Vilma: 51 looking 25 (Throwback Article)

Vilma Santos, Star For All Seasons (and, if I may add, Reasons) is turning 51 today. She doesn’t look it, does she (although she’s "pure gold" any way you look at her)? She looks, hmmmmm, 25, doesn’t she?

As a nod to Vilma (who will forever be Ate Vi to her fans no matter how old she may be) on this her red-letter day, Funfare is paying her a tribute with the following piece by Funfare’s Toronto-based "international correspondent" Ferdinand Lapuz who made a list of Ate Vi’s films in a span of four decades (beginning 1963):

• Did you know that Ate Vi made around 197 films from 1963 to 2002? This includes cameo appearances in Dugo at Pagibig sa Kapirasong Lupa, Mga Mata ni Angelita, Huwag Hamakin Hostess (with Nora Aunor and Alma Moreno with Vilma getting Orestes Ojeda in the end), Candy, No Other Love, Charot, Rizal Alih and Engkanto.
• Did you know that the only years Vilma did not make any film were in 1995, 1999 and 2003?
• Did you know that she co-starred with her two favorite actresses in her two films? Lolita Rodriguez in Trudis Liit which opened on Feb. 21, 1963 and Gloria Romero in Anak, Ang Iyong Ina which opened on April 7, 1963 both at Life Theater?
• Did you know that Eddie Garcia also appeared in Anak, Ang Iyong Ina? He later directed her in films like Sinasamba Kita (1982) and Imortal (1989) and will appear together in Mano Po 3.
• Did you know that the late Rita Gomez was also in Anak, Ang Iyong Ina? She later appeared with Vilma in Takbo, Vilma, Dali in 1972 directed by Joey Gosiengfiao.
• Did you know that her busiest year was 1970 when she made 25 films? That is having two Vilma Santos movies shown every month. These were Young Love, Mardy, I Do Love You, Song and Lovers, My Pledge of Love, Love is for the Two of Us, From the Bottom of My Heart, Bulaklak at Paru-Paro, Mother Song, The Young Idols, Sixteen, Because You’re Mine, Love Letters, Ding Dong, Sweethearts, Give Me Your Love, Mga Batang Bangketa, I Love You Honey, Edgar Loves Vilma, Sapagka’t Sila’y Aming Mga Anak, Vilma My Darling, Nobody’s Child, May Hangganan ang Pag-ibig, Baby Vi and Renee Rose.
• Did you know that Vilma or Vi was used in some of her earlier films? Edgar Loves Vilma, Vilma, My Darling and Baby Vi in 1970; Takbo Vilma Dali , Hatinggabi na Vilma and Tatlong Mukha ni Rosa Vilma in 1972; Wonder Vi in 1973; Vilma and the Beep, Beep Minica in 1974 and Vilma Veinte Nueve in 1975.
• Did you know that she is the only actress to portray Mars Ravelo’s Darna four times with different child actors as Ding? These were Angelito in Lipad Darna Lipad, a trilogy directed by Emmanuel H. Borlaza; Joey Gosiengfiao and Elwood Perez, Dondon Nakar in Darna and the Giants (1973) directed by Borlaza; Bentot Jr. in Darna vs. the Planet Women (1975) directed by Armando Garces and Niño Muhlach in Darna at Ding (1980) directed by Erastheo Navoa Jr. and Cloyd Robinson.
• Did you know that Vilma and arch rival Nora Aunor shared topbilling in four films? The first was Young Love in 1970 (with Tirso Cruz III and Edgar Mortiz) followed by Pinagbuklod ng Pag-ibig (Nora was paired with Tirso while Vilma with Romeo Vasquez), Ikaw Ay Akin (with Christopher de Leon) and T-Bird at Ako in 1982.
• Did you know that after working together in Mga Tigre ng Sierra Cruz (1974) and Modelong Tanso (1979), Vilma and the late Charito Solis were co-stars in Ipagpatawad Mo (1991) and Dolzura Cortez Story (1993) both directed by Laurice Guillen?
• Did you know that Vilma was only paired twice with ex-husband Edu Manzano as compared to Christopher de Leon’s 22 times? These were Romansa in 1980 and Palimos ng Pag-ibig in 1986?
• Did you know that prior to co-starring with Snooky Serna in Yesterday, Today & Tomorrow (1986) and Hahamakin Lahat (1990), Vilma and Snooky were in Sweethearts in 1970? Co-starring with them aside from Edgar Mortiz and former child actor Arnold Gamboa were Snooky’s parents Von Serna and Mila Ocampo.
