Showing posts with label Amalia Fuentes. Show all posts
Showing posts with label Amalia Fuentes. Show all posts

Thursday, November 14, 2013

What’s Love Got To Do With It? Isang Gabi Tatlong Reyna

One rainy Friday night in August, 1990, all roads led to the Metropolitan Theater where the top-rating and the most awarded musical-variety TV show Vilma! would air one of its most-watched episodes, ever. Vilma Santos, who would turn 37 that year, was on cloud nine. She was the toast of the town, in both movies and television. Her Lino Brocka directed movie "Hahamakin Lahat" was a commercial and critical success. Come hell or high water (there was a tropical storm), fans queued at the SRO theaters and saw her out and out Cruella Deville role as Gabby Concepcion’s paramour. Some like her bad. Vilma, the versatile actress scored again. Earlier, she won her first of six Star PMPC and her fourth Urian best actress awards for her ’best’ performance in years in "Pahiram ng Isang Umaga," which was directed by Ishmael Bernal. She also just finished "Kapag Langit ang Humatol" with Laurice Guillen at the helm. At the PMPC Star Awards for TV, Vilma’s show harvested the biggest awards. And on that particular rainy night at the jam packed Metropolitan Theater, Vilma Santos was paying tribute to a Movie Queen she loved dearly and who reciprocated that love. Amalia Fuentes was the special guest, who just turned 50. Vilma! was giving her a tribute, with special appearances of former Sampaguita Productions ’stars.’ Everybody knew that despite the infamous Romeo Vasquez/Vilma Santos le affair Amalia and Vilma remained the best of friends. With a sincere, charismatic and humble La Vilma, who could resist her charm? Yes, the original Taray Queen, forceful and outspoken former queen of Philippine movies, she with a strong personality but with the most beautiful face in Philippine cinema, acquiesced to her friend’s request to grace the most watched TV show. Love begets love. Respect begets respect.

The retired and reclusive Amalia Fuentes could not say no to the current darling of Philippine movies. To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono (1976) and Asawa Ko, Huwag Mong Agawin (1986). Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears. A Kodak moment, indeed. Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl. "Ay naku, I think I also have become like my Mom, I’m also very protective of my children," Liezl remarks. Ex-Sampaguita stars Luis Gonzales and German Moreno served as Vilma’s co-hosts who provided comic relief as they recalled their Sampaguita days with Amalia Fuentes. Debonair Eddie Gutierrez also came to greet Amalia a Happy Birthday. Then Daisy Romualdez, Amalia’s contemporary and best friend danced the mambo/cha-cha with dancing queen Vilma, along with Kuya Germs and Luis Gonzalez. "I messed up that dance number," Daisy gamely confesses, "wala kasing practice." On her friend Nena (Amalia), Daisy admires her colleague for being frank and outspoken like her. "Nagkasundo kami kaagad dahil pareho kaming prangka ni Nena, hindi kami plastik," she bemuses. The highlight of the evening was when Vilma introduced another special guest, the other Queen of Philippine movies, Amalia’s rival, Ms. Susan Roces. Radiant and regal in her Susan Roces hairdo and dark, glossy gown, Ms. Roces was polite and generous with her comments on her kumarerival. Vilma, obviously starstruck, throws a question to Susan: "What can you say about Ate Nena as being mataray and you Ate Susan as soft-spoken?" Susan: "I’d like to make a correction Vi, Amalia is not mataray, she is just outspoken, pero nasa lugar, so there’s a difference there." Applause from the audience. "Alam mo ba Vi na my mother dotes on Amalia dahil pareho silang prangka? Sabi ng Mommy ko, iyang si Susan hindi pumaris kay Amalia, prangka at di iyakin." Amalia on Susan: "I want to be like Susan dahil she is so sweet and soft-spoken. Doon nga sa weekly sessions namin, sabi ni Doctor Perez, why don’t you be like Susan, matiyaga sa fans, ikaw, sumakit lang ang ulo mo, ayaw mo nang harapin ang fans." Guffaws and chuckles. The conversation turns serious. Vilma: "How did you handle the competition? Did the intrigues get in your way, affected you?" Susan, smiling sweetly, with a politically correct comment: "Hindi naman. We were in the same movie company and we were treated fairly. We’re like one big family.

