Quotes From The Stars 1/2

Angel Locsin: “Ang aking future mother-in-law, ike-claim ko na po siya...Nakakatuwa na naisipan ng Star Cinema na kami ‘yung opening salvo. Hindi basta-bastang posisyon ‘yun, so maraming salamat sa tiwala. Of course happy na ma-share ‘tong experience na ‘to, of course kay Tita Vilma. Ilang artista lang ba ang makakapagsabi na nakatrabaho na nila si Vilma Santos...” (Ador V. Saluta, Balita, 04 Nov 2015)

Angel Locsin: "...Iba yung ano, para sa akin kaseh, hindi makukumpleto ang iyong career kung hindi mo makaka-trabaho yung mga Greats...Kasi, Tita Vi, hay naku si Tita Vi, parang Greatest of Greats, parang iba talaga siya, professionalism, ang galing...ganda actually, iba yung...saka yung charisma niya...meron palang ganung tao, yung bang nagglo-glow kahit sa malayo...sobrang loveable, charismatic, iba talaga siya, iba yung precense niya." (Jeepney TV, You Tube, 11 August 2019)

Ai-Ai de las Alas: "As a kid in Tondo, Ate Vi was already my idol. My cousins, aunt and I would wake up early to watch the first screening of her movies on the opening day. My mom used to be protective of me. She didn’t want my legs to get bruised. But one day when I went to the store to buy pictures of Ate Vi, I fell down so my legs got wounded. My mom scolded and spanked me but I didn’t mind her. What was important was that I had new pictures to add to my Ate Vi scrapbook. When I was working as a secretary in Bulwagang Gantimpala, I finally saw Ate Vi in person. I was starstruck. She was very accommodating when I asked to have a picture with her. Even now that I’m already in show biz, I am still in awe of her. I found more reasons to admire her as an actress, public servant and friend. There are only two people whose advice I follow—Tito Boy Abunda and Ate Vi." (Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Michael de Mesa: "What really struck me was Vi’s humility. She’s down-to-earth. I remember during our acting workshop, I asked her to come alone instead of arriving with her usual entourage. And she did. I saw a true artist who was very open to learning and her being a gigantic star didn’t hinder it. Even to this day when we work together, she still asks me: “Did I say it right?” She has not changed. Such a genuine and sweet human being. That’s why she is sincerely loved by many." (Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Jose Mari Chan: "If there’s a Peter Pan, then Vilma Santos is Tinker Bell. She has this endearing quality that elicits joy in others. From when she was a child star, Vi could play practically any role on screen. As a public servant, she has maintained an impeccably clean reputation. I have not heard anyone who has said an unkind word about Vilma." (Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Aiko Melendez: "When we were shooting “Sinungaling Mong Puso,” Ate Vi was late for five minutes. That was the first time I saw an actor apologize so humbly to the crew. We had a scene where I had to humiliate her. I was hesitant at first, but she told me not to be intimidated and just do what I had to do. She even gave me tips on how to deliver my lines. Luckily, I got nominated in that movie for best supporting actress. I did well mainly because of Ate Vi’s pointers. She has no hang-ups in life that’s why I am a certified Vilmanian." (Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Joel Lamangan: "What I can’t forget about working with Vilma Santos is her remarkable professionalism. She comes to the set prepared. The moment she hears the director say “Action!” she spontaneously becomes the character needed in the scene. She is not “gimmicky.” She avoids fuss when preparing for a serious scene. She does not need extra attention to be able to do what is required of her. She is an actress par excellence."(Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Tommy Abuel: "Vi and I portrayed husband and wife in Danny Zialcita’s “Karma.” In one scene, I had to beat her up. It was difficult emotionally and physically but because Vi was cooperative and uncomplaining, the shoot went without a hitch. I won best supporting actor in Famas for that film. I would not have won if my leading lady was not as brilliant as Vi."(Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Lloyd Samartino: "Early in my career, Vi and I worked together in “Good Morning Sunshine” under Direk Ishmael Bernal. She was a delight to work with. The movie was very campy and we used to laugh at the dance routines we had to do… I would love to work with her again. I have admired her greatly from afar as to how she has transformed her career from show biz to politics." (Dolly Anne Carvajal, Philippine Daily Inquirer, 04 Nov 2015)

Vice Mayor Ina Alegre: “I’ve been idolizing her since I was a kid...Actually, I am taking the same path that she did.” (Ricky Lo, The Philippine Star, 06 Jan 2018)

