Vilma Santos' Early Female Directors

Maria Saret

Maria Saret is a Filipina film director and writer. She was first recognized for her 1966 screenplay of the film Miranda: Ang lagalag na sirena starring teen star, Marifi. In 1973 she directed her first feature film, the drama about women in prison, "Bakit may bilanggo sa anak ni Eba?" starring Gina Pareño, Rosanna Ortiz and Alona Alegre. Saret was nominated for the 1989 FAMAS best director award for the movie Lorenzo Ruiz, The Saint...A Filipino! She won the best screenplay at the Film Academy of the Philippines for the same film.

Amorseko Kumakabit, Kumakapit (1978) - Vi co-starred with George Estregan (their second film, after Ibong Lukaret), Ernie Garcia, Rez Cortez, Beth Bautista, Brenda Del Rio. (READ MORE)

Susan Kelly Edad 20 (1977)- Vi co-starred with Dante Rivero (their second film, after Mga Tigre ng Sierra Cruz), Anthony Alonzo, Sandy Garcia, Cloyd Robinson.(READ MORE)

Leody Diaz

Leody Diaz is a Filipina film director and actress. Her earlier credit consists of 1965's Labanang Babae (The fight of Women) as an actor and as the writer of Bella Bandida (Bella, The Woman Bandit), She started directing in 1967 via Target: The A-go-go Generation, a comedy musical which became her main genre of her body of work.

Darna and The Giants (1973) - Top Box Office Film of 1973 MMFF (READ MORE)

Dulce Corazon (1972) - Edgar Mortiz-Vilma Santos film with Nympha Bonifacio, Scarlet. (READ MORE)

Because You're Mine (1970) - Edgar Mortiz-Vilma Santos film with Anita Linda. (READ MORE)

Sweethearts (1970) - Edgar Mortiz-Vilma Santos film which also became an album. (READ MORE)

Topical, Realistic Themes "...Tony and the Tagalog Ilang-Ilang Productions plan not only to produce big budgeted films for international competition next year, but to bring into local movies topical, realistic themes like student power, social unrest, violence in our midst, etc. But meanwhile, the gring has to go on. Right now he is filming Blue Seal Mata Hari under the direction of Leody Diaz, where he is experimenting on teaming up Filipino actors with colored women and vice - versa. And for the first time, he said, a Filipina actress, sex siren Liza Belmonte, consented to be kissed by a colored man in this film. So it goes too with Tony, where he is paired with two colored women with kissing scenes..." - P. Oden Amurao, Republic Weekly, 03 October 1967 (READ MORE)

Consueelo P. Osorio

Consuelo P. Osorio is a Filipina film director and actress. Her earlier acting credits consists of 1949's Bulakenyo and 1984's Bagets Part 2, her first and last films.. Like Leody Diaz, Consuelo became active in late 60s to early 70s directing singing teen stars in musical-comedy or musical-drama genres. Peque Galaga, the popular director of Oro Plata Mata fame, was quoted saying, Consuelo P. Osorio of Premiere Productions as his early mentor because, "It was she who tutored him on points such as casting that would spell success in surviving in the industry."

Ateng Osorio - "...I asked the receptionist who was the TV writer present that day and she mentioned the name: Consuelo Osorio, also known as Ateng Osorio. She told me which studio she was working that time and I proceeded to find her. Unfortunately, upon entering the TV barn, a production assistant told me that she actually went to the cafeteria to have coffee. So I went to the cafeteria and tried to find her. I asked the person at the till to point out to me Miss Osorio, and she did. She was seated at a table, smoking, talking to another lady, and both of them, I noticed, were looking at me. I approached them and introduced myself. She gave me a handshake and introduced the other lady: “She’s Mitos Villareal, our director.” After shaking Miss Villareal’s hand, I didn’t hesitate to tell them that I was there because I want to become a writer for TV and the movies. They both smiled. “You’re a bit too young to work as a writer,” Ateng told me. “Besides, you look more like an actor than a writer! We immediately noticed you the moment you entered this room. You are unusually fair. You are even fairer than Jeanne Young. Leave your phone number with me, I’ll find something and I’ll give you a call....Well, perfect timing. I need someone your age. I am auditioning today and tomorrow for new talents for BBC Channel 2. Since I already know that you can do it, you’re in. I need you to come for taping on Saturday night. Come with me and I’ll give you the script.” I wanted to say no, but for some reason, I couldn’t. Besides, this lady was super nice and I didn’t want to say no to her. So I went with her and we proceeded to the office and the producer of the show handed me a blue mimeographed script. It says: PROGRAM: Dulambuhay ni Rosa Vilma WRITER: O.B. Pangilinan MAINSTAY: Vilma Santos. To make the long story short, I ended up appearing with Vilma Santos and Walter Navarro. I played Walter’s younger brother in that episode. Thank God all my scenes were take one. And after the show aired, all my friends teased me non-stop about it. Ateng Osorio was directing films that time as well and she wanted to cast me in them but I begged off. I finally told her that acting is not what I wanted to do. I want to write. She then said: “I’m committed for seven months to direct movies which I have already written myself. After they are all finished, we’ll discuss a movie I will be directing for Barangay Pictures. I have a storyline. You will write the screenplay..." - Jose Mari Lee, Pinoy Comics TV Movies (READ MORE)

