesque impresario at one point: “Who are they to dictate what the people should see?...” - Time Magazine, Feb. 13, 1978 Vol. 111 No. 7 (READ MORE)

Vi on Burlesk Queen - "...Yes, I will never forget that seven-minute dance in the movie. I postponed the shoot of the scene five times. I was so afraid. I performed the dance in front of a real burlesk show audience. I remember the controversy about the Metro Manila Film Festival Awards and the squabble between Rolando Tinio and Lino Brocka. They wanted us to return the trophies. I didn’t return mine. I deserved it. I worked hard for that trophy…” - Boy Abunda, The Philippine Star, July 31, 2009 (READ MORE)

Foreign Festival - "...One of the first Filipino filmmakers to invade foreign film festivals abroad with such output as Burlesk Queen and Alamat ni Julian Makabayan (Berlin Film Festival and World Film Festival in Montreal) and Nympha (Venice Film Festival), among others, Celso The Kid returned to his hometown Siniloan, Laguna where he led a quiet life while working on his autobiography…His 1977 film, Burlesk Queen, won 10 out of the 11 awards of the 1977 Metro Manila Film Festival but the results were contested by Lino Brocka and defended by juror Rolando Tinio (now National Artists for Film and Theater), respectively. He reflected: “I wanted to vindicate myself as a filmmaker in this movie. The media referred to me as a reluctant artist and a filmmaker who has yet to arrive. Not only did the film run away with awards. It was also the top grosser. It broke the myth that quality films don’s make money in the box-office and commercial films don’t win awards…” - Pablo A. Tariman, The Philippine Star, 28 November 2012 (READ MORE)