Yul Servo: "...Magaling siyang magpaliwanag at maglatag ng solusyon sa mga problema...Mas nae-enjoy ko ang mga gawain ko sa kongreso dahil gaya sa TV at pelikula na may script o direktor, may mga tulad ni Ate Vi at iba pang kaibigan kong nasa House na very open at willing mag-share ng mga karanasan nila sa governance at suportahan ang mga advocacy namin para sa mga tao..." (Ambet Nabus, Bandera, 11 Dec 2017)

Roderick Paulate: : "...Hindi naman sa movies lang nagstart, di ba, ang pagkakaibigan ng Paulate at Santos, kasi kaibigan na nila ang sister ko at si Ate Emily, Loida, si Mommy, magkakaibigan na sila, iyon bale parang lumalabas, second batch na lang ako, di ba?...tapos nagsama kami nuon, naging magkapatid kami sa Kasalanan Kaya...kami ni Vi, two years din di nagkita pero I think si Vi yatam di sa pambobola, parang magkadikit na talaga 'yung dugo, parang hindi kailangang magkita, parang na-prove na namin sa isa't isa 'yung friendship...there was a time nagalit si Vi, perfectionist pa 'yan ha, nakikialam sa production, nakikialam sa set niya, kasi gusto niya, ayaw niya yung dinadaya yung fans niya eh, di ba? Nahihiya 'yun sa mga Vilmanians kapag nagperform ng half-baked, hindi puwede, hindi puwede basta na lang, kung mag-rehearse, tatlo-apat na araw para duon sa number na 'yon, nagbibigay siya ng time for that, nagbibigay siya ng time for that...there was a time, parang mainit ang ulo niya, tinawagan ako ni Chit Guerrero, alam mo kahit anong itsura ko, tumakbo ako mula sa kama, tumakbo talaga ako naka-short, purontong, nakunan pa ako ng TV, ngiti-ngiti, kasi talagang, o sige kaseh ganito ang mukha niya...but after awhile alam mo makikita mo talaga ang pagmamahal galing sa Vilma Santos, mahal niya ang trabaho niya, mahal niya ang mga fans niya, hindi niya dinadaya ang mga fans niya...kaya kita mo naman, hindi ka magtataka, Vilmanians mula nuon, hanggang ngayon nandidiyan pa rin sila, nakikita ko pa sila..." (ABS-CBN Entertainment, 26 Oct 2017)

Raymond Isaac: "...My friend, Ate Vi ang Darna ng buhay ko!...whenever, wherever you are, we Love you, I love you, mahal ka naming lahat, and my only wish is huwag kang titigil uminom ng bato ni Darna, para maganda ka pa rin at malakas ka pa rin at thank you rin sa lahat ng tinulong mo sa mga tao, out in the open and I'm talking to, I personally, would like to thank you for all the people that you'd help..." (ABS-CBN Entertainment, 26 Oct 2017)

Kim Chiu: "...Thank you for being an inspiration, idol na idol talaga kita, nagartista, sing and dance, acting and now politics, and the good family, masayang buhay, so gusto ko ring maging ganyan, pangarap ko rin yung life mo, but I just want to say thank you sa pagiging mabait mo sa akin during nang nagka-work tayo sa The Healing and I hope to work with you sa mga future projects..." (ABS-CBN Entertainment, 26 Oct 2017)

Kim Chiu: "...Sobra siyang empowered woman and ang galing niya sa mga tao. Hindi mo siya makikitaan na napagod na siya kahit ang dami na niyang kinausap na mga tao..." (Brooke Villanueva, Metro, 14 December 2019)

Maja Salvador: "...Ako ang iyong baby, si Baby April, nagsama po tayo sa MMK, at hinding-hindi ko po iyon makakalimutan, dahil mas na-inspire pa po ako sa trabaho ko nang dahil po sa inyo, iyong mga pag-uusap po natin sa set ng MMK dahil sobra-sobra dami ko pong natutunan, maraming-maraming salamat po, kung anuman po ang mga na-achieve ko ngayon ay isa po kayo sa mga dahilan n'yon at sana po ay makatrabaho ko kayo, I love you mommy..." (ABS-CBN Entertainment, 26 Oct 2017)

Xian Lim: "...We had a talk sa room lang...nagusap kami, kami-kami lang...sabi niya sa akin, I've been so long in the industry for so long, so long, hanggang ngayon hindi ko pa rin alam ang ginagawa ko, don't feel pressure in whatever you are doing kasi ang kailangan mo lang isipin ay ang mahalin mo ang lahat ng taong nasa paligid mo, 'yung lang and everything will fall into places...last na lang konti, kasi lang opportunity na ganito, to actually tell you mom, na ang laking bagay talaga nung nagkasama tayo, it was actually during the press conference po talaga na hindi ko na nakayanan, napigilan ang sarili ko talagang ang sakit po kasi talaga na magkaroon ng mga negative comments na sinasabi po talaga na sinasabi po talaga ng mga tao tungkol sa akin, and yet nandiyan po si mom Vi na to tell everyone na...iba po yung nakita niya sa akin, I was in the point na dina-doubt ko na talaga ang sarili ko na napakasama ko bang tao, kasi yun ang point na ganuon ang tingin ng lahat and yung nagsalita na si Mama, ng press com na it make me question, and made me drop everything na maybe merong, theres is light, and there is that hope, and so thank you mama, malaking bagay talaga iyon..." (ABS-CBN Entertainment, 26 Oct 2017)

