Special Film: Burlesk Queen (1977)

Burlesk Queen is a 1977 drama film directed by Celso Ad Castillo about a poor girl who finds herself working in the world of burlesque performers in order to alleviate her family's poverty. The lead role is masterfully played by Vilma Santos, who sheds her good girl image for the first time in this role. To support her paralytic father, Chato (Vilma Santos) works as a utility girl at Inday Theater for a burlesque star Virgie Nite (Rosemary Gil). Chato desperately wants to earn money to help her ailing and paralyzed father. When Virgie gets drunk on the night of her scheduled show, Chato pitches in for her, and she becomes an instant sensation. Enthused by the initial acceptance of the audience, she defies her father's admonitions and presents herself to the manager, thus, becoming the new burlesque queen. The aberrant lifestyle of a burlesque performer leads Chato to a misguided existence. She becomes pregnant and is abandoned by the father of her baby. Desperate for cash, she agrees to appear in a lavish stage show. In front of a screaming male audience, Chato bumps and grinds in a tour de force performance, unaware of the danger to her pregnancy. - Wikipilipinas (READ MORE)

“…It was 1977 with an exceptional film, Burlesk Queen, that Castillo got his frist critical recognition. Entered in that year’s Metro Manil Film Festival, it was adjudged the Best Picture, won forhim a Best Director Award as well as nine other artistic awards. It told a young girl in Manila in the 50′s who wanted to become a burlesque dancer. It showed a subdued Castillo. He seemed in this film, to have held back his passion for visual impact to give way to his new mastery of film grammar. His characters cried and whimpered, they did not scream and curse. They delievered dissertations on art, not imprecations of wrath, which had set the pitch of his previous films. The critics fought bitterly over Burlesk Queen. In that festival, he was contending with film makers who enjoyed a high reputation among the country’s most avid film critics. Upon winning the award, Castillo instantly became the favorite beating boy of the critics who did not appreciate Burlesk Queen. To prove to them his worth, Castillo did Pagputi ng Uwak, a 50′s epic set in his favorite Southern Tagalog locale. It was the most lavish of all his productions and had all the elements of a “great” Filipino film. He exploited the many religious and social rituals typical of the region. The film featured the two most critically acclaimed performers of the time, Bembol Roco, Jr. and Vilma Santos, with the cinematography of Romy Vitug complementing Castillo’s visual sense. And it touched on civil unrest to underline the film director’s social awareness. Pagputi ng Uwak was a visual fest, an artistic and socially responsive film aimed at the critics. It was also Castillo’s first commercial failure after a string of more than 20 minor and major box-office hits…In just a decade, Castillo, with all his audacity and dramatic excesses, has claimed his place as one of the most versatile and genuinely interesting filmmakers in the Philippines today…” - Rosauro de la Cruz (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Makahiya at Talahib (1976)

Makahiya at Talahib (1976) - "...Arturo (Rudy Fernandez) is a convict on the run after being framed for rape. Aurora (Vilma Santos), a sculptress at odds with her overbearing mother (Gloria Romero), falls for him and is convinced of his innocence. When Arturo takes revenge on those who framed him, Aurora helps him plot his escape. This, while her sister Beatriz (Trixia Gomez) has a brief affair with Arturo..." - Music & Laughter TV (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Leron-leron Sinta (1972)

Plot Description: Leron-leron Sinta (1972) stars Vilma Santos, Edgar Mortiz, Jay Ilagan, Florence Aguilar, Lillian Laing, Karlo Vero in this film that fuses music and film perfectly. Witness their characters explore the world of love and the beauty and madness that come with it. Watch them as they perform certain scenes with song numbers bringing pleasure and entertainment to the next level. - Kabayan Central (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Langis at tubig (1980)