In your case with Nora, and Gloria Romero and Nida Blanca, it’s different. Magka-iba kayo ng movie companies." Vilma: "Ay ang sarap, sana, one of these days magksama rin kami ni Nora Aunor like this one, Ate Susan and Ate Nena, together." Amalia Fuentes, Susan Roces and Vilma Santos. Isang Gabi, Tatlong Reyna. Susan, a movie queen, honoring a rival-friend movie queen Amalia on her 50th. birthday. Amalia confessed on the show and thanked Susan for throwing a surprise birthday party for her days before the Vilma show. What’s love got to do with it? In the case of Susan and Amalia, it’s love. In the case of Vilma and Amalia, it’s also love. Diva to diva. Competitors can be friends. May it also happen to Vilma Santos and Nora Aunor. Rivals on the silver screen, friends for life. After all, love conquers all. It is more permanent than fleeting fame and fortune. - Mario O. Garces, V Magazine Issue Nos 6 (READ MORE)

Monday, September 2, 2013

ASAWA KO HUWAG MONG AGAWIN (1986)

“Hindi ko siya kinamkam! Nilayasan ka. hindi magloloko ang asawa mo kung naging maligaya siya sa pamamamahay mo, remember this, no woman can seduce a happy husband, paghindi mo pa rin maintindihan yan bakit hindi mo sampalin ang sarili mo para matauhan ka!” - Cathy Santillan


Basic Information: Direction: Emmanuel H. Borlaza; Story: Pablo S. Gomez (based on the novel "Paano Ba Sasabihing Paalam Na"); Screenplay: Jose Javier Reyes, Jake Cocadiz; Cast: Vilma Santos, Amalia Fuentes, Eddie Gutierrez, Gabby Concepcion, Gretchen Barretto, Sheryl Cruz, Elvis Gutierrez, Romeo Rivera, Ramil Rodriguez, Deborah Sun, Debraliz, Noel Colet, Jaime Fabregas, Cris Castillo, Vicky Suba, Ena Alli, Kess Burias, Marie Barbacui, Malen Dela Trinidad, Wilson Ferrer, Reymond Rodriguez, Martin Santos, Archie Delos Santos, Alfred Barretto, Ferdie Fernando; Producer: Lily Y. Monteverde, Malou N. Santos, Charo Santos-Concio; Original Music: Willy Cruz; Cinematography: Rey Lobo; Film Editing: George Jarlego; Art Direction: Nonoy Fuentes; Release Date:1987 (Philippines); Production Company: Regal Films; Theme Song: Sung by Marissa Martin, Composer: Willy Cruz - IMDB (READ MORE)

Plot Description: Ayaw kong maging querida is a story about three people caught in a whirlwind romance bound in the norms of society class. Will love conquer all or will wealth and power dictate their destinies? - Kabayan Central (READ MORE)

A middle-aged martyr wife loses her husband to an equally beautiful but much younger woman. - ABS-CBN (READ MORE)

Cathy Santillan (Vilma Santos) had an affair with Mike Ledesma (Gabby Concepcion), a married man to a doctor, Dr. Alice Paredes (Amalia Fuentez). A love triangle that ends into forgiveness and the doctor delivering the mistress and his husband's baby.

Film Achievement: No Available Data

Film Reviews: "...To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono(1976) and Asawa Ko, Huwag Mong Agawin (1986). Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears. A Kodak moment, indeed. Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl. ”Ay naku, I think I also have become like my Mom, I’m also very protective of my children,” Liezl remarks..." - Mario O. Garces (READ MORE)

"...You can never go wrong if you choose a Vilma Santos film and if you want a story that gives a different twist to the "other woman" issue, then Asawa Ko Huwag Mong Agawin might give you the satisfaction you are aiming for. It shows two women in their usual roles and stereotypes: the other woman who knows all about pleasures and the wife who knows all about pain..." - Bon Ching (READ MORE)