I Do Love You (1970) - Eddie Peregrina-Vilma Santos film with Esperanza Fabon and Bebong Osorio. (READ MORE)

Jukebox King (1969) - Eddie Peregrina-Vilma Santos film with Edgar Mortiz, Esperanza Fabon and Bebong Osorio. (READ MORE)

Mardy (1969) - Eddie Peregrina-Vilma Santos film with Esperanza Fabon and Bebong Osorio. (READ MORE)

My Darling Eddie (1969) - Eddie Peregrina-Vilma Santos film with Edgar Mortiz, Esperanza Fabon and Bebong Osorio. (READ MORE)

Fely Crisostomo

Fely Crisostomo is a Filipina film director and actress. She was the first woman to win the FAMAS Award for Best Director in 1967. (READ MORE)

Mga Reynang Walang Trono (1976) Co-directed by Amalia Muhlach (see below) (READ MORE)

Karugtong Ang Kahapon (1975) - “…Starring Vilma, daughter of a “happy” couple Eddie Garcia and Gloria Romero. Throw in the other woman of Eddie, Celia Rodriguez and as expected, another morality play was born. Shown at the first MMFF…” - Mario O. Garces (READ MORE)

May hangganan ang pag-ibig (1970) - Featured Eddie Perigrina, Romy Mallari, Millie Mercado (READ MORE)

Other Female Directors

Ophelia & Paris (1973) Directed by Celia Diaz-Laurel. The first movie of Vilma Santos and Cocoy Laurel, the other films are: Disco Fever and Pinay American Style (READ MORE).

Mga Reynang Walang Trono (1976) Directed by Amalia Muhlach (Amalia Fuentes). "...Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears..." - Mario O. Garces (READ MORE)

MARDY (1970)

Basic Information: Directed, story, screenplay: Consuelo P. Osorio; Cast: Eddie Peregrina, Vilma Santos, Esperanza Fabon, Bebong Osorio, Perla Adea, Joe Alvarez, Dolly Favorito, Nick Aladdin, Ben David, Betty Mendez, Tommy Angeles, Danilo Jurado, Danny Boy; Original Music: Demet Velasquez; Film poster: Video48

Plot Description: No Available Data

Film Achievement: No Available Data

Film Reviews: "...Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula...“Pag-ibig, Masdan Ang Ginawa Mo” ng RVQ Films (Setyembre 7 – 13, 1969)...hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya....Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon..." - Ched P. Gonzales (READ MORE)

"...Peregrina's popularity was high, particularly among masses. Jukebox, the coin-operated machine which plays selected music, was said to have attained much popularity as well because of continuous requests of Peregrina's songs. His fame surge even more among the Filipino masses when he became movie star, cast with the leading ladies of the 1970s, including Esperanza Fabon and Nora Aunor, with whom he had a TV show entitled The Eddie-Nora Show on Channel 9 in the 1960s. Among his movies included Mardy, Memories of Our Dreams with Esperanza Fabon. He co-starred with his wife Lyn Salazarin in Batul of Mactan in 1974. He was also the leading man in Dito sa Aking Puso (1970) with Nora Aunor and with Vilma Santos in Mardy. Most of his films were produced by JBC Productions, which invariably paired him with Vilma Santos, Edgar Mortiz, Esperanza Fabon, and directed by Bebong Osorio. When not busy attending show business commitments, he managed his own business, including Edviper Records and the Pervil Photo Studio..." - Wikepedia (READ MORE)