San Jose del Monte Bulacan House Representative Rida Robles: "...Idol na idol ko si Ate Vi. Very passionate siya sa kanyang position at dahil artista muna siya bago naging politician marami na siyang experience sa pakikitungo sa tao and very humble pa rin siya..." (Jun Nardo, Bandera, 31 March 2019)

Hon. Rep. Alfred Vargas: "... Ate Vi is my ninang sa kasal...she is a model for all of us...I wouldn’t be where I am today if it were not for the opportunities and breaks given to me in showbiz. I owe a lot to this industry and I will forever be grateful. And this is my own small way of trying to give back, by advocating sustainable policies for the general welfare of our beloved industry..." (Ronald Constantino, Tempo, 02 May 2018)

Quezon City (5th District) Rep. Alfred Vargas: "..One movie is fine with me. You know, Ate Vi is my idol. She has proven that actors can be good public officials, from being mayor of Lipa to governor of Batangas and now congresswoman. Masipag siya. We hold office close to each other in what is known as the Showbiz Wing. That’s also where Congressmen Christopher de Venecia, Yul Servo, Lucy Torres, Edward Maceda and Dan Fernandez have their offices. Someday, I hope to do a movie with Ate Vi..." (Ricky Lo, The Philippine Star, 01 September 2019)

SINUNGALING MONG PUSO (1992)

“hayup! Hayup!...Baboy! Mamatay kang kasama ng mga baboy mo!” - Clara

“Nababaliw ka na noh?…puro kabaliwan yang nasa isip mo…hindi Jason, meron iba tayong dapat nating sundin…meron iba! Gamitin natin ang sinasabi ng isip natin, ang ipinararamdam ng kaluluwa natin, yun! Dahil madalas yun ang nagsasabi ng tama, yun ang nagsasabi ng nararapat nating gawin hindi ang puso…hindi ang puso Jason, hindi ang sinungaling mong puso…huwag kang padadala, ililgaw ka niyan…ililigaw ka dahil marunong manglinlang ang puso dahil alam ko ang tama huwag kang magpapadala…huwag kang magpapadala, hindi mababago ang katotohanang mali ang ginagawa natin, mali…” - Clara

Basic Information: Direction: Maryo J. De Los Reyes; Adapted screenplay: Jose Javier D. Reyes, Jake Tordesillas; Original screenplay: Jose Javier D. Reyes, Jake Tordesillas; Cast: Vilma Santos, Gabby Concepcion, Alice Dixon, Aga Muhlach, Aiko Melendez, Ricardo Cepeda, Dennis Baltazar, Charlie Davao, Philip Gamboa, Melinda Mendez, Mila Ocampo, Luz Valdez, Orestes Ojeda, Michelle Bautista, Lora Luna, Aris Bautista, Daniel Roa, Dax Rivera, Allan Laceda, Aida Carmona, Estrella Antonio, Alex Toledo, Nonoy Gates, Tato Malay, Lemuel Sales, Francis Ignacio, Chynthia Carriedo, Marvin Bellosillo, Veronica Medel, Jeff Long; Original Music: Lutgardo Labad; Cinematography: Charlie Peralta, Jun Pereira, Caloy Jacinto; Editing: George Jarlego; Production Design: Ronaldo “DO” Cadapan; Sound: Joe Climaco, Rodel Capule; Theme Song: "Sinungaling Mong Puso" sung by Basil Valdez, composed by Willy Cruz; Producer: Lily Monteverde

Plot Description: An endearing romantic drama that tells of a very curious affair between an older woman (Vilma Santos) and a young unhappily married boy (Aga Muhlach). In between them are Vilma’s husband, Gabby Concepcion and Aiko Melendez as Aga’s wife. All told, the movie proves once again that love does not only happen in the most unexpected times and places. It also makes people do the strangest things. – Regal Films DVD description

Film Achievements: FAMAS: Best Actor - Aga Muhlach, Best Supporting Actor - Gabby Concepcion; Gawad Urian: Best Actress nomination - Vilma Santos, Best Director - Maryo J. De los Reyes, