Maria Rosa Vilma Tuazon Santos-Recto (born Maria Rosa Vilma Tuazon Santos November 3, 1953 in Bamban, Tarlac), commonly known as Vilma Santos-Recto or Ate Vi is a Filipino actress and box office queen for almost four decades. One of the original Philippine movie queens, she rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). She is currently the governor of Batangas, Philippines (2012)(Wikipedia).

For More Informations, Visit: Vilma Santos-Recto's Official Web-site

Friday, March 15, 2013

LET'S DO THE SALSA (1976)


Basic Information: Directed: Luciano B. Carlos; Story: Bert Mendoza; Cast: Vilma Santos, Walter Navarro, Rolly Quizon, Ronnie Henares, Chichay, Caridad Sanchez, Roderick Paulate, Arnold Gamboa, Winnie Santos, Maribel Aunor, Ike Lozada, Raul Aragon, Lorli Villanueva, Eddie Mercado, German Moreno, Trixia Gomez; Original Music: Dominic Valdez; Cinematography: Arnold Alyao

Plot Description: No Available Data

Film Achievement: Ranked 64th on Top-US-Grossing Tagalog-Language Feature Films Released In 1976

Film Reviews: "...Ate Vi thus became the chief opponent of Nora Aunor as the movie queen of the 1970s. Her edge is that she also became the queen of hit disco movies filled with singing and dancing, like "Swing It, Baby," "Disco Fever," "Rock Baby Rock," "Let's Do the Salsa," and the movie she did with Latin idol Junior, "Good Morning Sunshine..." - Mario Bautista (READ MORE)

"...I credit Ronnie Henares for discovering me,” said Geleen. “He saw me in a fashion show in Hyatt in 1978. John Gaddi, my first dancing partner, and I were modeling na pa-sayaw-sayaw. I guess natuwa sa akin si Ronnie so he got me into Penthouse 7 hosted by Archie Lacson...I was Vilma’s choreographer for her movies (Disco Fever, Good Morning Sunshine, etc.) and at the same time I was also choreographing for Nora on her show Superstar. When Vilma had her own TV show, she got me as choreographer but I stayed with her for only one month. The network bosses told me that I shouldn’t be handling two superstars at the same time. Nora was on Channel 9 and Vilma was on Channel 13. Because of loyalty, I chose to stay with Nora kasi mas nauna naman ako sa kanya. I was with her for four years na at that time. But first, I talked to Vilma who is a ninang of my son Miggy. I left Vilma with a heavy heart..." - Ricardo F. Lo (READ MORE)

"...Very few probably are aware that Ronnie was once a matinee idol in the music profession. He was the other half of the famous singing duo called The Two of Us. His partner was Jojit Paredes, the cousin of Jim Paredes, who was also a kilabot ng mga colegiala as part of the Apolinario Mabini Hiking Society, now better known as the APO. Ronnie and Jojit were schoolmates in La Salle grade school, while Jim and his then large group were from rival Ateneo...After The Two of Us, Jojit eventually disappeared from the scene (he is now in L.A. married to an American and works as an assistant administrator in a hospital), while Ronnie’s popularity lingered, especially when he and Vilma Santos began dating. Ronnie also joined Penthouse 7 as executive producer/dancer and also part of the group was Ida Ramos, who many years later would become his wife. (Ida Henares now heads GMA Artist Center.) In between, he also hosted his own variety shows on TV, primarily in the Broadcast City stations..." - Butch Francisco (READ MORE)

"...This being Vilma Santos’ 50th year in show business (she started as a child star in 1963 with the dramatic tearjerker, “Trudis Liit”), her loyal fans are perfervidly recalling the highlights of her “golden” acting career...By 1976, Vilma was “going musical” again with “Let’s Do the Salsa,” unveiling the dancing ability that the would land her a long-running hit show on television years later. But, she also made sure to come up with dramas like “Makahiya at Talahib,” and romances like 'Bato sa Buhangin'...What’s up next for everybody’s Ate Vi? Higher political office, quite logically and obviously. But, we hope against hope that, every couple of years or so, she will continue to gift us with another memorable screen portrayal, to further enhance her already exceptional filmography. She’s simply too good a thespian to surrender completely to politics..." - Nestor U. Torre, Philippine Daily Inquirer, 03 August 2012 (READ MORE)
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