"...Ang tatay ni KC Concepcion na si Gabby Concepcion ay isa rin sa mga kaibigan ni Vi. Ilan ding pelikula ang ginawa ni Vi at Gabby katulad ng Pahiram Ng Isan Umaga, Sinungaling Mong Puso, Hahamakin Lahat, Ibigay Mo Sa Akin Ang Bukas at Asawa Ko Huwag Mong Agawin. Sa pelikulang Bukas Sisikat Din Ang Araw, kung saan si Gabby ang prodyuser ay naging special guest si Vi na sa totoo lang ay halos kasinlaki ang billing niya (Vi) sa mga major characters nito. Isa sa mga anak ni Gabby, anak niya kay Grace Ibuna ay inaanak ni Vi katuwang sina Lorna Tolentino, Alma Moreno, Snooky Serna at Maricel Soriano. Noong last episode ng Vilma show sa GMA 7 ay isa si Gabby sa mga special guests ni Vi at nag-compose pa ng tula si Gabby para kay Vi. Noon namang nagkaroon ng problema si Gabby dahil sa kontrobersiya sa Manila Film Festival noong 1994 ay isa si Vi sa mga naging sabihan niya ng kanyang mga problema. Si Gabby ay naging best supporting actor ng Star Awards for Movies noong 1992 para sa pelikulang Sinungaling Mong Puso, best actor ng Urian noong 1992 para sa Narito Ang Puso Ko at best supporting actor ng Urian para sa pelikulang Makiusap Ka Sa Diyos noong 1991..." - Alfonso Valencia (READ MORE)

"...Sa mga Pinoy movie, paboritong tema na ang mga love triangle. Gustong-gusto natin sa mga drama ang mga nagbabangayan na dalawang babae para sa atensyon ng iisang lalaki. Sino ang inagawan at sino ang nang-agaw?...Kaya heto ang ilang pelikula na puwedeng i-connect sa nangyaya­ring issue ngayon kina Bea, Gerald at Julia…Mula sa direksyon ni Emmanuel Borlaza, kuwento ito ni Cathy (Vilma Santos) na nagkaroon ng hindi magandang pakikipaghiwalay sa kanyang boyfriend na si Mike (Gabby Concepcion). Nakilala niya ang isang may asawang lalaki, Bert Paredes (Eddie Gutierrez) na hindi masaya sa piling ng kanyang misis na si Dr. Alice Paredes (Amalia Fuentes). Pinapakita rito ang epekto ng isang unhappy marriage at pati ang kanilang mga anak (Sheryl Cruz and Gretchen Barretto) ay naaapektuhan sa pagkakaroon ng illicit affair ng kanilang ama. Heto ang memorable line ni Vilma: “No woman can seduce a happy husband, pag hindi mo pa rin maintindihan ‘yan bakit hindi mo sampalin ang sarili mo para matauhan ka!.." - Ruel Mendoza, Abante, 27 July 2019 (READ MORE)




Thursday, February 21, 2013

MGA REYNANG WALANG TRONO (1976)


Basic Information: Direction: Fely Crisostomo and Amalia Muhalch; Cast: Amalia Fuentes, Vilma Santos, Eddie Gutierrez, Robert Arevalo, Rudy Fernandez and Eddie Garcia/ Also Starring Rez Cortez, Greg Lozano and Mar F. Cornes; Story: Rino Fernan Silverio; Screenplay: Toto Belano; Cinematography: Hermo U. Santos; Production Company: AM Productions; Release Date: February 26, 1976; Serialized in Bondying Weekly Movie Specials - Video48

Plot Description: A story of two women who lived and reigned as queen in their own world. Dureza (Vilma Santos) a poor lass who got married to a rich man, Don Mauricio (Eddie Garcia) whom she does not love, but just to give comfort to her family. Amanda (Amalia Fuentez) a popular actress, whom people look up to, but due to unavoidable circumstances killed her husband. Both women end up in jail to pay for what they have done. Also stars, Rober Arevalo, Rex Cortez, Greg Lozano. Directed by Amalia Fuentes and Fely Crisostomo for AM Productions. - Trigon Video Distributor

Film Achievement: Film directed by two females - movie queen Amalia Fuentez and veteran director Fely Crisostomo; Originally written by Rico Fernan Silverio for Bondying Movie Special comics (1974-1975) and illustrated by Hal Santiago.

