Showing posts with label Mars Ravelo. Show all posts
Showing posts with label Mars Ravelo. Show all posts

Tuesday, October 8, 2013

IN APPRECIATION OF MARS RAVELO


Mars Ravelo (born October 9, 1916 in Tanza, Cavite, Philippines - September 12, 1988) was a Filipino graphic novelist who created the characters Darna, Dyesebel, Captain Barbell, Lastikman, Bondying, Varga, Wanted: Perfect Mother, Hiwaga, Maruja, Mariposa, Roberta, Rita, Buhay Pilipino, Jack and Jill, Flash Bomba, Tiny Tony, and Dragonna among others. He started out as a cartoonist, then as a writer, and later on as editor -in- chief for two publications houses and for several film companies. He later established his own company, RAR. Ravelo created the characters of Darna the super heroine, Dyesebel the love-lorn mermaid, and Captain Barbel the super hero, Facifica Falayfay, and the duo of Jack & Jill. He also created the drama about a young orphaned girl named Roberta for Sampaguita Pictures. Ravelo wrote the movie adaptation of Alicia Vergel's Basahang Ginto. - Wikipedia (READ MORE)

Style of Drawing - "...In my interviews, Ravelo revealed that “sa abot ng natatandaan ko” (as far as I can remember), his first published works were “Ponchong” and “Bemboy.” And had not Liwayway magazine turned him down on his Varga (Darna’s predecessor character), history would have put Darna’s origin inside Liwayway’s pages instead of Bulaklak, and she would have been the Philippines’ first komiks superhero (Yes, at least one-a-half years ahead of Wonder Woman's first comics appearance!)...Varga is another casing point of Ravelo’s early style of drawing. True to his accounts, Varga’s illustration is a cross between McManus and Fleischer. And based on his story, the timeline of Varga should be put around 1939 and not 1947. To quote Ravelo: “Alam mo naisip kong gawin yung Varga para itapat kay Superman. Lalake yung sa mga Amerikano, babae yung sa atin. Di ba ayos?” (You know I thought of creating Varga as a counterpart of Superman. Male on the part of the Americans, female on our part. Isn’t that okay?). It can also be noted that Varga was a character archived twice. By some twist of circumstance, the name Varga became the ownership of Bulaklak magazine (during those times, intellectual property right is not yet in effect) and when Ravelo left the publication in 1949 after a falling out with its editor, Varga stayed behind. Ravelo took Varga’s personality, revised her costume, and brought her to Pilipino Komiks, and renamed the character Darna. For more than six decades the character Varga was lost, never again to be seen until ABS-CBN Channel 2 made it into a TV series which started on August 2, 2008. The character portrayed by Mariel Rodriguez, however, was very different from the original creation of Ravelo. The superheroine’s costume was change, as well as her origin and beginning. The name of her alter ego was also change – from Narda to Olga..." - Ernee Lawagan (READ MORE)

Number One Janitor - "...Only a very few know that Mars is Marcial, but 20,000,000 komiks readers will swear that Ravelo is one of the greatest things that ever happened to the local komiks industry. For his were the ideas and innovations that defied what were then regarded as “sacred institutions” in the profession and influenced the course of the komiks industry in the Philippines. Oddly enough, Ravelo’s initial foray into the local komiks field was for a man of lesser guts extremely discouraging. It would have been more than enough for the average neophyte to call it quits. But Ravelo is made of the stuff that makes champions. The young (33) Ravelo that confidently presented his first cartoon strip to a vernacular magazine editor that fine day in 1949 was already a “fighter”. He was then drifting from one low-paying menial job to another but even then, his innate desire to excel was evident. When he was a janitor, he says, he was “number one janitor”. He was also to say many years later in a magazine interview that he became “number one” in the komiks field because “I’ve always hated to be number two!” At that time, he already knew that he could write and draw well – as a matter of fact, “better than most of those already in the komiks profession.” But the magazine editor apparently did not think so; one quick glance at the comic strip presented by Ravelo and he pronounced the death sentence: “Hindi pa puwede!” (Not good enough)...." - Komiklopedia (READ MORE)