“…During the MMFF when Ate Vi won in Karma. It was a triple tie between Ate Vi, Gina Alajar and Charo Santos. JQ as one of board of jurors defended why Ate Vi should win. On the second deliberation JQ convinced one of the jurors and Ate Vi won by 1 point. JQ lambasted on his TV program the jurors in the MMFF when Ate Vi was not even nominated for her performance in Langis at tubig. The nominees are Nora Aunor for “Bona” and “Kung Akoy IIwan Mo” and Amy Austria for Brutal. Its good that Amy won. JQ said that Ate Vi is good in langis compared to Nora in “Kung Akoy IIwan.” Obiously that was manipulated by Dean Lukresia Kasilag who was the Board Chairman that time and a certified Noranian. Kawawa talaga si Ate Vi basta involved si Kasilag lagi syang nabibiktima. Remember Rubia Serbios and Atsay. JQ always regarded Ate Vi as the real Queen of Philippine movies and a certified box Office Queen…” - V Magazine (READ MORE)

Danny Zialcita is a fun-loving gifted and colorful filmmaker who left his mark as one of the best in the stimulating era of the ’60s and ’70s. Then without any warning he left the industry. Stories of drug addiction, withdrawal from the world, and worse, loss of sanity dogged his absence until even his colleagues lost touch with him and didn’t know what to believe. Zialcita is a master of improvisation on the set, he also had the knack for casting the right actors, choosing the right material, and pleasing his producers. One of his favorite actors was Dindo Fernando whom he termed “the complete actor” and cast him in such movies as Langis at Tubig, Karma, Gaano Kadalas Ang Minsan, Mahinhin at Mahinhin, its sequel Malakas, si Maganda at si Mahinhin and Ikaw at ang Gabi which gave Dindo his first Urian Best Actor trophy. Other favorites were Vilma Santos cast in Karma, T-Bird at Ako, Langis at Tubig; Pinky de Leon; Laurice Guillen; Ronaldo Valdes; and Beth Bautista who won Best Actress award in Hindi sa Iyo ang Mundo Baby Porcuna. - Bibsy M. Carballo (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: King Khayam and I (1974)

King Khayam’s search for another wife brought him the escapee, Princess Gracia. She doesn’t want to be wed to a man, she doesn’t love so she left her kingdom and ended up in King Kayam’s kingdom. They met and fell in love. (READ MORE)

Joseph "Erap" Ejercito Estrada (born Jose Marcelo Ejercito on April 19, 1937) was the 13th President of the Philippines, serving from 1998 until 2001. Estrada was the first person in the Post-EDSA era to be elected both to the presidency and vice-presidency. Estrada gained popularity as a film actor, playing the lead role in over 100 films in an acting career spanning 33 years. He used his popularity as an actor to make gains in politics, serving as mayor of San Juan for seventeen years, as Senator for one term, then as Vice President of the Philippines under the administration of President Fidel V. Ramos. - Wikipedia (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Happy Days Are Here Again (1974)

“…In 1974, the Big 3 studios of the 50s, LVN Pictures, Sampaguita Pictures and Premiere Productions reproduced a full-length movie showcasing a compilation of the musical comedies produced by the three studios. It was a painstaking job for the researchers since most of the best musicals produced by the three studios were either lost or destroyed. At the start of the project, director Lamberto V. Avellana was supposed to direct the film but eventually replaced by Cirio Santiago after so many changes in the project including the script. He ended up as consultant of the movie. The film was Happy Days Are Here Again, with brief narrations by movie stars like Gloria Romero, Nida Blanca, Susan Roces, Leopoldo Salcedo, Jaime de la Rosa, Eddie Gutierrez, Tirso Cruz III, Pugo, German Moreno and Ike Lozada…” - Pelikula Atbp (READ MORE)

Source: Ganito Sila Noon

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Edgar Loves Vilma (1970)

Edgar Loves Vilma (1970) Daughter of a nightclub singer, Vilma met Edgar whose father is also a single. Both parents fell in love at the same time as Vilma and Edgar became lovers. Some twist of story like the sudden breaking up of the young teen's parents due to Edgar's grandmother's disaproval of her son's relationship to a night club singer, which is a societal taboo for the upper class during those days, and the kidnapping of Vilma. But all we're ironed out and settled just in time for the final musical production number, showing the whole gang dancing and singing to Vilma's hit song, "Do Re Mi Fa Sol La Love You!"