• Did you know that the late Ishmael Bernal’s first film with Vilma was Now and Forever (1973) with Edgar Mortiz?
• Did you know that before he was Vilma’s leading man in Makahiya at Talahib, Rudy Fernandez played a supporting role in Ibong Lukaret? Both films were released in 1975.
• Did you know that former movie queen Amalia Fuentes did not only co-star with Vilma in Mga Reynang Walang Trono (1976) but co-directed it as well with Fely Crisostomo? They were co-stars in Asawa Ko, Huwag Mong Agawin in 1986.
• Did you know that before she shared equal billing with Vilma and Boyet in Magkaribal (1979), just like ex-boyfriend Rudy Fernandez, Alma Moreno played a supporting role in Tag-ulan sa Tag-araw (1975)?
• Did you know that before she played the ghost role in Haplos (1982) with Vilma and Boyet, Rio Locsin had a below the title billing in Simula ng Walang Katapusan directed by Luis Enriquez (aka Eddie Rodriguez) and Disco Fever in 1978?
• Did you know that Sheryl Cruz has appeared with Vilma before in Candy (Vilma in a cameo role) and Good Morning Sunshine (1980) directed by Ishmael Bernal? Mano Po 3 is their third film together.
• Did you know that Vilma was directed by Lino Brocka in three movies but did not win any award? These were Rubia Servios (1978), Adultery: Aida Macaraeg (1984) and Hahamakin Lahat (1990). However, she won multiple Best Actress awards in three films directed by the late Ishmael Bernal considered as the rival of Brocka. These were Relasyon (1982), Broken Marriage (1983) and Pahiram ng Isang Umaga (1989).
• Did you know that Vilma co-starred with Anthony Castelo in Pakawalan Mo Ako (1981) directed by Elwood Perez and Nonoy Zuñiga in Never Ever Say Goodbye (1982) directed by Gil M. Portes?
• Did you know that director Emmanuel H. Borlaza, who used to direct Vilma in the ’70s, last worked with her in Ibigay Mo sa Akin ang Bukas in 1987?
• Did you know that Vilma is the only actress who has worked with the following award-winning Filipino directors? Aside from Lino Brocka and Ishmael Bernal, Vilma was directed by Celso Ad Castillo (Burlesk Queen, Pagputi ng Uwak, Pagitim ng Tagak), Gil M. Portes (Miss X, Never Ever Say Goodbye), Danny Zialcita (Langis at Tubig, Karma, Gaano Kadalas ang Minsan, T-bird at Ako), Mike de Leon (Sister Stella L), Marilou Diaz Abaya (Alyas Baby Tsina, Minsan Pa Nating Hagkan ang Nakaraan), Laurice Guillen (Kapag Langit ang Humatol, Ipagpatawad Mo, Dolzura Cortez Story), Maryo J. de los Reyes (Tagos ng Dugo, Sinungaling Mong Puso), Chito Roño (Ikaw Lamang, Bata, Bata Paano Ka Ginawa?, Dekada 70), Jose Javier Reyes (Nagiisang Bituin), Rory Quintos (Anak) and now by Joel Lamangan in Mano Po 3.
• Did you know that Vilma has won the following awards? Urian, eight; Famas, five; Star Awards, five; Film Academy, four; Movie Magazine Awards, four; Metro Manila Film Festival, three; Catholic Mass Media Awards, two; Young Critics Circle, two; Pasado Awards, two; Fame Magazine Awards, two; Cinema Rave, two and one each from Manila Film Festival, SIASI Jolo Critics Awards, Gawad Tanglaw, Let’s Talk Movies Awards, Cinemascoop Awards, Bacolod Film Festival and Channel 2 Viewers Choice. She has two international awards from the Brussels Independent Film Festival for Bata, Bata Paano Ka Ginawa? and Cinemanila International Film Festival for Dekada 70 both directed by Chito Roño. She is the youngest actress to be elevated to the Famas Hall of Fame in 1989 at the age of 36. She won for Dama de Noche (1972), Pakawalan Mo Ako (1981), Relasyon (1982), Tagos ng Dugo (1987) and Ibulong Mo sa Diyos (1988). She has two Famas Circle of Excellence awards (1992 and 1993), Film Academy (1997) and Famas (1998) Lifetime Achievement awards and two Urian Best Actress ng Dekada for the ’80s and the ’90s.

