“Kuya Rod…ayokong magsisi ka…nasasaktan ako…basta’t mahal kita, mahal na mahal kita, basta’t mahal mo ako, hindi tayo dapat magsisi, hindi tayo dapat mahiya!” - Nanette
Basic Information Directed, story: Celso Ad. Castillo; Screenplay: Mauro Gia Samonte; Cast: Vilma Santos, Christopher De Leon, Eddie Garcia, Lorli Villanueva, Joseph Sytangco, Joonee Gamboa, Odette Khan, Pedro Faustino, Alma Moreno, Rez Cortez, Soxy Topacio, Eva Darren, Edna Diaz, Nympha Bonifacio; Executive producer: Lourdes S. Sevilla; Original Music: Ernani Cuenco; Cinematography: Ricardo M. David; Film Editing: Augusto Salvador; Production Design: Baby Alvarez; Sound: Manuel Daves; Released date: 24 October 1975
Plot Description: First cousins, Rod (Christopher Deleon) and Nanette (Vilma Santos) fell in love. The result was an unwanted pregnancy and a scandal that their family have to endured and ended into a trip to the abortion clinic.
Film Achievement: The very first film of Christopher Deleon and Vilma Santos, considered as one of the most successful love team Philippine cinema ever produced. As of 2008, Deleon and Santos has twenty-three films under their belt.
Film Reviews: The film “Tag-ulan sa Tag-araw” directed by Celso Ad Castillo started with Nanette (Vilma Santos) meeting Rod (Christopher Deleon) while vacationing in their rest house along the beach. It was clear to both that it was love at first sight but this instant chemistry ended when they discovered they are first cousins. Faith continued to play an important role to their initial attraction as Rod joined Nanette along with her parent to Manila where Rod was permitted by his parent to continue his study. Rod and Nanette at first decided to resist their feeling for each other by dating other people but their love for each other are more intense than what their mind dictates. The two started to have a secret affair culminating to a hot sex when they came back to the rest house when another summer arrives. As expected Nanette gets pregnant and the problem to expose, their taboo affair is ticking. Worst, Nanette’s morning sickness was noticeable to her suspicious mother played wonderfully by Lorli Villanueva. When finally Nanette’s family found out her condition, she was beaten by her angry father but she remained tight lipped to tell who impregnated her. As Rod tried to remained his calm, Nanette’s family locked her to her room until she’s ready to talk. Rod climbed to the balcony to speak to her and that’s when Nanette’s family discovered who is the father. As Rod came down to the balcony, he was cursed by both parents and was beaten by them as Nanette beg for mercy. Rod was hospitalized as his parent came from the province and beg for forgiveness to the angry Julio (Eddie Garcia), Nanette’s father. Julio was fuming and throws the couple out the house. He also mentioned that they are planning to abort Nanette’s baby.
Forest of the Heart - “...The best way to learn how to write is to keep on reading and writing. That was the advice I got from the late Vicente Rivera Jr., Literary Editor of the Weekly Graphic Magazine in 1965. Evidently concerned that I might be getting discouraged by the avalanche of rejections of my contributions to his section, Vic would write me such notes and attach them to the manuscripts that he sent back. Finally out of school, having permanently aborted my engineering studies, I was then working as a stay-in janitor-messenger in a travel agency in Binondo. That stay-in status gave me whole nights of pounding the typewriter for churning out short story manuscripts so endlessly it must seem that a friend of the agency owner who was doing PR for a brewery company would taunt me with ridicule: “The only good thing you are doing is you are helping the paper industry.” I would gape at the remark, quite baffled. And he would blurt out in harsh laughter, saying, “Imagine the tons of bond paper that you consume with what you are doing.” “Just you wait, Jimmy Boy. Just you wait.” At this point, I am constrained to flash forward. The time was 1970. That guy Jimmy had been waiting at the editorial offices of the Makabayan Publishing Corporation, publisher of the Weekly Nation, one of three leading magazines during the period. He did take time to wait, three, four hours maybe, so as to get an appointment for Luis Nepomuceno, producer of the Nepomuceno Productions of which he was the PRO, with the entertainment editor of the Weekly Nation — named Mauro Gia Samonte. Vic Rivera’s advice had borne fruit. I had kept reading and writing until, at long last, in 1965 I had my first-ever short story published in the Weekly Graphic, “Forest of the Heart.” That story would, a decade later, form the core of the screenplay of “Tag-Ulan Sa Tag-Araw,” the Vilma Santos-Christopher de Leon blockbuster film that I would write for direction by Celso Ad. Castillo. And the performance of the movie would tee me off in a career, both in screenwriting and in film direction, successful enough for Tatay to say he had not waited in vain. He got the pleasure of being included together with Nanay in one of the movies I directed. But didn’t I say, “If I were a fish”? I did, indeed. And as a fish, I was gasping for breath when Henry Sy suddenly dealt the Philippine film industry a death blow by banning adult movies in SM theaters, which comprise 80 percent of movie exhibition outlets; and adult movies were what the Philippine cinema was mainly about..." - Mauro Gia Samonte, Manila Times, 11 October 2016 (READ MORE)
When Rod found out from his parents the planned abortion, he left the hospital and went back to his uncle’s house. Very timely, Rod arrives as Nanette together with her family was headed to the abortion clinic. With the help of two security guards, Rod was controlled as his uncle’s car passed him and Nanette cried for intervention. Rod followed the car and was almost successful as the car stopped for the traffic lights. But his attempt failed as the car continued its destination. The end. The Catholic Church prohibits marriage between first cousins and it is considered a sin. Tag-ulan sa Tag-araw successfully tackles this topic with convincing scenarios and believable characters. Celso Ad Castillo’s style remained true to many films in the 60s with canned music and repetitive voice over by its two main characters. One scene you will hear Christopher narrates his feelings and the next scene it was Vilma’s turn to speak. Most of this narration or voice over while they are playing in the rain on the streets or on beach.