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Iginuhit ng Tadhana: The Ferdinand E. Marcos Story (1965)

"...Iginuhit ng Tadhana: The Ferdinand E. Marcos Story (1965) (Carved by Destiny) is a movie based on the life of Ferdinand Marcos prior to his ascendancy as President of the Philippines. The movie was chronological in setting, featuring Marcos as a young boy in his hometown, as a brilliant student, and up to the time that he was unjustly imprisoned as a suspect in the murder of the political rival of his father. The movie then moves up to his acquittal, his career as a young congressman and senator, and up to the time that he married Imelda Marcos. The movie was shown in Manila as additional campaign material for Marcos’ candidacy for the Presidential race, which he eventually won. The movie portrayed Marcos as a person who is more than just a politician..." - Wikipilipinas (READ MORE)

"...As a piece of hagiography, you can’t get more melodramatic or shameless than 1965’s Iginuhit ng Tadhana (Drawn by Fate). In this biopic covering the life of kleptocrat and Martial Law architect Ferdinand Marcos (Luis Gonzalez) from his childhood to his ascent to the Philippine presidency, there is crying beside windows (courtesy of the martyr mother to end all martyr mothers, Rosa Mia), nervous wiping of brows on witness stands (because apparently, trial judges are blind to obvious body language), and kilometric monologues—including interior ones spoken in voice-over! How these characters don’t bore themselves to death is beyond me...Iginuhit ng Tadhana wastes no time getting down to its primary objective: settling scores. Conceived as propaganda for Ferdinand’s debut presidential campaign, the first 45 minutes of Iginuhit’s 136-minute running time busies itself scrubbing the Marcos name off the first of its multitude of sins: the death by sniper of Ferdinand’s political rival in Ilocos Norte, Julio Nalundasan. On the night of the murder, the film insists, our hero was busy reviewing for a law exam. He couldn’t possibly have stolen a rifle from his ROTC bunker and shot the congressman while he was brushing his teeth! And still, despite his nerd cred (and the aforementioned nervous mopping of brows by the star witness), the court had the gall to convict him! Hopefully, having gone through his own travesty of justice, our hero will have the empathy and drive to strengthen the rule of law in his own presidency, right? Right? Anyway, having demonstrated Ferdinand’s brilliance as he mounts his own defense in front of the Supreme Court, the film gets down to its next order of business: the meet-cute between our hero and his wife-to-be, Imelda Romualdez (Gloria Romero). Imelda is a far cry from his own mother, who visits her son in jail wearing a baro’t saya—no, when Ferdinand meets Imelda in the congressional cafeteria, she is wearing a man’s shirt, pants…and mismatched shoes! I can imagine the young Imelda watching this sequence and thinking, That will never happen again. After that, Iginuhit ticks off all the obligatory boxes: portraying Marcos as a family man, conscientious lawmaker, and devoted mama’s boy. (If I were Imelda and I were watching my husband call his mother “honey,” as this film says he does, I would have ran screaming from his latent Oedipus complex.) Oh, and watch out for a young Vilma Santos playing the eldest child, Imee. The role doesn’t give her much to do, but I foresee great things from this young performer…maybe even a run in politics..." Andrew Paredes, ANC, 21 September 2018 (READ MORE)

“…Marcos knew the power of the medium of film. Earlier on, Marcos produced a film biography using the most popular stars for his first presidential campaign. He ran against Macapagal who also came up with a film biography to boost his reelection bid. Marcos would also use another film Iginuhit ng Tadhana (Written by Destiny, 1965) to campaign for a second term. The two Marcos film bios would be the only successful political films—commercial and election wise—as other film biographies in the post-Marcos period by senatorial and presidential aspirants would prove dismal, unhelpful for election bids. The post-Marcos period liberalized the political and economic scene. It conventionalized and intensified the election of movie and sports stars, and even television news hosts to national politics. Television stations were sequestered by the government, the largest of which, however, was returned to its pre-martial law owners. ABS-CBN would become the leading television station until after 2000, allowing two of its news anchors to become senators…” - Rolando Tino (READ MORE)