"...During the early 60’s, a singer’s popularity was practically determined by the jukebox, a coin-operated machine that can play specially selected songs from self-contained media. It was a period when fans dropped 20 centavos in a jukebox to listen to Timi Yuro’s “Crazy” or Matt Monro’s “Walk Away” and “Before You Go.” Of course, Eddie’s songs like “Together Again,” “Two Lovely Flowers,” “Mardy” and “I Do Love You” were such national anthems and outdid their foreign counterparts not only in the jukebox market but also on the airwaves, in restaurants and well...the local cabarets..." - Gypsy Baldovino (READ MORE)

"...If you don’t even get one answer right, you are, if not a foreigner, either a hopeless bourgeois or an incurable egghead. But if you guess that (a) “Mardy” is an Eddie Peregrina top tune and the title of one of his movies; (b) Orasyon na naman is the standard opening line of Johnny de Leon’s afternoon radio program, Lundagin Mo, Baby; (c) Nora Cabaltera Villamayor is the real name of Nora Aunor; (d) Pilyo, nguni’t clean fun is the slogan of Pogi; Ricky Na, Tirso Pa is the movie that brings together for the first time those real-life first cousins, Ricky Belmonte and Tirso Cruz III, congratulations: you are true connoisseur of bakya..." - Pete Lacaba (READ MORE)

Related Reading:

• Vilma Santos From Wikipedia
• Eddie Peregrina: The Original "Jukebox King"
• Eddie Peregrina From Wikipedia

I DO LOVE YOU (1970)

Basic Information: Directed, story, screenplay: Consuelo P. Rosario; Cast: Eddie Perigrina, Vilma Santos, Esperanza Fabon, Bebong Osorio, Perla Adea, Rebecca Rocha, Ben David, Mary Walter, Betty Mendez, Tommy Angeles, Jose Padilla Jr., Joey Alvarez, Dolly Favorito, Nick Aladdin, Armando De Guzman, Edgar Orda, Romy Mallari, The Bunkers; Original Music: EVP; Cinematography: Enrique Rosales; Film poster: Video48

Plot Description: No Available Data

Film Achievement: No Available Data

Film Reviews: "...Peregrina's popularity was high, particularly among masses. Jukebox, the coin-operated machine which plays selected music, was said to have attained much popularity as well because of continuous requests of Peregrina's songs. His fame surge even more among the Filipino masses when he became movie star, cast with the leading ladies of the 1970s, including Esperanza Fabon and Nora Aunor, with whom he had a TV show entitled The Eddie-Nora Show on Channel 9 in the 1960s. Among his movies included Mardy, Memories of Our Dreams with Esperanza Fabon. He co-starred with his wife Lyn Salazarin in Batul of Mactan in 1974. He was also the leading man in Dito sa Aking Puso (1970) with Nora Aunor and with Vilma Santos in Mardy. Most of his films were produced by JBC Productions, which invariably paired him with Vilma Santos, Edgar Mortiz, Esperanza Fabon, and directed by Bebong Osorio. When not busy attending show business commitments, he managed his own business, including Edviper Records and the Pervil Photo Studio..." - Wikepedia (READ MORE)

"...During the early 60’s, a singer’s popularity was practically determined by the jukebox, a coin-operated machine that can play specially selected songs from self-contained media. It was a period when fans dropped 20 centavos in a jukebox to listen to Timi Yuro’s “Crazy” or Matt Monro’s “Walk Away” and “Before You Go.” Of course, Eddie’s songs like “Together Again,” “Two Lovely Flowers,” “Mardy” and “I Do Love You” were such national anthems and outdid their foreign counterparts not only in the jukebox market but also on the airwaves, in restaurants and well...the local cabarets..." - Gypsy Baldovino (READ MORE)

"...By late 1969, movie producers had been tapping a Vilma Santos-Edgar Mortiz love team. Edgar was a Tawag ng Tanghalan winner. They started to be together in the movies, My Darling Eddie (1969) and The Jukebox King (1969)...In 1970, the love team of Vilma Santos and Edgar "Bobot" Mortiz was officially launched in the movie Young Love, together with the another popular love team during that time, Nora Aunor and Tirso Cruz III. The Vi and Bot love team went on to do 14 more movies in 1970—The Young Idols, Songs and Lovers, Sweethearts, Sixteen, Love Letters, Love is for the Two of Us, Mga Batang Bangketa, My Pledge of Love, Renee Rose, Baby Vi, Because You Are Mine, Edgar Loves Vilma, From the Bottom of My Heart, and I Love You Honey. All did well at the box-office..." - Rommel R. Llanes (READ MORE)

Related Reading:

• Vilma Santos From Wikipedia
• Eddie Peregrina: The Original "Jukebox King"
• Eddie Peregrina From Wikipedia