Film Entries:
  • Bakya Mo Neneng - Direction: Augusto Buenaventura; Story & Screenplay: Augusto Buenaventura, Diego Cagahastian; Cast: Joseph Estrada, Nora Aunor, Tirso Cruz III, Gloria Sevilla, Angelo Castro Jr., Ramon D'Salva, Angelo Ventura, Romy Medalla, Ernie Zarate, Olivia Sanchez, Ernie Ortega, Boyet Arce, Francisco Cruz, Paquito Salcedo; Original Music: Ernani Cuenco; Cinematography: Fred Conde; Film Editing: Edgardo Vinarao; Production Design: Vicente Bonus; Sound: Gregorio Ella; Production Co: JE Productions
  • Kung Mangarap Ka't Magising - Direction: Mike De Leon; Story & Screenplay: Mike De Leon, Rey Santayana; Cast: Christopher De Leon, Hilda Koronel, Laurice Guillen, Moody Diaz, Danny Javier, Boboy Garovillo, Bibeth Orteza, Briccio Santos, Oya de Leon, Archie Corteza, Erwin Kilip, Jayjay de los Santos, Bert Miranda, Don Escudero, Sally Santiago, Marietta Sta. Juana, Belen Perez, Wilma Gacayan, Tess Dumo, Carol Gamiao, Joseph Olfindo, Wilma Cunanan, Alfie Alonso, Jojo Nacion, Dorai Montemayor, Annie Lazaro, Rikki Jimenez, Guiller Magalindal, Francis Escaler, Aida Rabara, Carmen Gayman; Executive Producer: Manuel De Leon, Narcisa de Leon; Original Music: Jun Latonio; Cinematography: Mike De Leon, Francis Escaler; Film Editing: Ike Jarlego Jr.; Production Design: Mel Chionglo; Music: Nonong Buencamino; Production Co: LVN Pictures
  • Inay - Direction: Lino Brocka; Story & Screenplay: Jose Dalisay Jr.; Cast: Alicia Vergel, Dindo Fernando, Chanda Romero, Orestes Ojeda, Laurice Guillen, Ace Vergel, Dexter Doria, Fred Montilla; Original Music: Ernani Cuenco; Cinematography: Joe Batac; Film Editing: Augusto Salvador; Production Design: Fiel Zabat; Production Co: Lotus Films
  • Banta ng Kahapon - Direction: Eddie Romero; Story & Screenplay: Eddie Romero; Cast: Vic Vargas, Bembol Roco, Roland Dantes, Chanda Romero, Lito Legaspi, Roderick Paulate, Ruben Rustia, Karim Kiram, Romeo Rivera, Henry Salcedo, Olivia O'Hara, Celita DeCastro; Executive Producer: Antonio Co, Dennis Juban, Jun C. Tavera, Beth Verzosa; Original Music: Vic Santiago, Berg Villapando, Marilyn Villapando; Cinematography: Justo Paulino; Film Editing: Ben Barcelon; Production Design: Gay Dolorfino; Sound: Angel Avellana; Production Co: Hemisphere Pictures
  • Babae... Ngayon at Kailanman - Direction: Joey Gosiengfiao; Story & Screenplay: Amado Daguio, Alberto Florentino, Nick Joaquin, Jose F. Lacaba, Wilfrido Nolledo; Cast: Charito Solis, Gloria Diaz, Chanda Romero, Vivian Velez, Dindo Fernando, Ronaldo Valdez, Tommy Abuel; Original Music: Lutgardo Labad; Cinematography: Jose Austria; Film Editing: Ike Jarlego Jr.; Production Design: Betty Gosiengfiao; Production Co: Melros Productions
  • Walang Katapusang Tag-araw - Direction: Ishmael Bernal; Story & Screenplay: Ishmael Bernal, Oscar Miranda; Cast: Charito Solis, Eddie Garcia, Mat Ranillo III, Liza Lorena, Ruel Vernal, Ingrid Salas, Veronica Palileo, Rustica Carpio, Catherine Santos, Ernie Zarate; Original Music: Willy Cruz; Cinematography: Jun Rasca; Film Editing: Nonoy Santillan; Production Design: Mel Chionglo; Production Co: Lea Productions
  • Sa Piling ng mga Sugapa - Direction: Gil Portes; Story and Screenplay: Clodualdo Del Mundo Jr.; Cast: Mat Ranillo III, Bembol Roco, Chanda Romero, Julie Ann Fortich, Paul Lacanilao, Mely Tagasa, Bongchi Miraflor, Mart Martel, Cris Vertido, Peng Olaguera, Ral Arando, Fred Param, Telly Babasa, Tommy Yap; Original Music: Ramon Santos; Cinematography: Arnold Alvaro; Film Editing: Ben Barcelon; Production Design: Dez Bautista; Production Co: Silangan Films International
  • Mga Bilanggong Birhen (Captive Virgins) - Direction: Mario O'Hara, Romy Suzara; Story and Screenplay: Mario O'Hara; Cast: Alma Moreno; Trixia Gomez; Rez Cortez; Armida Siguion-Reyna; Mario Montenegro; Barbara Luna; Ruffy Mendoza; Leroy Salvador; Monang Carvajal; Rodel Naval; Panggoy Francisco; Ronnie Lazaro; Producer: Armida Siguion-Reyna; Original Music: Ryan Cayabyab; Cinematography: Romeo Vitug; Film Editing: Ike Jarlego Jr.; Production Design: Laida Lim-Perez; Production Co: Pera Films
  • Burlesk Queen - Direction: Celso Ad Castillo; Story: Mauro Gia Samonte, Celso Ad Castillo; Screenplay: Mauro Gia Samonte; Cast: Vilma Santos, Rolly Quizon, Rosemarie Gil, Leopoldo Salcedo, Roldan Aquino, Chito Ponce Enrile, Dexter Doria, Yolanda Luna, Joonee Gamboa; Original Music: George Canseco; Cinematography: Benjamin L. Lobo; Film Editing: Abelardo Hulleza, Joe Mendoza; Production Design: Jose Tamayo Cruz; Sound: Gregorio Ella; Production Co: Ian Films


The Metro Manila Film Festival-Philippines (MMFF-P) is the annual film festival held in Manila. The festival, which runs from the 25th of December to the first week of January, focuses on locally-produced films. The MMFF was established in the year 1975, during which Diligin Mo ng Hamog ang Uhaw na Lupa (Water the Thirsty Earth with Dew) by Augusto Buenaventura won the best film award. During the course of the festival, no foreign movies are shown across the Philippines (except for 3D theaters and IMAX theaters). Moreover, only films approved by the jurors of the MMFF will be shown. One of the festival highlights is the parade of floats during the opening of the festival. The floats, each one representing a movie entry for the festival, parade down Roxas Boulevard, while the stars for films ride on them. On the awards night, the Best Float award is also announced, together with the major acting awards. - Wikipedia (READ MORE)


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Wednesday, December 24, 2014

Special Film: Burlesk Queen (1977)


Burlesk Queen is a 1977 drama film directed by Celso Ad Castillo about a poor girl who finds herself working in the world of burlesque performers in order to alleviate her family's poverty. The lead role is masterfully played by Vilma Santos, who sheds her good girl image for the first time in this role. To support her paralytic father, Chato (Vilma Santos) works as a utility girl at Inday Theater for a burlesque star Virgie Nite (Rosemary Gil). Chato desperately wants to earn money to help her ailing and paralyzed father. When Virgie gets drunk on the night of her scheduled show, Chato pitches in for her, and she becomes an instant sensation. Enthused by the initial acceptance of the audience, she defies her father's admonitions and presents herself to the manager, thus, becoming the new burlesque queen. The aberrant lifestyle of a burlesque performer leads Chato to a misguided existence. She becomes pregnant and is abandoned by the father of her baby. Desperate for cash, she agrees to appear in a lavish stage show. In front of a screaming male audience, Chato bumps and grinds in a tour de force performance, unaware of the danger to her pregnancy. - Wikipilipinas (READ MORE)


“…It was 1977 with an exceptional film, Burlesk Queen, that Castillo got his frist critical recognition. Entered in that year’s Metro Manil Film Festival, it was adjudged the Best Picture, won forhim a Best Director Award as well as nine other artistic awards. It told a young girl in Manila in the 50′s who wanted to become a burlesque dancer. It showed a subdued Castillo. He seemed in this film, to have held back his passion for visual impact to give way to his new mastery of film grammar. His characters cried and whimpered, they did not scream and curse. They delievered dissertations on art, not imprecations of wrath, which had set the pitch of his previous films. The critics fought bitterly over Burlesk Queen. In that festival, he was contending with film makers who enjoyed a high reputation among the country’s most avid film critics. Upon winning the award, Castillo instantly became the favorite beating boy of the critics who did not appreciate Burlesk Queen. To prove to them his worth, Castillo did Pagputi ng Uwak, a 50′s epic set in his favorite Southern Tagalog locale. It was the most lavish of all his productions and had all the elements of a “great” Filipino film. He exploited the many religious and social rituals typical of the region. The film featured the two most critically acclaimed performers of the time, Bembol Roco, Jr. and Vilma Santos, with the cinematography of Romy Vitug complementing Castillo’s visual sense. And it touched on civil unrest to underline the film director’s social awareness. Pagputi ng Uwak was a visual fest, an artistic and socially responsive film aimed at the critics. It was also Castillo’s first commercial failure after a string of more than 20 minor and major box-office hits…In just a decade, Castillo, with all his audacity and dramatic excesses, has claimed his place as one of the most versatile and genuinely interesting filmmakers in the Philippines today…” - Rosauro de la Cruz (READ MORE)







Source: gobitz69


FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

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Tuesday, December 23, 2014

Special Film: Makahiya at Talahib (1976)


Makahiya at Talahib (1976) - "...Arturo (Rudy Fernandez) is a convict on the run after being framed for rape. Aurora (Vilma Santos), a sculptress at odds with her overbearing mother (Gloria Romero), falls for him and is convinced of his innocence. When Arturo takes revenge on those who framed him, Aurora helps him plot his escape. This, while her sister Beatriz (Trixia Gomez) has a brief affair with Arturo..." - Music & Laughter TV (READ MORE)









Source: gobitz69


FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

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Monday, December 22, 2014

Special Film: Leron-leron Sinta (1972)