Tag-ulan sa Tag-araw is the first screen team-up of Vilma Santos and Christopher de Leon. That fact alone gives the film a unique importance. This partnership paved the way for a string of memorable films together. They played notable roles, shared celebrated scenes, delivered unforgettable dialogues, and reaped acclaim for their performances. Theirs is the ripest love team in Philippine cinema, transcending cheap romance in exchange of maturity, often appearing as a couple in the hardest of circumstances. In Tag-ulan sa Tag-araw, they play cousins who fall in love with each other, and knowing it is socially unacceptable, they try to fall out of it. It seems awkward for a first team-up, considering its taboo subject, but seeing young Vilma and Boyet weep as they fight for their impossible love story, it only shows that they only get better the harder their roles are. It is already clear in the beginning that their romance is doomed. Rod and Nanette meet in a beach house owned by her parents, who bring Rod along to stay in their place in Manila to study. It is love at first sight—Rod sees her playing along with her friends in the beach and as she runs to get her dog, they exchange names, glances, and affection. Right that very moment, they are in love. They walk around the place, holding hands, sharing their surprise on how comfortable they already are with each other. There is nothing really malicious about it. We all know that their affection is sincere. They have longed for it—and it came. - Lilok Pelikula (READ MORE)
Noel insisted that I watch Tag-Ulan Sa Tag-Araw, a Vilma Santos-Christopher de Leon movie from the 70s. Hadn’t realized it was written and directed by Celso Ad. Castillo, the demented genius of Philippine cinema. I used to see the movie on TV ages ago, and I’ve never forgotten the final scene in which Vilma’s parents are taking her away, Christopher is chasing the car on foot, and at every stoplight he hurls himself at the car, smashing the windows and bouncing off the hood. It was intense and oddly, not laughable. Nenet (Santos) and Rod (De Leon) are cousins who fall in love at first sight before they learn that they are first cousins. Rod has come to Manila to attend university; he lives in the house of Nenet’s parents. The parents are played by Eddie Garcia and Lorli Villanueva, and their hamminess fits the movie perfectly. They’re not the villains: there is no villain, the culprit is passion. Rod does the decent thing: he avoids Nenet and tries to move out of the house. But this is first love of the hysterical kind, the passion that drives the young insane, and the actors are so committed to their roles that you believe every cheesy line they utter. Their love overrides all rational thought. In one scene Nenet confronts Rod on the bus—she always calls him “Kuya Rod”, reminding everyone of the incest—and in front of all the passengers, declares that she doesn’t care if they’re cousins, she loves him. Instead of eliciting giggles, the scene is genuinely disturbing. These young lovers are beyond silliness: they are in a delirium. Celso Ad. Castillo is a master at creating and drawing out emotional tension—as Noel pointed out, it’s almost like watching a horror movie. The lovers can’t abide parental counsel; what they need is an exorcist because they are possessed. There’s even a balcony scene, a demented reference to Romeo and Juliet. The copy is gray and brown with age, unrestored, lacks opening and closing credits, and don’t even mention subtitles or special features. We’re just glad it still exists. Tag-Ulan Sa Tag-Araw is available at video stores; Raymond found his copy on sale for 100 pesos. - Jessica Zafra (READ MORE)
"...Ad Castillo's Tag-Ulan sa Tag-Araw (Monsoon Rain in Summer, 1975) is about a young man (Christopher de Leon) who dorms with his uncle and aunt and falls in love with his cousin (played by a waiflike Vilma Santos). Ad Castillo tackles the sensational subject of incest by framing the two lovers' relationship as a kind of innocent affair, taking place in a countryside Eden. It's the kind of hackneyed concept that really shouldn't work; the result ought to be less like D.H. Lawrence and more like Emmanuelle. But Ad Castillo happens to have one of the most prodigiously talented eye in all of Philippine cinema, and the heedlessly lyrical manner in which he shot Tag-Ulan transforms softcore porn into something like art. Every rainfall, every shaft of light, every leafy shadow caught by his largely handheld camera makes you catch your breath; there is lovemaking without nudity, yet Ad Castillo shoots with such throbbing intensity you are nevertheless aroused..." - Noel Vera, Critique After Dark, 06 December 2012 (READ MORE)