For more information on Ate Vi, check out the Vilma Santos website www.vilmasantos.net managed by Vilmanian Eric A. Nadurata. It contains her filmography with layouts (I love the layouts of Tagulan sa Tagaraw and 1979 Urian and Famas Best Picture Pagputi ng Uwak, Pagitim ng Tagak) and reviews of some of her films, her acting awards, old articles and magazine covers. This website is truly impressive! - Ricardo F. Lo, The Philippine Star, 11/03/2004 (E-mail reactions at rickylo@philstar.net.ph)

In Appreciation of Movie Writers

Cleo Cruz

"...Pero sa totoo lang, sa kanilang tatlo, si Cleo Cruz lang ang masasabi kong trusted at loyal kay Vi dahil si Cleo ay hindi nagsusulat ng mga negative write-ups kay Vi. Si Cleo ay asawa ng isa ring writer/reporter na si Chito Mimije (isa rin sa mga tagapagtanggol ni Vi). Nang pumanaw si Chito ay nangibang bansa na lang si Cleo at iniwan na ang Pilipinas..." - Alfonso Valencia (READ MORE)

"...I think mommy Cleo, as Ate Vi calls her, is in Los Angeles. I read an article that Mario Bautista wrote a few years ago that he attended a wedding in Los Angeles and Cleo Cruz was there. If I am not mistaken she still gets in touch with mommy Santos in Los Angeles. Cleo Cruz was married to the late brother of the movie scribe Chit Ramos. Cleo was the P.R.O. of Ate Vi in the 70’s and 80’s. I remember reading her column Vilma Variety in Bulaklak at Paru-Paro Magazine. The column for Ms. Aunor was written by Baby K. Jimenez. There was a time when Cleo Cruz and Baby K. Jimenez had a series of heated argument in their columns on who is the real queen of the Philippine movies. It stemmed from the fact that at that time Ate Vi was being called as the Takilya Queen by the press. Now we know who is the real and longest reigning queen Vilma!..." - Fr. J Gutierrez (READ MORE)

Babette Villaruel

"...Sosyal! Si Babette naman ay nagkaroon ng Sunday noontime show sa Channel 13, kasama si OMB Chairman Edu Manzano na pinamagatang Sunday Special Iba Ito. Sino ang makakalimot sa kanyang portion na may pamagat na "Say, Say, Say" sa nasabing programa na tuwing papatugtugin ito ay kinakalog niya ang ulo niya. Si Babette ay best friend ni German Moreno at noong nagkaroon sila ng hidwaan ay palaging sinasabi ni Babette na nagtitirik siya ng kandilang itim. Pero bago pumanaw si Babette ay nagkabati din sila ni Kuya Germs. Nasaan na kaya ang mga koleksiyones niya na "PH" ng mga artistang lalaki? Samantala, ang kontrobersiyal talent manager na si Alfie ay nagkaroon ng radio program sa DZBB na pinamagatang "What Is All About Alfie?" Nagkaroon din siya ng mga tv talk shows katulad ng Rumors, Facts & Humor kasama si Janice Jurado, Troika kasama sina Oskee Salazar at Billy Balbastro at yung isa ding tv talk show sa ABS CBN 2 kasama sina Edu Manzano at Cristy Fermin na katapat ng Startalk sa GMA 7..." - Alfonso Valencia (READ MORE)

"...I am thinking, what could be more “kabastusan” than showing a funeral cortege as a PIP ( Picture in Picture) in a noontime game show, full of gyrating dancers and contestants jumping and up and down, audience cheering and clapping? What was ABS-CBN’s motivation to do this? I can only think of one reason; TV rating - hitting two birds with one stone, so that viewers need not switch channels. In short, you’re “entertained” by both events by a single channel. I am reminded of a light hearted statement made by the late movie reporter Babette Villaruel when asked about the funeral of his deceased father “ Okay naman ho. Successful naman yung burol niya”. Clearly, he was adding a showbiz twist to the event, in levity of course...." - BW (READ MORE)

"...Catch a flashback of an evening of confidences written for a column on Jan. 5, 1989. It was an interesting mix to start with. Babette Villaruel, Mama Monchang, Bong de Leon and Mar Cornes hugging a corner of that magnificent garden at Forbes Park. We have come a long way, baby, since that time we all enjoyed the highlights of Aling Maring's merienda at El Oro. But the elegant domain in this conclave of the rich is owned by banker Danny Dolor, a friend of Ronald Constantino, whose birthday was the reason for that evening of fun. It also turned out to be an evening of confidential declaration. June Torrejon, who has dropped Rufino from her name, was happy to note that her children will not have a half-brother or sister since Nena V. disclosed that during a religious confrontation, the real father came out in a confession while he was getting married to another one. If you find this had to follow, so do I. But the most incredible things happen in showbiz and this is one of those. "It was an answer from above," June said. "He knows how to take care of his children." The talk that night also centered on other separations, like that of Inday Badiday and Gene Palomo and as usual with such embellishment to make light of the situation...