Plot Description: Leron-leron Sinta (1972) stars Vilma Santos, Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lillian Laing, Karlo Vero in this film that fuses music and film perfectly. Witness their characters explore the world of love and the beauty and madness that come with it. Watch them as they perform certain scenes with song numbers bringing pleasure and entertainment to the next level. - Kabayan Central (READ MORE)










Source: gobitz69


FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

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Sunday, December 21, 2014

Special Film: Langis at tubig (1980)


“…During the MMFF when Ate Vi won in Karma. It was a triple tie between Ate Vi, Gina Alajar and Charo Santos. JQ as one of board of jurors defended why Ate Vi should win. On the second deliberation JQ convinced one of the jurors and Ate Vi won by 1 point. JQ lambasted on his TV program the jurors in the MMFF when Ate Vi was not even nominated for her performance in Langis at tubig. The nominees are Nora Aunor for “Bona” and “Kung Akoy IIwan Mo” and Amy Austria for Brutal. Its good that Amy won. JQ said that Ate Vi is good in langis compared to Nora in “Kung Akoy IIwan.” Obiously that was manipulated by Dean Lukresia Kasilag who was the Board Chairman that time and a certified Noranian. Kawawa talaga si Ate Vi basta involved si Kasilag lagi syang nabibiktima. Remember Rubia Serbios and Atsay. JQ always regarded Ate Vi as the real Queen of Philippine movies and a certified box Office Queen…” - V Magazine (READ MORE)


Danny Zialcita is a fun-loving gifted and colorful filmmaker who left his mark as one of the best in the stimulating era of the ’60s and ’70s. Then without any warning he left the industry. Stories of drug addiction, withdrawal from the world, and worse, loss of sanity dogged his absence until even his colleagues lost touch with him and didn’t know what to believe. Zialcita is a master of improvisation on the set, he also had the knack for casting the right actors, choosing the right material, and pleasing his producers. One of his favorite actors was Dindo Fernando whom he termed “the complete actor” and cast him in such movies as Langis at Tubig, Karma, Gaano Kadalas Ang Minsan, Mahinhin at Mahinhin, its sequel Malakas, si Maganda at si Mahinhin and Ikaw at ang Gabi which gave Dindo his first Urian Best Actor trophy. Other favorites were Vilma Santos cast in Karma, T-Bird at Ako, Langis at Tubig; Pinky de Leon; Laurice Guillen; Ronaldo Valdes; and Beth Bautista who won Best Actress award in Hindi sa Iyo ang Mundo Baby Porcuna. - Bibsy M. Carballo (READ MORE)










Source: gobitz69



FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

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Saturday, December 20, 2014

Dekada 70 is 12 years old (Videos)


Original Released date: 25 December 2002

Festival Official Screenings:
  • 2002 Metro Manila Film Festival - Manila, Philippines (25 December 2002)
  • 2003 New York Asian American International Film Festival - New York, USA (28 June 2003)
  • 2003 Cinemanila Film Festival - Manila, Philippines (17 August 2003)
  • 2003 Montréal World Film Festival - Montréal, Canada (31 August 2003)
  • 2003 Hawaii Film Festival - Hawaii, USA (7 November 2003)
  • 2004 Fukuoka Film Festival - Fukuoka, Japan (14 September 2004)
  • Festival Paris Cinéma - France (5 July 2008)
  • Filipino International Film Festival - Los Angeles, USA (17 October 2009)

Plot Description: Dekada 70 is a story of a family caught in the midst of a tumultuous time in Philippine history – the martial law years. Amanda (Vilma Santos) and Julian (Christopher Deleon) is a picture of a middle class couple with conservative ideologies, who must deal with raising their children, five boys – Jules (Piolo Pascual), Isagani (Carlos Agassi), Emmanuel (Marvin Agustin), Jason (Danilo Barrios) and Bingo (John Sace) in an era marked by passion, fear, unrest and social chaos. As siblings struggle to accept the differences of their ideologies, as a father faces the painful dissent of his children, a mother’s love will prove to be the most resonant in the unfolding of this family’s tale, will awaken to the needs of her own self, as she embarks on a journey of discovery to realize who she is as a wife, amother, a woman and a Filipino. - Star Cinema












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