Maria Rosa Vilma Tuazon Santos-Recto (born Maria Rosa Vilma Tuazon Santos November 3, 1953 in Bamban, Tarlac), commonly known as Vilma Santos-Recto or Ate Vi is a Filipino actress and box office queen for almost four decades. One of the original Philippine movie queens, she rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). She is currently the governor of Batangas, Philippines (2012)(Wikipedia).

For More Informations, Visit: Vilma Santos-Recto's Official Web-site

Tuesday, October 1, 2013

RP Cinema’s Best Actress of All Time (Repost)


One of the lingering showbiz debates concerns the choice for the greatest Pinay movie actress. The matter may now be settled with the Gawad Plaridel that the University of the Philippines bestows on outstanding Filipino mass media practitioners.

Established by the UP College of Mass Communication under Dean Nicanor G. Tiongson last year and derived from the nom de plume of Philippine hero and propagandist Marcelo H. del Pilar, Gawad Plaridel is a form of lifetime-achievement honor with the recipient coming from any of the various fields that encompass mass media such as journalism, broadcast arts and, of course, cinema.

The first Gawad Plaridel awardee, Eugenia Apostol, hails from print media. For this year, it has been decided by the Gawad Plaridel organizers to hand out the plum to a film artist. Many welcome the choice of Star for All Seasons Vilma Santos getting the Gawad Plaridel, and many more could not less agree.

With a screen career spanning five decades, Vilma outshines her peers. She has proven herself not only as a consummate actress but also more importantly, a role model and enduring inspiration. The Gawad Plaridel is just the latest in the string of lifetime achievement awards Vilma has received in the course of her stellar career. It was the Film Academy of the Philippines that first extended Vilma such great honor in the early 1990s followed by the Filipino Academy of Movie Arts and Sciences later in the decade and then the Cinemanila International Film Festival a couple of years back.


On top of all these distinguished honors for lifetime contribution to motion-picture arts, Vilma has been proclaimed on various occasions as the country’s premier actress, sole screen diva (*Filipino cinematic diva* as Hollywood bible Variety Magazine exactly put it in 2003), most celebrated actress, best actress for all seasons and reasons, national actress, film actress par excellence, etc. – all in testament to the magnitude of the artistic legacy attributed to the actress-politician idolized by throngs of ardent admirers.

All in all, Vilma has amassed more than four dozen trophies for her sterling performance in a gamut of noteworthy films that automatically form part of the country’s cinematic heritage. She has worked with the best talents that Philippine cinema could boast of, and the Gawad Plaridel accorded to her is in itself an honor Vilma could share with these industry colleagues allied with her.

The Gawad Plaridel citation says it all. Part of it reads: “(The choice of Ms. Vilma Santos as this year’s Gawad Plaridel recipient was) among other reasons for building a brilliant career which saw her grow from popular icon to professional actor through self-discipline and tireless honing of her craft; for bravely using her popularity as an actress to choose roles which bring to the public attention as astounding range of female experiences, as well as an array of problems confronting women of different classes and sectors in contemporary Filipino society; and for bringing to life on screen characters whose stories have the effect of raising or transforming the consciousness of women, leading them a few steps closer to a deeper understanding of their situation vis-à-vis the patriarchy and to the ability to control their own lives and make empowered choices of their own.” - Nonoy L. Lauzon, "Reel Pinoy, RP Real Pinoy," July 2005 The Best of the Philippines

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