Mass Culture - "...To understand Darna is to understand Filipino mass culture. Created in 1949 by Mars Ravelo, Darna has zoomed in and out of the imagination of three generation of Filipinos. Darna, who is the local hybrid version of Wonder Woman and Supergirl first appeared in the Pilipino Komiks in the late 40's. Nestor Redondo, considered by many in his profession as one of the unsung heroes of Filipino illustrations, gave graphic life to the original Filipina libber then named Varga. Over the years Darna has appeared and re-appeared in so many episodes, that Ravelo himself forgets the exact number, to do battle against a wide and weird array of baddies, from Valentina who sports a Medusa-like coiffure and the Babaeng Lawin to the impakta and engkantados, creatures unique to the Filipino's supernatural hierarchy. Darna symbolizes the two principal characteristics of our mass culture: the supernatural powers that allows a great number of people to engage in never ending fights of fantasy and the dormant militance, the latent commitment to fight injustice wherever it can be found. But above all, Darna is the concrete expression of the cultural schizophrenia that besets us. The superheroine's creater, Mars Ravelo, really admits that it was the prevalence of a colonial mentality among many readers that compelled him to create a comic strip hero that approximated the stature and powers of the then most popular American heroes, Wonder Woman and Supergirl. Ravelo says, "Naisip ko noon, gayong sikat sina Wonder Woman at Supergirl, bakit hindi ako gumawa ng isang karakter na may mga powers na katulad ng mga ito at ilagay sa situwasyong Pilipino." Indeed this tendency to go along with trends set in America was and still is true for many comics strip writers. Ravelo, however, had more than mere imitation and lumping into the superhero bandwagon in mind. Ravelo goes on, "Naiisip ko kasi noon since nadito na rin lang yang colonial mentality why not work around it. Kaya naman kung mapapansin nin'yo I try to inject certain amount of relevance to Darna's adventures. For one thing she talks, thinks, and feels in the vernacular. She exhibits idiosyncrasies that are distinctly Filipino and she fights characters that are unique to the Filipino milieu. Besides the kinds of conflict that she gets involved in and the caused she fights for are those that masses themselves can identify with." Like all superheroes, however, Darna is one of the best examples of escapist entertainment. Even Ravelo admits to this when he says, "I don't like writing fantasy. Pero anong magagawa ko? I personally would like to write about real, down-to-earth characters and situations. But the masses just won't but that! Kasi, kahit na mataas nga ang literacy level ng mga Pilipino alam natin na functional literacy lang ito. Huwag lang masabing 'no read no write..." - Bill Davidson, TV Times March 13 - 19 1977

Mars Ravelo and Vilma Santos

Ging is a poignant story of a poor gifted girl, trying to make both ends meet by singing and dancing in crowded streets and cafeterias. - Komiklopedia

"...Even at the early age, it was clear that she was already brimming with talent. Vilma, apparently, was born into this world to perform, entertain and make people happy. She was utterly convincing in the dramatic scenes and thoroughly graceful in her musical numbers. Listang-lista – as we’d say in the vernacular. Even then, she was already living up to her showbiz title of “Star for All Seasons” because her performance in “Ging” is not only brilliant, but timeless as well..." - Butch Francisco, People’s Journal 04 March 1999 (READ MORE)

Trudis Liit (lit. Little Trudis) is a Philippine drama produced by GMA Network, and part of that station's Sine Novela series. Trudis Liit marks the 21st and final installment of the Sine Novela series based on the works by Mars Ravelo. Like all Sine Novela installments, Trudis Liit is based on a movie; this one made in 1963, starring Lolita Rodriguez, Luis Gonzales, Bella Flores and Vilma Santos. - Wikipedia

"...Makulit na ako no’ng time na ‘yon! So, anyway, tinawag ako ni Doc Perez [of Sampaguita Pictures] at that time. Pinaarte ako. Nag-adlib-adlib pa ako. Nakuha naman ako. So, when I started, dalawa kaagad ang pelikula ko—Trudis Liit at Anak, Ang Iyong Ina [1963]. Ang naaalala ko lang tungkol sa maaga kong pagpasok sa pag-aartista, parang laro lang sa akin iyon. Parang naglalaro lang ako noon kaya hindi trabaho sa akin iyon, e. So, very-very memorable sa akin iyon. At saka no’ng Trudis Liit, every lunch, lagi akong may apple. Lagi akong may chicken. Every lunch talaga ‘yon..." - Vilma Santos (READ MORE)

Darna is a fictional character and Filipino comics superheroine created by writer Mars Ravelo and artist Nestor Redondo. In her more popular incarnations, she is a deceased warrior from another planet manifesting herself through a girl from Earth, named Narda. She first appeared in Pilipino Komiks #77 (May 13, 1950). Darna is a retooling of Ravelo's earlier character Varga, whose stories he wrote and illustrated himself. She first appeared in Bulaklak Magazine, Volume 4, #17 (July 23, 1947). Ravelo left Bulaklak due to differences with the editors. - Wikipedia

"...Ding, ang bato!” yells Narda, the adolescent country lass, to her younger brother. Ding obligingly hands over a shiny pebble which Narda swallows to turn herself into the vivacious super-vixen, Darna. Mars Ravelo’s superheroine, clad in crimson bikinis and knee-high stiletto boots, may perhaps be the most famous local fantasy character given life on the silver screen. Though not actually considered a career-defining role, portraying Darna is, nonetheless, highly-coveted. Darna has been portrayed by no less than nine actress in 12 feature films. Rosa del Rosario first wore the scarlet two piece in May 1951. She reprised the role after three months. Liza Moreno, Eva Montes and Gina Pareno followed her. The inter-galactic pebble found its way to Vilma Santos’ throat in 1973 via the flick “Lipad, Darna, Lipad!” Santos, now a two-term mayor of Lipa City in Batangas, is probably the most popular Darna, with a total of four movies in a span of seven years..." - Armin Adina, Philippine Daily Inquirer, June 06, 2003 (READ MORE)

Dyesebel is a popular mermaid character in the Philippines. The comic book character was originally conceived by the Filipino comic book illustrator, Mars Ravelo. Dyesebel is a prominent character in Philippine cinema and television. - Wikipedia