...Vilma Santos, looking as stunningly beautiful as you see her on TV, sat at our table. Which turned the talk now to Edu Manzano and current love Maricel Soriano. Details were again embellished, some outrageously so just for fun. Maricel is a great cook, someone said looking at Vi, now the butt of all jokes. "Perhaps he left because you never cooked for him!" "But I don't know how to cook!" Vilma laughed. But I learned some recipes from my mother-in-law." Our table decided to form the Edu-Vilma movement with Edu's mom Mrs. Manzano as president and June as vice president. Vilma is their favorite but Vilma herself just flashed her Mona Lisa smile. Danny Dolor's home sits on top of a knoll this side of Forbes. It is one of those houses with an open façade, giving it a more welcoming atmosphere than the usual high walls. At our corner table, gossip was the main menu. June consulted her lawyer to sue a starlet saying nasty things in print about her when the starlet became close to Randy Rufino. Vilma was the only actress at our table of movie writers which included Bibsy Carballo, Romy Vitug, Ethel Ramos, Letty Celi, Nena V. , Ricky Lo, Nestor Cuartero and Babette. "Oh Vi, don't write about this, ha!" Now: March 26, 2010: Vilma is happily married to Ralph Recto who is running for the Senate. She is the very popular governor of Batangas. Her son with Edu, Lucky Manzano, is now a popular actor and TV host. Edu, who has moved on to other loves after Maricel, has become a popular TV host. He is running for vice president of the Philippines under the administration party. Babette Villaruel, Nena V. , Mar Cornes and Mama Monchang are dead. June and Randy are now friends but still separated..." - The Philippine Star (READ MORE)

Alfie Lorenzo

"...Alfie interviewed Nora who professed her still lingering passion for Manny de Leon. Again it was duly reported by Alfie. Again he was belied, this time by Nora Aunor. This twin denials did not deter Alfie from pursuing a more rabid reporting stance. Now with the Vilma-Bobot group, he would rake coals and embers and fan the escalating Nora-Vilma war. Gradually the Nora-Vilma fight settled into a more subdued form of rivalry. From proing for movie stars, Alfie Lorenzo teamed up with the members of what would eventually be the Laperal Mafia and the Ligaya Brotherhood (or Sisterhood, whichever the case maybe) and went into proing for movie companies - Sine Pilipino, Juan de la Cruz, Lyra Ventures - moving into Regal where he is more or less a fixture. Before latching on to these companies, Alfie and Douglas ventured into movie production coordinating for a freelance producer and came up with forgettable movie called, "Wild, Wild Pussycat." "Lahat kaming malas nagsama-sama sa Sine Pilipino. Elwood directed "Blue Boy," flop. Joey directed for Tower, flop, buti na lang kumuwela si Vilma." remembers Alfie. At Sine Pilipino, Vilma Santos finally made the big leap to superstardom then held solely by the dark girl from Iriga. With a couple of hits which raked in the box-office, Sine Pilipino was able to establish the careers of Joey Gosiengfiao, Elwood Perez, and even when Sine Pilipino went under because of what has been reported as faulty management, Alfie managed to breast the waves of bankruptcy and the board of censors' ire to stay in business as a movie writer-pro-columnist-manager. At Lyra Ventures, Alfie was part of the project-makers of "Uhaw" parts I and II, the scenes of which caused a turnover in the board of censors. Today, Alfie Lorenzo's cheek and guts have taken him around the world in pursuit of his own star. Managing of being pro for stars like Vilma Santos, Charito Solis, Al Tantay, Cherie Gil, Mark Gil and Dante Rivero has made Alfie more or less an indispensable fixture in the movie scene..." - TV Times, 27 April - May 3 1980

"...Noong dekada '80 ay naging manager si Alfie ng Liberty Boys na kinabibilangan nina Rey "PJ" Abellana, Edgar Mande at Lito Pimentel to name a few. Liberty Boys ang itinawag sa kanila dahil nakatira sila sa Liberty Avenue, Murphy, Cubao, Quezon City. Si PJ ay naging manugang ni Ms. Delia Razon at ang anak niya ay si Carla Abellana, ang Rosalinda. Si Edgar naman ay nakasama ni Vi sa pelikulang Relaks Ka Lang Sagot Kita samantalang si Lito ay nakasama ni Vi sa mga pelikulang Broken Marriage at Tagos Ng Dugo. Sa mga Liberty Boys, tanging si Lito lang nagkaroon ng acting award. Siya ang best supporting actor ng Urian noong 1988 para sa pelikulang Kapag Napagod Ang Puso. Noong huling bahagi ng dekada '80 na nauso ang mga musical variety show katulad ng The Sharon Cuneta Show ni Sharon Cuneta, Maria Maria ni Maricel Soriano, Always Snooky ni Snooky Serna, Loveliness ni Alma Moreno, Superstar ni Nora Aunor, Tonight with Dick & Carmi nina Roderick Paulate at Carmi Martin at Vilma ni Vilma Santos ay naging PRO si Alfie ng Loveliness. Nang mga panahong ito ay galit na galit si Alfie sa executive producer ng Vilma Show na si Chit Guerrero. Pati si Vilma ay nadadamay sa mga galit niya kay Chit. Talagang personal na ang banat niya kay Vilma. Posible kayang ang dahilan ng galit niya eh dahil hindi man lang makaangat ang Loveliness sa Vilma Show sa dami ng commercials, production numbers, guests at higit sa lahat ay rating? Ang Vilma Show ay palaging numero uno, walang makaabante maging ang sinasabi nilang longest-running musical variety show na Superstar. Si Vilma ang highest paid tv star at ang Vilma Show ang tinaguriang Central Bank ng GMA 7..." - Alfonso Valencia (READ MORE)

"...Apparently, the two haven’t been on speaking terms ever since Vilma supposedly failed to meet up with him in New York while she was shooting the movie In My Life last summer. The controversial talent manager wrote at least two angry blog posts about Vilma having forgotten their friendship (plus loads of shocking allegations) which, he claimed, dates all the way back to the ‘70s. Despite the malicious remarks in the articles, Vilma kept her silence on the issue, stating that she and Alfie would surely mend their differences when the right time comes. “Hindi, si Alfie, aminin naman natin…nung bata ako kasama ko naman ‘yan, sa totoo lang. It’s just a matter of miscommunication...True to the title of her special A Woman of All Seasons, Vilma refused to take offense and kept her side open for reconciliation with the ever-feisty talent manager. “Naiintindihan ko si Alfie. Baka hinanap niya yung nagtravel kami nila Manay Ethel (Ramos) sa Amsterdam, Pinay American Style… Hindi lang siguro na-ano ni Alfie. But still, sa pinagsamahan namin, sinabi ko sa mga Vilmanians, ‘Huwag kayo sasagot. ‘Pag ako may narinig sa inyo...’ Kasi that's out of respect for Alfie. ‘Kahit pinakagrabe na yung tinira ako talaga, walang sasagot.’ Kahit yung [fans ko na] taga-New York [hindi na nagsalita tungkol dun]. Nagtampo lang yun (Alfie),” she graciously stated..." - Rachelle Siazon (READ MORE)

Ricky Lo

"...Ricardo F. Lo, the very first movie writer who interviewed me when I was 12 pa lang yata and who even paid the fare for the taxi that he, my mom and I took to the Manila Times building on Florentino Torres St. in Sta. Cruz, Manila, where we did the cover pictorial for Variety, one of the paper’s Sunday magazines..." - Ricky Lo, The Philippine Star, October 31, 2010 (READ MORE)

"...Ricardo F. Lo, more popularly known as Ricky Lo, is an entertainment writer, showbiz commentator from the Philippines. He is of Chinese descent. He was born on April 21. He is a native of Las Navas, Northern Samar, where he finished grade school. He finished high school at the bilingual Tabaco Pei Ching School in Tabaco, Albay, and took up AB English at the University of the East. From 1969 to 1972, Ricky worked as editorial assistant of Variety magazine, the Sunday supplement of the old Manila Times where he started his Funfare column. After this, he joined the Philippine Daily Express first as staff writer of its Express Week magazine and then as deskman of The Evening Express and eventually its main broadsheet. He later went on to work as editorial assistant for its Sunday magazine, Weekend, until 1986. Lo did stint as entertainment editor- first at The Manila Times and then at The Manila Chronicle and currently at The Philippine Star where he also writes his revived FunFare column and his regular Sunday feature, Conversations with Ricky Lo. Ricky is the author of Star-Studded, the first compilation of his articles on movie stars, which he released in 1995. Another book, Conversations with Ricky Lo was released in 2001. The book bear Lo’s trademark sensitive, intelligent and penetrating style of handling interviews..." - Wikipedia (READ MORE)