Film Reviews: "...By mid decades, Vilma Santos’ career was gradully moving into dramas catering the adult audience and films with social-adult issues. She did the sequel “Hindi Nakakahiya” and “Nagaapoy na Damdamin” about the affair of a young woman with an older man and “Mga Rosas Sa Putikan” about the lives of prostitutes. Aside from these films, she also did four light comedies and two notable ones: “Mga Reynang Walang Trono” a comedy with movie queen Amalia Fuentez and “Bato Sa Buhangin,” the box office hit that reunited her with the late Fernando Poe Jr. Bernal on the other hand, cemented his reputation as one of the most serious director with critically appreciated hit films, “Ligaw Na Bulaklak” staring the young sexy star, Alma Moreno and the drama film that featured two dramatic stars, Daria Ramirez and Elizabeth Oropeza in “Nunal Sa Tubig.” He also directed a light comedy, “Tisoy,” Christopher De Leon in title role..." - RV (READ MORE)

"...To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono(1976) and Asawa Ko, Huwag Mong Agawin (1986). Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears. A Kodak moment, indeed. Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl. ”Ay naku, I think I also have become like my Mom, I’m also very protective of my children,” Liezl remarks..." - Mario O. Garces (READ MORE)

Tuesday, February 19, 2013

What’s Love Got To Do With It? Isang Gabi Tatlong Reyna


One rainy Friday night in August, 1990, all roads led to the Metropolitan Theater where the top-rating and the most awarded musical-variety TV show VILMA! would air one of its most-watched episodes, ever. Vilma Santos, who would turn 37 that year, was on cloud nine. She was the toast of the town, in both movies and television. Her Lino Brocka directed movie, “Hahamakin Lahat” was a commercial and critical success. Come hell or high water (there was a tropical storm), fans queued at the SRO theaters and saw her out and out Cruella Deville role as Gabby Concepcion’s paramour. Some like her bad. Vilma, the versatile actress scored again. Earlier, she won her first of six Star PMPC and her fourth Urian best actress awards for her ’best’ performance in years in Pahiram ng Isang Umaga, which was directed by Ishmael Bernal. She also just finished Kapag Langit ang Humatol with Laurice Guillen at the helm. At the PMPC Star Awards for TV, Vilma’s show harvested the biggest awards. And on that particular rainy night at the jam packed Metropolitan Theater, Vilma Santos was paying tribute to a Movie Queen she loved dearly and who reciprocated that love. Amalia Fuentes was the special guest, who just turned 50. Vilma! was giving her a tribute, with special appearances of former Sampaguita Productions ’stars.’

Everybody knew that despite the infamous Romeo Vasquez/Vilma Santos le-affair Amalia and Vilma remained the best of friends. With a sincere, charismatic and humble La Vilma, who could resist her charm? Yes, the original Taray Queen, forceful and outspoken former queen of Philippine movies, she with a strong personality but with the most beautiful face in Philippine cinema, acquiesced to her friend’s request to grace the most watched TV show. Love begets love. Respect begets respect. The retired and reclusive Amalia Fuentes could not say no to the current darling of Philippine movies. To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono(1976) and Asawa Ko, Huwag Mong Agawin (1986). Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso. Why, Liezl even sang a song ’’Wind Beneath My Wings’ to her surprised mother that night which drove the strong-willed and still beautiful Amalia to tears. A Kodak moment, indeed. Priceless! While interviewing the three Muhlach generations, Fuentes, Liezl and young daughter Aliyanna, Amalia revealed to Vilma that she is protective of her ’unica hija’ Liezl. ”Ay naku, I think I also have become like my Mom, I’m also very protective of my children,” Liezl remarks.

Ex-Sampaguita stars Luis Gonzales and German Moreno served as Vilma’s co-hosts who provided comic relief as they recalled their Sampaguita days with Amalia Fuentes. Debonair Eddie Gutierrez also came to greet Amalia a Happy Birthday. Then Daisy Romualdez, Amalia’s contemporary and best friend danced the mambo/cha-cha with dancing queen Vilma, along with Kuya Germs and Luis Gonzalez. “I messed up that dance number,” Daisy gamely confesses, “wala kasing practice.” On her friend Nena (Amalia), Daisy admires her colleague for being frank and outspoken like her. “Nagkasundo kami kaagad dahil pareho kaming prangka ni Nena, hindi kami plastik,” she bemuses. The highlight of the evening was when Vilma introduced another special guest, the other Queen of Philippine movies, Amalia’s rival, Ms. Susan Roces. Radiant and regal in her Susan Roces hairdo and dark, glossy gown, Ms. Roces was polite and generous with her comments on her kumare-rival. Vilma, obviously starstruck, throws a question to Susan: “What can you say about Ate Nena as being mataray and you Ate Susan as soft-spoken?” Susan: “I’d like to make a correction Vi, Amalia is not mataray, she is just outspoken, pero nasa lugar, so there’s a difference there.” Applause from the audience. ”Alam mo ba Vi na my mother dotes on Amalia dahil pareho silang prangka? Sabi ng Mommy ko, iyang si Susan hindi pumaris kay Amalia, prangka at di iyakin.”