"...In the 1973 Dyesebel movie, Dyesebel lives in an undersea kingdom of mermaids far from the land of humans because the humans believe that the mermaids are the cause of misfortune. Dyesebel fell in love with a male human being. In order to be with the man that she likes, she swore to find a way to be transformed into a female human being. In the movie, “Si Dyesebel at Ang Mahiwagang Kabibe,” the role of Dyesebel was played by Vilma Santos and Fredo was played by Romeo Miranda..." (READ MORE)

Darna is Not a 'Rip-off" of Wonder Woman - "...Because of the character's immense popularity, several other studios would license the character and produce more Darna movies throughout the next several decades. After Rosa Del Rosario, Vilma Santos (who first played Darna in 1973's "Lipad, Darna, Lipad") would be the most well known and the most in demand to play the character. She starred in a total of 4 Darna movies. Her 4th and final one being in 1980. For years after that, no more Darna movies were produced..." - Raffy Arcega, Comic Book Movie (READ MORE)

Wednesday, September 26, 2012

GING (1964)

“Pagmasdan n’yo ako…ako po’y ulilang lubos…inaapi at hinahamak…kung hindi n’yo po kahahabagan ay nasaan ang katarungan?!” - Ging


Basic Information: Directed: Cirio H. Santiago, Teodorico C. Santos;Story: Mars Ravelo; Screenplay: Teodorico C. Santos;Cast: Vilma Santos, Jose Padilla Jr., Olivia Cenizal, Carol Varga, Ramon D’Salva, Aruray,Etang Discher, Georgie Quizon, Ponga, Jose Garcia, Paquito Salcedo,Eva Montes, Marvin Molina, Pol Todd; Executive producer: Adela Santiago; Cinematography: Lito Padrino; Film Editing: Demetrio De Santos; Production Design: Bert Amazar; Theme Songs: “Ulila” composed by Levi Celerio, performed by Vilma Santos

Plot Description: A young Vilma Santos starred as Ging. A smart mouth street kid who have to beg for money to support her crippled mother. She was adopted by a deceitful couple who heard her sing in a restaurant. The couple made Ging into a singing sensation but abuse her, limiting her food intake and sleep to prevent her to grow. Ging eventually left them and surprisingly discovered her father. She reconciled with him and her crippled mother. - RV

GING is a poignant story of a poor gifted girl, trying to make both ends meet by singing and dancing in crowded streets and cafeterias. - Komiklopedia READ MORE

Film Achievement: In 1963, prolific komiks writer Mars Ravelo came up with a beautiful novel titled, Ging, a poignant story of a poor gifted girl, trying to make both ends meet by singing and dancing in crowded streets and cafeterias. It was one of the popular komiks serial that time that eventually landed into the big screen in 1964 with nine or ten-year old Vilma Santos in the lead role. It was a terrific follow-up to her highly successful debut film, Trudis Liit in 1963. - Komiklopedia READ MORE

Film Reviews: "...Pagbalikang tanaw naman natin ngayon ang mga batang karakter sa komiks. Sila ang nagbigay aliw, kinalugdan at minahal ng mga komiks readers noon, particularly ng ating mga ina (kasama na dito ang yumao kong nanay) na siyang tumangkilik, nagbasa at sumubaybay sa kanilang mga kasaysayan. Unahin natin si GING, isang batang iniyakan ang kasaysayan at unang ipinakilala ng creator nito na si Mars Ravelo ka-tandem ang dibuhistang si Elpidio Torres sa mga pahina ng Liwayway Magazine noong 1963. Ito ay isinalin sa pelikula sa ilalim ng pamamahala nina Direk Cirio H. Santiago at Teodorico C. Santos. Si Vilma Santos ang gumanap sa title role na Ging..." - Arman Francisco, Komixpage, 28 June 2015 (READ MORE)

"...Pagbalikang tanaw naman natin ngayon ang mga batang karakter sa komiks. Sila ang nagbigay aliw, kinalugdan at minahal ng mga komiks readers noon, particularly ng ating mga ina (kasama na dito ang yumao kong nanay) na siyang tumangkilik, nagbasa at sumubaybay sa kanilang mga kasaysayan. Unahin natin si GING, isang batang iniyakan ang kasaysayan at unang ipinakilala ng creator nito na si Mars Ravelo ka-tandem ang dibuhistang si Elpidio Torres sa mga pahina ng Liwayway Magazine noong 1963. Ito ay isinalin sa pelikula sa ilalim ng pamamahala nina Direk Cirio H. Santiago at Teodorico C. Santos. Si Vilma Santos ang gumanap sa title role na Ging..." - Arman Francisco, Komixpage, 28 June 2015 (READ MORE)

All Vilmanians and even those who just love watching old Tagalog movies must have been glued to their TV screens last Thursday afternoon when Channel 9’s “Premiere Pilipino Klasiks” aired “Ging”, Vilma Santos’ follow-up movie after she was introduced in Sampaguita Pictures’ “Trudis Liit.” Produced by Premiere Productions when Vilma was only 10 (circa 1963), “Ging” casts the now-Star for All Seasons (and Batangas Governor, too!) as a street child who is in charge of taking care of her invalid mother, played by Olivia Cenizal. In flashback fashion, we find out that Ms. Cenizal was once a big movie star who fell in love and married a young rich man (portrayed in the film by Jose Padilla, Jr.)