Mario Bautista

"...I started my professional career in Channel 5, the carrier station of the Manila Times, in 1965. I was with the film programming department. We got to screen old movies, both local and foreign before it was aired on shows like "Million Dollar Movies", "Sinagtala" and "Bahaghari". I also helped in the production of some TV shows, like "Magmahal ay Langit", then directed by Celso Ad. Castillo, and "Pamilya Kontra-Partido", a sitcom. The station was closed down by martial law in September of 1972. During that time, I was already the head of the film programming department. In 1976, I was invited to write film reviews for "TV Guide", edited by Rod Reyes. I was invited to be a member of the Manunuri ng Pelikulang Pilipino that gave out the Urian Awards. Newspapers then invited me to write entertainment columns and reviews for them, including "People's Tonite", "People's Journal", "Times Journal", and "The Philippines' Daily Express". Later, I also wrote columns for "Ang Masa", "The Manila Chronicle", and "The Manila Bulletin". I likewise had regular columns for several magazines, including Jingle Extra Hot, Movie Flash, Intrigue, Expose, Fame, Hot Copy, Parade, People's, and others. On TV, I was a co-host of Armida Siguion Reyna and Behn Cervantes in "Let's Talk Movies" and did film reviews on air for "The Big, Big Show". In 1985, I became a member of the Philippine Movie Press Club that gave out the Star Awards for Movies. In 1987, I was instrumental in putting up the Star Awards for Television. When the Manila Times resumed publication in 1999, I was invited by then publisher Katrina Legarda to be its entertainment editor. I now write regular columns for People's Journal and Malaya, and for the Japanese based fortnightly, Pinoy Gazette..." - Showbiz Portal (READ MORE)

Ricky Lo's "Mano Po, Ate Vi!”

Last but definitely not the least. The Mano Po series by Regal Films closes at the 2004 Metro Manila Film Festival with Mano Po 3: My Love, following Mano Po 1: My Family and Mano Po 2: My Home, again with Joel Lamangan at the helm (Mano Po 2 was megged by Erik Matti). And to celebrate the culmination of Local Movies’ only successful trilogy, sustained with a big cast and astronomical budget, Regal Matriarch moved heaven and earth to enlist Vilma Santos, The Star For All Seasons, as lead actress opposite Mano Po "veteran" Christopher "Boyet" de Leon, marking the loveteam’s 23rd movie together since 1975. Funfare/Conversation’s Toronto-based "international correspondent" Ferdinand Lapuz has listed down (chronologically) Vilma and Boyet’s starrers:

1975 – Tagulan sa Tagaraw (the first movie of Alma Moreno)
1977 – Masarap, Masakit ang Umibig (with Mat Ranillo III)
1978 – Ikaw ay Akin (with Nora Aunor)
1978 – Nakawin Natin ang Bawat Sandali
1979 – Pinay American Style (with Bembol Roco and Cocoy Laurel)
1979 – Disco Fever (first film of Rio Locsin)
1979 – Magkaribal (with Alma Moreno)
1980 – Gusto Kita, Mahal Ko Siya (with Romeo Vasquez, shot in the US)
1981 – Pakawalan Mo Ako (with Anthony Castelo, Vilma winning her 2nd FAMAS Best Actress)
1981 – Karma (with Vilma winning as Best Actress at that year’s Metro Filmfest)
1982 – Sinasamba Kita (with Lorna Tolentino and Phillip Salvador)
1982 – Relasyon (with Vilma scoring a Best Actress grand slam)
1982 – Haplos (with Rio Locsin)
1983 – Paano Ba ang Mangarap?
1983 – Minsan Pa Nating Hagkan ang Nakaraan (with Eddie Garcia)
1983 – Broken Marriage (with Vilma winning her second consecutive Urian trophy)
1989 – Imortal (with both Vilma and Boyet won acting trophies at the Metro Manila Filmfest)
1991 – Ipagpatawad Mo (with Vilma winning her fifth Urian trophy)
1993 – Dahil Mahal Kita, The Dolzura Cortez Story (with Vilma winning as Best Actress at the Manila Filmfest and second Best Actress grand slam minus the FAMAS which elevated her to its Hall of Fame in 1988)
1994 – Nagiisang Bituin (with Aga Muhlach)
1997 – Hanggang Ngayon Ika’y Minamahal
2002 – Dekada ’70 (with Vilma winning her fourth grand slam; she scored her third with Bata, Bata, Paano Ka Ginawa? in 1998).