Source: Ganito Sila Noon

Special Film: Jaguar (1979)

Jaguar is a 1979 drama film by Lino Brocka. The title comes from the Filipino word guardia or "guard," Anglicized into the word "jaguar." Colloquially, the word means "bodyguard," the occupation of the film's main character, played by Philip Salvador, who dreams of becoming an important person one day. The movie is based on the 1961 essay written by Nick Joaquin on the notorious 1960 Brown Derby shooting (as printed in Reportage on Crime) of Napoleon Nodecal. The film has also gained the distinction of entering into the Competition Category in the 1980 Cannes International Film Festival, where it was nominated for the prestigious Golden Palm Award. Poldo (Philip Salvador), a poor man, fantasizes about having good pay, social acceptance by the rich, fancy clothes and a good lifestyle, like most other Filipinos. He becomes a security guard in a posh apartment house to help his family. Trouble ensues after he saves his boss's son, Sonny (Mengie Colarribias), from a corrupt nightclub owner's attack. The grateful Sonny offers Poldo a job as his bodyguard. Unbeknownst to Poldo, his new employer publishes porno magazines and is just as corrupt as his attacker. Poldo, however, is lulled because now he gets a taste of his boss' carefree and extravagant lifestyle and believes that his boss accepts him as a friend. In one of the nightclubs they frequent, Poldo meets Cristy (Amy Austria), a dancer whom Poldo is attracted to. Sonny, too, is smitten by Cristy and aggressively pursues her, despite a warning from San Pedro, the movie director with whom Cristy has had an affair. Sonny and San Pedro fight over Cristy, while Poldo and Cristy act upon their sexual attraction with each other. Soon after, Sonny and San Pedro fight. Poldo comes to his boss' rescue and guns down San Pedro. Sonny, however, is unwilling to risk his reputation defending a functionary from the slums, and Poldo comes to the bitter realization that he is alone, abandoned, and betrayed. - Wikipedia (READ MORE)

Phillip "Ipe" Salvador (born Phillip Mikael Reyes Salvador; August 22, 1953) is a three-time FAMAS award-winning Filipino actor. - Wikipedia (READ MORE)

Source: Pelikulapinoy103

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Kampus? (1978)

About the Film: In the film "Kampus?" (1978), Suzette (Vilma Santos) thinks she's liberated woman who doesn't believe in marriage matrimony while his boyfriend, Norman keeps on proposing the sacredness of marriage vow. These are two conflicting beliefs of two students undoubtedly in love with each other. Their relationship was put to a test when Suzette met Manny (Matt) who happens to be in accordance with what she thinks she believes in. A campus experiment for Suzette and she was the first to be affected by it. Will she swallow that so called principle and be merry with the one she truly loves? - Kabayan Central (READ MORE)

Source: gobitz69

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)

Special Film: Sister Stella L. (1984)

Sister Stella L. (1984) is the award-winning masterpiece by Mike De Leon. It’s about a nun, Sister Stella Legaspi, who becomes involved in labor strikes after learning about the government’s neglect of the poor and the working class. Her sworn duty to fight for the poor and the oppressed turns personal when her journalist friend Nick Fajardo is tortured and the union leader Dencio is kidnapped and killed. What follows is her eye-opening and the tear-jerking battle against cruelty and injustice. The film broke censorship barriers back in 1984, during the final years of the US-backed Marcos dictatorship, for its realistic portrayal of labor struggles, and extrajudicial killings, hauntingly mirroring the reality of Philippine society today under Gloria Macapagal-Arroyo. - Filipinas for the Rights and Empowerment (READ MORE)

Miguel Pamintuan de Leon, also known as Mike de Leon (born May 24, 1947) is a Filipino film director, cinematographer, scriptwriter and film producer. - Wikipedia (READ MORE)

Source: Pelikulapinoy103

FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)