Padilla’s aristocratic mother (Etang Discher), unfortunately, breaks up the union and the two lovers go their separate ways. Vilma, as Ging, was born shortly after. While begging for food scraps from customers at the restaurant of the Chinese Ponga (I doubt if today’s generation have any idea who he is or how he looks like), she is spotted by Ramon D’Salva and his wife, Carol Varga. The couple immediately express their wish to adopt her. Vilma was hesitant at first at the idea – until she was promised by D’Salva that she would be sent to school, and her mother, to the hospital for medical treatment.

Once she is in the D’Salva home, the couple show their true colors. They exploit her by making her perform in vaudeville presentations. Although she is a hit and a top money maker, she is still badly treated by Varga. For one, she is not given proper nutrition to stunt her growth (child stars are supposed to be cute and small). Little Vilma rebels when she finds out that D’Salva does not fulfill his promise of sending her mother to the hospital for treatment. She runs away and in the process bumps into people related to her biological father. Padilla and Cenizal are reunited and the little heroine lives happily ever after with her parents.

“Ging” was directed by Cirio Santiago and Teodorico Santos. Although it was made in the old-fashioned way of making films (the flashback scenes in particular), the material used here is timeless – especially since there are more street children in our midst now more than ever. As far as the showbiz scene is concerned, there are still a lot of heartless impresarios today exploiting young talents in the business. But what really made “Ging” a delight to watch was the performance of the very young Vilma Santos. Even at the early age, it was clear that she was already brimming with talent. Vilma, apparently, was born into this world to perform, entertain and make people happy. She was utterly convincing in the dramatic scenes and thoroughly graceful in her musical numbers. Listang-lista – as we’d say in the vernacular. Even then, she was already living up to her showbiz title of “Star for All Seasons” because her performance in “Ging” is not only brilliant, but timeless as well. - Butch Francisco READ MORE

Ang sarap balikan ng mga pelikula ng the Premier Acress of the Land. Mga pelikulang may mga temang napapanahon kahit sabihin pang luma na ang mga ito. May tatak Vilma Santos. GING (1964) – all of 11 years, here is the newly-crowned FAMAS best child actress sa isa sa mga title roles niya bilang anak ng laos na artista (Olivia Cenizal) na nalumpo after she gave birth to Ging (Vilma). Ang ama ni Ging ay isang bit player na Mama’s boy, si Jose Padilla, Jr.(SLN) whose mother is the screen’s perennial conravida, Etang Discher (SLN), mother of the late Panchito.

Padilla abandoned Ging and her mother on her mother’s wishes so he won’t be dropped from her “pamana” (will). Mother and daughter lived in a slum area. Their squalid lives are made bearable with the presence of a cantankerous neighbor Aruray and her son who was sired by a black G.I. named George. Aruray’s son is about Ging’s age. They practically were street urchins who beat the other kids in soliciting alms, thanks to Ging’s histrionics: she would fake syncope (play dead) and “kawawa” by relating her sad plight as an abandoned poor daughter with a paraplegic of a mother – through a song that would drive her audience at a restaurant to tears and pity – and would give her free food and money.

The ploy works all the time. Little did Ging realize that an unscupulous couple, racketeers Ramon D’Salva and Carol Varga were observing her in a restaurant and saw in her a goldmine: they would adopt her and make them rich as her talent manager. Talk of child exploitation. Reluctant at first, Ging agrees to go with the evil couple provided she would go to shool and that they would send her alcoholic mother (bagay na bagay ito sa isang artista) to the hospital for treatment. Of course, the evil and scheming couple reneged on their promises. They exploited Ging by forcing her to work overtime and would starve her so she wouldn’t grow up and lose her audience. Luckily, she has a guardian angel in Georgie Quizon, Dolphy’s erthswhile brother who, along with Aruray provided comic relief, and who would protect Vilma from her exploiters.

Young Vilma’s raw, innate talent surfaces most especially in her scenes where she vacllates or mulls in leaving her mother. Her final goodbye scene with her mother is heartbreaking, enough a motivation for a Vilma fan Nora Aunor in Iriga city to follow in her footsteps. “One day, I wanna be like Vilma, I will sing and make people cry. Love that “gripo” princess to death. Idol ko siya.” Shot in black and white and adapted from the comics to the screen by Mars Ravelo, the movie was directed by Cirio Santiago and Teodorico Santos.

The movie is a must have for any true blue Vilmanian. Listang-lista at ang husay ni Vilma rito. Naroong kumanta siya (the voice over seemed like her singing voice), sumayaw at nagdrama. Luma si Madonna doon sa isang parang La Isla Bonita number niya. One memorable scene was when she was singing her signature song to the audience of her longing to see her mother and her father – the camera captures her pain and agony and the deep wound she suffers from her abusers – a poignant scene, complete with tears and and a well-internalized acting. Bravo! Karapat-dapat na U.P. Gawad Plaridel Awardee – maliit pa lang ang dyaske, ang husay talaga. Sa katunayan, some scenes from Ging were included in the audio-visual presentation at both the FAMAS Hall of Fame awards and the recent U.P. Gawad Plaridel coronation of the Summa Cum Laude of All Philippine Actors. Ang galing-galing mo talaga, Rosa Vilma Tuazon Santos-Recto! - Mario Garces, V Magazine No. 6 2006