There. Twenty-three all in all (including Mano Po 3). Count ‘em. From Oct. 4 to 8, Vilma and Boyet, together with the other stars of Mano Po 3 led by Mother Lily, were in Beijing for a photo shoot (both for the press releases and the movie’s MTV) with Raymund Isaac. The STAR’s contributing celebrity photographer Richard Chen was a member of 50-strong entourage. Two days after they came back, Vilma sat down for a free-wheeling Conversation.

Why Mano Po 3 of all the offers? "Something new kasi, e. I want something that will make me look good naman for a change, ‘yung maayos naman ako. In my previous movies (Bata, Bata, Paano Ka Ginawa?; Anak; and Dekada ’70), I played a housewife forever wearing a duster. The public might get used to seeing me in duster, so I want a movie whose plot suits me and a role which requires me to wear nice clothes."

You started shooting the other day. Have the "issues" been ironed out? "There was really no issue except in the casting. But Mother (Lily) has the last say on that. Well, it’s already Sheryl (Cruz) in the final cast, so that’s it."

What about your talent fee? Have you settled that (minor) issue? "No problem. Mother knows how much I am worth."

How long are you shooting for the movie? "Supposedly 25 days. I can shoot three days a week, mostly on weekends."

So you didn’t shoot any scene in Beijing? "Mostly pictorials and some shots for the MTV."

During your four days there, did you have a chance to see the sights? "Not much, not many. In a way, yes, I was able to visit the scenic spots because we did our pictorials there, like the Summer Palace, Tiananmen Square and the Great Wall which are the places tourists go to."

I heard that you walked in The Great Wall. You had such stamina, huh? "Oh, yes, I did walk. I was in rubber shoes. But during the pictorial, I changed to high heels because I was wearing cheongsam(s). Since we moved from one spot to another, I would sometimes walk on high heels."

Fit na fit ka, huh! "Because I exercise regularly... at least twice a week, no matter how tired I am. I do the treadmill and Taebo as soon as I go home from work."

And your diet? "I eat anything but in moderation. I seldom eat rice."

Which of the scenic spots in Beijing impressed you the most? "Of course, The Great Wall. One of the wonders of the world, isn’t it? Correct me if I’m wrong but I learned from the tourist guide that it took many, many years – I’m just not sure how many years – to build The Great Wall. And they used clay to start building it!"

Is it true that you’re planning to build a Great Wall around Lipa City? "Ha, ha, ha, ha, ha, ha, ha!"

It’s good that you were able to go on tour. "A bit. We were tired but we were happy. We were a good company; walang killjoy. Mother saw to it that we were comfortable. She booked us in a nice hotel; the food was, wow, talagang masarap! She really pampered us."

It was your first time in Beijing. Don’t you have any plan of going back as a tourist, maybe with your family? "I’ll go back – definitely! It will purely be a holiday, no work at all. The goods are very nice – the tablecloths, pillowcases, etc. But I hardly bought anything because we were busy with work. Besides, where would we put those things? We brought several suitcases, all right, but they were packed with our costumes, most of them bulky. Next time, I’ll go there to relax and enjoy."

Did you study Chinese for your role? "I did. Every member of the cast was taught how to speak Fookien by a tutor. Two days before we flew to Beijing, hayun, I could already speak some Chinese, such as ni hao ma? (Are you okay?), shi-shi (Thank you) and chay hui (Goodbye)."

Did you and the other members of the cast have time to bond? "Oh, yes, we did. Actually, our Beijing trip was the start of our bonding. During the presscon last month, not all of us knew one another very well, especially the bagets (new faces) in the cast. Nag-bonding talaga kami doon. Everybody was professional. We enjoyed each other’s company."

How many times have you worked with Boots? "Tita Boots... let me see. A few times but the last time was years ago. I think I was very young then."

Eddie Garcia? "Oh, several times already! He even directed me in some pictures. Our last project together was Imortal."

Jay Manalo? "My first time with him and my first time, too with direk Joel and Sheryl (Cruz)."

Let’s make it clear. Sheryl is playing not your daughter but your sister-in-law (Bernadette). "That’s right. In the story, Bernadette is the one member of the clan who’s always with me. Later on, we clash. Sheryl and I have confrontation scenes. Sheryl’s character is close to me but when she learns that I’m seeing the character of Boyet, she fights with me. Bernadette, the sister of Jay’s character, is a stickler for Chinese customs and tradition and when she realizes that I’m breaking some, she really fights with me."

Bernadette is the same role originally intended for Judy Ann Santos, right? "Or so I heard."

Either Sheryl or Judy Ann would have been okay with you? "Okay lang kahit sino sa kanila. I’d rather not comment anymore about it."