Amalia on Susan: “I want to be like Susan dahil she is so sweet and soft-spoken. Doon nga sa weekly sessions namin, sabi ni Doctor Perez, why don’t you be like Susan, matiyaga sa fans, ikaw, sumakit lang ang ulo mo, ayaw mo nang harapin ang fans.” Guffaws and chuckles. The conversation turns serious. Vilma: “How did you handle the competition? Did the intrigues get in your way, affected you?” Susan, smiling sweetly, with a politically correct comment: “Hindi naman. We were in the same movie company and we were treated fairly. We’re like one big family. In your case with Nora, and Gloria Romero and Nida Blanca, it’s different. Magka-iba kayo ng movie companies.” Vilma: “Ay ang sarap, sana, one of these days magksama rin kami ni Nora Aunor like this one, Ate Susan and Ate Nena, together.” Amalia Fuentes, Susan Roces and Vilma Santos. Isang Gabi, Tatlong Reyna. – Susan, a movie queen, honoring a rival-friend movie queen Amalia on her 50th. birthday. Amalia confessed on the show and thanked Susan for throwing a surprise birthday party for her days before the Vilma show. What’s love got to do with it? In the case of Susan and Amalia, it’s love. In the case of Vilma and Amalia, it’s also love. Diva to diva. Competitors can be friends. May it also happen to Vilma Santos and Nora Aunor. Rivals on the silver screen, friends for life. A fter all, love conquers all. It is more permanent than fleeting fame and fortune. - Mario O. Garces

Tuesday, May 8, 2012

BULAKLAK AT PARU-PARO (1970)


Basic Information: Screenplay and Direction Emmanuel H. Borlaza; Cast: Amalia Fuentes, Eddie Gutierrez, Vilma Santos, Edgar Mortiz, Johnny Delgado, Alvaro Muhlach, Ernie White and The Reycard Duet/ Also Starring Jose Padilla, Jr., Romeo Rivera, Jose garcia, Patria Plata, Venchito Galvez, Edgar Garcia, Al Quinn Dancers and the Folklorico Filipino Dance Co./ Featuring Anna Lissa and Rosanna/ Guest singers- Merci Molina, Ric Manrique, Jr.; Story: Manolo Bueno; Choreography: Al Quinn; Music: Danny Holmsen; Production Company: AM Productions; Release Date: February 26, 1970/ Center; Screening Location: Center Theatre, Manila, Philippines; Film Poster Archived: Video48

Plot Description: No Available Data

Film Accomplishment: The first film of Vilma Santos and Amalia Fuentez together. The other films are: "Mga Reynang Walang Trono" and "Asawa Ko Huwag Mong Agawin."

Film Review: Citation needed for this film. IMDB listed this film under both 1970 where VSR wasn't even mentioned and in year 1972 where Vilma Santos was the only person credited. Meanwhile, Wikipedia mentioned this film under year 1971 on its filmography section. Adding to the confusion is whether this film also featured Edgar Mortiz. We're going to cite 1970 as the year this film was made since Eric Nadurata's SFAS site listed this film on this year.