"...Young and cute Vilma Santos is one of the few child stars who have hit the screen with continued success. Although not as well-publicized as the adult stars, she is gaining popularity with lot of fans who recognize her warm personality and talent. Her successful debut in Sampaguita Pictures' Trusdis Liit gave her more movie offers. Vilma, who just turned 13 last Nov. 3, has been in the movies for three years and already has 16 pictures to her credit. A talented youngster, she often steals the spotlight from her senior colleagues. In Ging, Naligaw Na Anghel, Anak Ang Iyong Ina, and many other films, she was a standout in tear-jearking scenes. As a result, she is always in demand for such roles. Despite her success, Vilma remains unaffected as a child. At the St. mary's Academy where she is a six-grader, she has more than her share of friends not because she is a celebrity but because of her natural chumminess. In fact, she is so fond of her friends that their house on Lunas St in La Loma, Quezon City is often filled with them. Her parents, Mr. and Mrs. Amado Santos, do not discourage her gregariousness and instead look upon it as part of her developing personality...Vilma's movie commitments don't prevent her from being a good student. She could have been easily way above average if only her shooting schedules sometimes do not prevent her from attending her classes. "Doing two tasks at the same time gave me a hard time at the beginning but I've adjusted to it now," said this youngster who still goes for lollipops, ice cream, toys, and play. Vilma, who spends her leisure hours listening to radio dramas, dancing and playing with her three other sisters, will be seen in her coming films, Sigaw Ng Batingaw of Argo Productions..." - Julio F. Silverio, The Weekly Nation, 31 December 1965, reposted at Pelikula Atbp blog (READ MORE)






Thursday, May 24, 2012

RENE ROSE (1970)


Basic Information: Directed: Emmanuel H. Borlaza; Story: Mars Ravelo; Screenplay: Emmanuel H. Borlaza; Cast: Vilma Santos, Edgar Mortiz, Jose Padilla Jr., Lilia Dizon, Romy Mallari, Jose Villafranca, Nela Alvarez, Yasmin Romero, Beth Manlongat, Dino Festin; Original Music: Restie Umali; Cinematography: Justo Paulino; Film poster: Video48

Plot Description: Mars Ravelos serialized comics directed by Emmanuel H Borlaza. Film with Edgar Mortiz.

Film Achievement: "...Borlaza gave Vilma Santos her very first best actress, winning the 1972 FAMAS for via Dama De Noche. He is also credited in narrowing the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. Total Number of Films in our list of VSR’s Top 50 films = 4 (#10 Lipad Darna Lipad 1973, #32 Dyesebel at ang Mahiwagang Kabibe 1973, #48 Darna and the Giants 1973, #49 Dama De Noche 1972)..." - RV (READ MORE)

"...By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)...In 1970, the love team of Vilma Santos and Edgar "Bobot" Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office..." - Rommel R. Llanes (READ MORE)

Film Reviews: "...Lilia was born Claire Strauss in Pampanga in 1928, the only child of Filipina Regina Dizon and German-American Abraham Strauss. We will remember Lilia Dizon for her memorable performances as a girl trapped inside a balloon in the fantasy flick “Tucydides”, as the rival of the late Anita Linda (who also just passed on June 10) over Jose Padilla Jr. in the drama flick “Perfidia: Kataksilan”, as the feisty gerilyera in “Kandelerong Pilak”, as the dying wife of Rogelio de la Rosa who adopts Nora Dy in “Ikaw ang Buhay Ko”, as the wronged wife of the philandering Eddie Garcia in “Tinimbang Ka Ngunit Kulang”, as the sacrificing mother of Lourdes Medel and Mila Ocampo in “Awit ng mga Dukha” and as the domineering stage mom of Vilma Santos in “Renee Rose”. Let’s all pray for the repose of her soul..." - Mario Bautista, People's Journal, 16 June2020 (READ MORE)

"...Noong Dekada ’70, ang mga young stars ay kailangang marunong kumanta dahil yun ang uso kaya naman nagtayo ng sariling recording company ang nasirang manager ni Vi na si William Leary dahil ayaw niyang pahuhuli sa uso ang kanyang alaga. Ilan sa mga naging recording artists ng WILEARS RECORDS bukod kay Vi ay sina Edgar Mortiz, Ed Finlan, Sahlee Quizon, Hilda Koronel at Esperanza Fabon. According to Vi, kapag nagrerecord siya ng kanta ay nakatalikod siya sa dingding ng recording company at si Bobot ang umaalalay sa kanya. Ang SIXTEEN, na sinulat ni Danny Subido ang unang recording na ginawa ni Vi at ito ay flipsided by It’s So Wonderful To Be In Love. Ang SIXTEEN ay agad naging gold record at dahil dito ay gumawa ng pelikula ang Tagalog Ilang Ilang Productions, ang home studio ni Vi at ito ay ginawa nilang pamagat katambal si Edgar Mortiz. Hindi nyo naitatanong, muntik nang manalo si Vi bilang most promising singer sa AWIT AWARDS noong early ’70s..." - Alfonso Valencia (READ MORE)