Among the bagets cast, you’ve worked with only Carlo Aquino (in Bata, Bata, Paano ka Ginawa? which won a few awards for him) and Angelica Panganiban (in Lipa Masssacre). Of course, the other bagets must be "intimidated" to be working with the Vilma Santos. "I hope they are not."

How do you reassure them? "It’s also my first time to work with Karylle, Dennis (Trillo), Angel (Locsin), Patrick (Garcia) and John (Prats). When we met, they greeted me, all right, but I noticed that they were somewhat shy. So I embraced them and asked, ‘Kumusta na?’ Dennis is the most quiet of them all, so I told him, ‘Why are you so quiet?’ I touched his face and asked him to join in the fun. By and by, they were relaxed na and comfortable with me."

You really have a way with the young ones, like Piolo Pascual, Marvin Agustin, Carlos Agassi and Danilo Barrios who worked with you in Dekada ’70. "Until now, they get in touch; they call. I call them anak and they call me Mommy. They call me regularly. We talk about their work and their problems. With them, I’m just Vilma Santos, their friend, and not Vilma Santos the actress or the Mayor. Ordinaryo lang ako sa kanila."

Of course, you and Boyet have worked on 22 movies already (with Mano Po 3 as the 23rd). "I think Boyet and I are the longest-running loveteam in Philippine movie history."

Amazing, ‘no, considering that there’s no love angle between you in real life. "Ibang klase ang chemistry namin."

Has Boyet ever tried to court you (when you were still both single)? "A, basta. Platonic kami. Whether kami o hindi, what’s important is that the public loves us and believes in us."

In Mano Po 3, you don’t play husband and wife... "...No, we don’t. Jay plays my husband but Boyet is my first love. We did have a relationship when we were young (played by Carlo and Angelica), pero di kami nagkatuluyan because of the Chinese custom which paired me off with Jay. Then, Boyet and I meet again when we already have respective families."

As lolo and lola? (Knocking on wood) "Not yet. Not now!"

Of the 22 movies you’ve done with Boyet, which three would you consider most memorable? "Relasyon, definitely (The movie, directed by Ishmael Bernal, won a Best Actress grand slam for Vilma. – RFL). Tagulan sa Tagaraw because it was our first (in 1975, directed by Celso Ad. Castillo). Ang dami! All of them are memorable – Broken Marriage, Ipagpatawad Mo, Dolzura Cortez Story, Dekada ’70, all of them!"

If you and Boyet were a real-life couple, who would you be? "Who do you think? Which couple ba is interesting and colorful?"

You and Ralph. (Laughs and laughs) "Not yet. Marami pang sequels at subplots ang buhay namin. Many things can still happen."

Twenty years from now, what’s the ideal film for you and Boyet? "Something like On Golden Pond (starring Henry Fonda and Katharine Hepburn). Ang ganda! When we are old and grey and we’re still a loveteam, Boyet and I should do a movie like that."

You’re turning, well, 51 on Nov. 3. What are your thoughts on growing, ehem, wiser? "Ano, e...First, I’m not scared of growing old, especially if you learn many things as you mature. I still don’t feel that I’m 50-plus; feeling ko I’m only 38."

How do you preserve your looks? "Attitude. I’m a very positive person. I don’t store up negative feelings. It’s unhealthy, di ba? I take good care of myself by exercising regularly and eating the right food."

Aside from Eskinol, what do you apply on your face? "As much as possible, I don’t apply anything on my face. I have a sensitive face kasi; maa-allergy lang ako. What’s important is not to sleep with make-up on. I put hot compress before I sleep para bumukas ang pores ko and cold compress before I put on make-up para sumara ang pores ko. Besides that, I don’t apply anything else."

Haven’t you ever thought of any "enhancing" surgery? "Like lipo? Thank God, I don’t need it yet. I’m not against it. Maybe someday, why not? But not now."

So every part of you is natural. "I don’t need that kind of thing yet, not even Botox. Maybe someday...but not yet, not now. All of us grow old and nobody can stop it. What’s important is to grow old gracefully...and still be pleasant to be with and pleasing to look at."

What’s the best thing about being a Golden Girl? "That you’ve learned a lot, you’ve learned your lessons and you have a purpose in life. That’s the most important thing. Now that I’ve matured, I begin to realize that, in your later years when you look back, what really matters is what good things you’ve done and what kind of legacy you’re leaving behind and not how much money you’re leaving behind."

How would you sum up your present state of being? "Heaven!" - Ricky Lo, Philippine Star, October 24, 2004