"...To recall, the senior and junior movie queens appeared in these movies: Bulaklak at Paru-paro (1970), Mga Reynang Walang Trono (1976) and Asawa Ko, Huwag Mong Agawin (1986). Amalia directed Vilma’s episode in Mga Reyna and agreed to second billing to Vilma in Asawa Ko. No doubt about it, Amalia Muhlach Sumilang Fuentes, is a Vilmanian. To seal their sisterhood and camaraderie, Vilma is Ninang to Liezl Martinez and to the latter’s son Alfonso..." - Mario O. Garces, V Magazine Issue Nos 6 (READ MORE)

"...Bulaklak At Paru-Paro (February 26, 1970), "the most anticipated reunion of your favorite loveteam!..." ang handog ng AM Productions na pinangunahan nina Vi, Edgar Mortiz, Amalia Fuentes, Eddie Gutierrez, Johnny Delgado, Alvaro Muhlach, Ernie White, Jose Padilla Jr., Romeo Rivera, Patria Plata, Reycards, Merci Molina, Ric Manrique, Jr. at Anna Lissa Sumilang sa panulat ni Manolo Bueno, iskrip at direksiyon ni Emmanuel H. Borlaza..." - Alfonso Valencia (READ MORE)

Monday, April 2, 2012

DE COLORES (1968)


Basic Information: Directed: Armando Garces; Story: Romeo N. Galang; Screenplay: Romeo N. Galang; Cast: Joseph Estrada, Amalia Fuentes, Leopoldo Salcedo, Gloria Romero, Jun Aristorenas, Divina Valencia, Mario Montenegro, Perla Bautista, Anna Gonzales, Eddie Garcia, Mila Ocampo, Paquito Diaz, Von Serna, Eddie Infante, Gil de Leon, Jose De Villa, Jose Vergara, Luis Castro, Vilma Santos; Original Music: Restie Umali; Cinematography: Fortunato Bernardo; Executive producer: Rey Ylag

Plot Description: De Colores, an all-star flick with such superstars as Joseph Estrada, Amalia Fuentes and Gloria Romero. Despite multiple episodic stories of this movie about the “cult/ religious” revival among the elite Catholics, Vilma was in a forgettable episode.

Film Achievement: FAMAS: Best Actor - Eddie Garcia, Best Actress Nomination – Perla Bautista, Best Director Nomination – Armando Garces, Best Picture Nomination

Film Reviews: "...Ipinanganak nga marahil si Ma. Rosa Vilma Tuazon Santos sa show business dahil sa pagitan ng taping ng “Larawan..” ay nagkasunod-sunod na ang kanyang mga pelikula...“De Colores” ng Arco-Iris (Marso 30 – April 10, 1968)...hanggang “Young Love” ng VP Enero 1 – 21, 1970) ng lumikha ng rekord sa takilya....Makalipas ang mga tatlong buwan, nakatanggap ng maikling sulat si Mama Santos muka lay G. Agra. Naghahanap ang Sampaguita Picutures ng batang babae na gaganap ng mahalagang papel sa “Anak, Ang Iyong Ina!” at isinali ng amain ang pangalan ni Vi. Hindi puwedeng lumiban si Papa Santos sa pinpasukang government office, at ayaw naman nilang mapahiya ang kamag-anak, kaya napilitan si Mama Santos na humingi ng day=off sa opisina (Aguinaldo’s). Pagdating sa studio, wala si G. Agra at nasa location shooting, ngunit totoong naroroon ang pangalan ni Vi, kaya’t pinapasok sila sa tanggapan. Napadaan sa harapan ni Mama Santos si Bella Flores na dala ang script ng “Trudis Liit.” Nagulumihanan si Mama Santos. Binasa niyang muli ang liham ni G. Agra. Mali yata ang napuntahan nila! Akma niyang tatawagin si Vi na noon ay nkikipaglaro sa iba pang mga bata upang yayain na itong umuwi, nang pumasok sina Mommy Vera, Dr. at Mrs. Perez, at Eddie Garcia. At doon nagsimula ang movie career ni Vi na magpahanggang ngayon ay batbat pa rin ng iba’t ibang panunuri, opinyon at konklusiyon..." - Ched P. Gonzales (READ MORE)

"...De Colores, an all-star flick with such superstars as Joseph Estrada, Amalia Fuentes and Gloria Romero. Despite multiple episodic stories of this movie about the “cult/ religious” revival among the elite Catholics, Vilma was in a forgettable episode. I wasn't sure if she played a rebellious daughter turned good via the Cursillo, and whether she sharred scenes with Ms. Romero. What mattered was the she bumped into her Tita Gloria on the set. More bonding, please..." - Showbiz Pinoy (READ MORE)



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