"Lilia Dizon is one of the brightest stars of LVN Pictures in the 50s paired with the top leading men that time like Rogelio de la Rosa, Armando Goyena, Mario Montenegro and Jose Padilla Jr. Her real name is Claire Strauss (her dad is of German ancestry) and she started her acting career right after WWII in 1946...She would later play mother roles and one of the best dramas she did is “Awit ng mga Dukha”, where she played the mom of LVN actresses Lourdes Medel and Mila Ocampo. She also played the domineering stage mother of a teenage Vilma Santos in the Tagalog Ilang-Ilang Productions drama, "Renee Rose." When her son Christopher was discovered by Lino Brocka in 1974, she played his mom in the award-winning “Tinimbang Ka Ngunit Kulang.” She retired in the U.S. in the 80s (where her daughter Pinky still resides) but she later returned to Manila and stayed with her son Bro. Boyet..." - Mario E. Bautista, People's Journal, 25 April 2020 (READ MORE)

"...The loveteam of Edgar Mortiz and Vilma Santos endured a stiff competition from teeny bopper love team of Nora Aunor and Tirso Cruz III and came up with equal success with string of hit films during the musical era of the 70s. Together they did forgettable but commercial hits and also some hints of the years to come to Vilma Santos’ long career. The most notable one: Dama De Noche. Total Number of films with Vilma Santos – 25 (Young Love, Teenage Jamboree, Songs and Lovers, Renee Rose, My Pledge of Love, Mga Batang Bangketa, Love Is for the Two of Us, I Love You Honey, From the Bottom of My Heart, Baby Vi, Love Letters, The Wonderful World of Music, The Sensations, The Young Idols, Sweethearts, Sixteen, Leron-Leron Sinta, Edgar Love Vilma, Don’t Ever Say Goodbye, Dama de Noche, Anak ng Aswang, Because You Are Mine, Kampanerang Kuba, Kasalanan Kaya, Karugtong ang Kahapon..." - RV (READ MORE)

"...Si Edgar Mortiz ang unang nakapareha ni Vilma Santos as a teen star. Nakilala sila as the "Subok na Matibay, Subok na Matatag" loveteam called Vi and Bot at naging magka-steady sila sa tunay na buhay. Marami silang ginawang pelikula as teen stars in the early 70s..." - Showbiz Portal (READ MORE)

"...His films lack the arthouse style and social relevance that critics loves most in a Brocka or Bernal films but who cares about the critics when the paying public loves them. And the producers demand his service, from Doc Perez of Sampaguita Pictures, Atty. Esperidion Laxa of Tagalog Ilang Ilang Productions and later on, Vic Del Rosario of Viva Films and Lily Monteverde of Regal Films. Clearly, his films exists with one purpose, to entertain the masses not to depress or remind them with the country’s sad fate of economy or the below poverty line lives of many. The success of the Vilma-Borlaza films gave Vilma Santos versatility and preparation to a more serious acting career. It also narrowed the popularity gap between her and the musical era’s darling of the 70s, Nora Aunor. These are perhaps, the most significant contributions of Emmanuel Borlaza to Vilma’s career. Vilma who was considered only second to Nora couldn’t matched her singing talent and so, Borlaza countered this lack of singing with films that showcased Vilma’s acting versatility..." - RV (READ MORE)

Thursday, March 1, 2012

TRUDIS LIIT (1963)


Basic Information: Directed: Jose De Villa; Story: Mars Ravelo; Screenplay: Chito B. Tapawan; Cast: Vilma Santos, Connie Angeles, Lolita Rodriguez, Luis Gonzales, Bella Flores, Charlie Davao, Rodolfo ‘Boy’ Garcia, Ely Roque, Matimtiman Cruz, Ray Marcos, Ven Medina, Venchito Galvez; Original Music: Pastor de Jesus; Executive producer: Dr. Jose Vera Perez

Plot Description: Ang Trudis Liit ay isang pelikulang Drama kung saan inaapi ang kaawa-awang si Trudis (Vilma Santos) ng kanyang madrasta (Bella Flores). Ito ay ipinalabas noong Pebrero 21, taong 1963. Wikipedia

Film Achievement: 1963 FAMAS Best Child Actress – Vilma Santos; 2010 – Trudis has been recently remade into a televison series and also into film in 1990s

Film Reviews: “This is, of course, Vilma’s first film and it has all the elements of a melodrama – the good guys and one extremely bad woman (Bella Flores). This early, you can already tell that Vilma was to the acting profession born. (She won FAMAS Best Child Actress for this film). She doesn’t allow herself to be eclipsed by her veteran co-stars: Luis Gonzales and the Lolita Rodriguez. But with due respect to Vilma, even if she is the one who plays the title role here and is undeniably good in this Sampaguita Pictures box-office hit, the one who leaves a really lasting impression in the minds of most viewers is the character played by Connie Angeles – Oreng. After all, wasn’t it this girl who gets chewed up by a German Shepherd in the film?” Written by Butch Francisco, Newsflash.org, Feb 2004

"Nakihalo lang ako doon sa mga nag-a-audition sa Trudis Liit [1963]," pagbabalik-tanaw ng aktres kung paano siya napasok sa showbiz at naging bida nga kaagad sa nabanggit niyang proyektong iyon. Hindi ako dapat talaga doon [sa audition na iyon]. Nakipila lang ako. Pagpila ko, tinatawag ako ng mommy ko na, 'Hindi ka diyan! Sabi ko, 'Andito na, e!' Makulit na ako no'ng time na 'yon! So, anyway, tinawag ako ni Doc Perez [of Sampaguita Pictures] at that time. Pinaarte ako. Nag-adlib-adlib pa ako. Nakuha naman ako. So, when I started, dalawa kaagad ang pelikula ko—Trudis Liit at Anak, Ang Iyong Ina [1963]. Ang naaalala ko lang tungkol sa maaga kong pagpasok sa pag-aartista, parang laro lang sa akin iyon. Parang naglalaro lang ako noon kaya hindi trabaho sa akin iyon, e. So, very-very memorable sa akin iyon. At saka no'ng Trudis Liit, every lunch, lagi akong may apple. Lagi akong may chicken. Every lunch talaga 'yon. Parang... Siguro bata, so ibibigay nila 'yong gano'ng ano sa 'yo. Parang may prize ka, gano'n. So, memorable sa akin iyon." - Vilma Santos (READ MORE)

"...Contravida Queen Bella Flores was featured in "Showbiz Central’s" Most Influential segment as she plays a big part in GMA Films’ new movie with Rhian Ramos and Aljur Abrenica, "My Kontrabida Girl." It’s also a tribute to Bella as she’s celebrating her 60th anniversary in showbiz. The screen name Bella Flores was given to her by the late Sampaguita Pictures’ boss Dr. Jose Perez. "I was so glad when I was told it means beautiful flowers," she said. Her real name is Remedios Dancel and she was born on Feb. 27, 1936, which means she turned 76 yesterday, Monday (Feb 27/2012). She was only 15 when she did her first villain role maltreating child star Tessie Agana in the blockbuster "Roberta." She recounted that Vilma Santos auditioned with her for her first movie, "Trudis Liit," in 1963. "Natakot siya at tumakbo dahil nakita niyang pinahirapan ko ‘yung ibang batang nag-audition," she said. "Ngayon, governor na siya. Sina Roderick Paulate at Gina Alajar, sa’kin din nagsimula as child stars sa ‘Kaibigan Kong Sto. Nino’..." - Mario Bautista READ MORE

"Siyam na taong gulang si Vilma Santos nang gawin niya ang kauna-unahang pelikula niya ang “Trudis Liit” ng VP Pictures na itinanghal noong Pebrero 21 – Marso 2, 1963. Naging abala siya pagkatapos sa linguhang taping ng TV series na “Larawan ng Pag-ibig” sa ABS (ang dating KBS sa Roxas Blvd. Noon) kung saan nakasama niya sina Zeny Zabala at Willie Sotelo. Noon pa man, kapuna-puna na madaling kumuha ng direksiyon si Vi, bukod pa sa mabilis itong magmemoya ng linya. Lubha rin siyang maingat sa kanyang pangkalahatang kaanyuhan bago humarap sa kamera. Kapag ang eksena ay sa loob ng tahanan, medyo guguluhin niya ang buhok, titiyakin na may kalumaan ang suot na simpleng damit, pati na ang tsinelas. Kapag sa labas naman ang eksena, pipili siya ng angkop na kasuotan, na para sa kanya ay komportable at simple. Dito sila madalas nagkakaiba ng panlasa ng kanyang ina. Pati na sa ayos ng buhok. Ang kay Vi, ang pananatili pa rin ng dating gawi. Ang sa kanyang mama, artista at kinakailangan nga naman ng kauting pagbabago sa panlabas na kaanyuan. Siyempre, ang kadalasang resulta, ang Mama niya ang nasusunod. After all, mother knows best, hindi ba? Bagay na hanggang nagdalaga si Vi ay muli at muli niyang napatunayan. Anyway, noon pa man, natural lang na mamalas kay Mama Santos ang understandeble pride sa anak, lalo pa’t madalas sabihin nina Zeny at Willie, “Artista talaga! Madali niyang masakyan ang prepesyong ito!” na matinding intriga at kontrobersiya..." - Ched P. Gonzales, Vilma Santos: Noon At Ngayon, Modern Romances True Confessions Magazine, December 15, 1980 (READ MORE)

"...The late starbuilder, Dr. Jose Perez, saw Vilma when she was 9 yrs old and realized early on her potential as an actress when she auditioned and eventually won the title role in Mars Ravelo’s “Trudis Liit” (1963) produced by Vera Perez Pictures where Vilma won her first acting award as Best Child Actress from the FAMAS..." - Paolo Salas, Celebrity Chronicle, Nov 2006 (READ MORE)

"...Vilma was talking about Trudis Liit, the ’60s Sampaguita tearjerker in which she played the title role, with Luis playing her father, now US-based Lolita Rodriguez her mother and Bella Flores as the kontrabida. Luis, whose real surname is Mercado, died of complications of pneumonia at 11:30 Thursday night, March 15, at the Makati Medical Center where he was confined for the last time (he had been in and out of the hospital). As in the case of movie greats, Luis’ age is confidential and maybe not even his wife Vina Concepcion, who belongs to the clan that owns Concepcion Industries, and their three children can be forced to reveal it. After Trudis Liit, Vilma would star with Luis years later when she was already a teenager, in Iginuhit ng Tadhana and in Pinagbuklod ng Langit, produced by Sampaguita Pictures, believed to have helped Ferdinand Marcos win when he ran for President and then for reelection. In both movies, Luis plays Marcos, with Gloria Romero as First Lady Imelda Marcos and Vilma as Imee Marcos (now Ilocos Norte Governor). In the second, Gina Alajar plays as Irene Marcos (Mrs. Greggy Araneta), Now-Sen. Bongbong Marcos plays himself in the first movie (it was Jonjie Aranda, ex-husband of Sen. Loren Legarda, who plays Bongbong in the second). “I shot Palimos ng Pagibig (a Viva drama, with Edu Manzano and Dina Bonnevie) at Luis’ house,” added Vilma. “I remember him as sobrang kalog, palabiro. Ang tawag namin kay Tito Luis palengke kasi nga Mercado ang real surname niya. I was nine years old then and he always reminded me to just enjoy everything. We were always shooting dramatic scenes at parati akong iyak nang iyak, but after every take, tawa na kami nang tawa because Tito Luis would start cracking jokes..." - RicoJr (READ MORE)

"...Bella Flores (born Remedios Dancel) began terrorizing lead actors and actresses since she was cast as the evil stepmother in the 1951 film Roberta. Since then, she has been cast in over a hundred films, making life miserable for the likes of little Vilma Santos in the 1964 film Trudis Liit and young Gina Alajar in the 1970 film Robina...Her screen name might mean "beautiful flowers," but she has piercing eyes (always with tons of black eyeliner) and a husky voice that easily send shivers down one's spine. She seems to excel in terrorizing kids in movies..." - Spot.ph (READ MORE)

Oreng, Trudis' sister "...I was five when I did ‘Eskuwelahang Munti,’” Connie begins. “Maybe, my mother harbored a secret ambition to become an actress that’s why she took me there. Sintunado ako pero wala namang pinipili doon. As long as you can face the camera, and tumula ka d’yan, kumanta ka…Its products were Edgar Mortiz, Ike Lozada and Perla Adea. ‘Pag bata kasi, patatawarin ka kahit sintunado. May ribbon ako na malalaki, bungi pa ako noon. “In Trudis, we were 800 plus during the audition. Tita Lolit (Lolita Rodriguez) and Tita Bella (Flores) talked to my mother. Siguro, natutuwa sa akin. They told her na kukurutin daw ako para umiyak pero kailangan daw sabihin ko ang lines ko. So, nakuha ako, kasi the other children forgot to say the dialogue when they started crying. “I played Oreng, yung sister ni Trudis na kinagat ng aso. But I never became a dramatic actress, because I didn’t know how to cry. In one scene, inaagaw na yung baboy namin do’n, ipagbibili na ni Bella. When Ate Vi (Vilma Santos) cried, iyak na din ako pero boses lang. Wala talagang luha. Kakausapin na naman nila nanay ko. Kunwari papauwiin na ako. ‘Pag umiyak na ako, they would start shooting. After our scenes, Tito Luis (Gonzalez) and Tita Lolit would buy us Max chicken kasi pinahirapan nila kaming umiyak..." - Gypsy Baldovino (READ MORE)

"...a star, er, actress was born. Impressive start, easily cries on cue, rewarded by the FAMAS for best child actress. She had a movie with Gloria Romero and Rita Gomez in Anak, Ang Iyong Ina..." - anonymous (READ MORE)

Sampaguita vs LVN - "...During the 1950s and the early 1960s Sampaguita and LVN were acknowledged leaders of the industry. Dr. Jose Perez, Sampaguita general manager, went on to discover an array of luminaries including Gloria Romero (who won the FAMAS best actress award in "Dalagang Ilocana"), Rita Gomez, Greg Martin, Susan Roces, Amalia Fuentes, Romeo Vasquez, Barbara Perez, Tony Marzan, and Eddie Garcia who has won more acting trophies than any other Filipino thespian in the history of Philippine movies. It was also Doc Perez who gave both Vilma Santos and Rod Navarro their first movie breaks. Vilma was the child star of "Trudis Liit" while Rod appeared as an extra in a now forgotten Sampaguita movie. Meanwhile, LVN too was turning out blockbusters during the 1950s. Among its many stars were Pugo and Tugo (Doctor X, Pulo ng Engkanto, Dalawang Prinsepeng Kambal), Armando Goyena (father of Maritess and Tina Revilla), Celia Flor, Teody Belarmino, Tony Santos, Lilia Dizon, Tessie Quintana, Mario Montenegro, Jaime de la Rosa, Delia Razon, Rosa Rosal, Nestor de Villa and the uninhibited Nida Blanca. LVN produced such unforgettable musical comedies as Batanguena, Waray-Waray, and Saydwok Bendor (all starring Nida Blanca); such fantasy films as Tungkod ni Moses (where Director Richard Abelardo divided the Red Sea) and Rodrigo de Villa; and such dramatic tearjerker as In Despair (Mila del Sol and Jaime de la Rosa), Pag-asa (Armando Goyena and Priscilla Cellona), Yolanda (Celia Flor and Teody Belarmino), and Aklat ng Buhay (Rosa Rosal and Oscar Keesee)..." - Joe Quirino, Times Journal, August 19, 1977 (READ MORE)

 

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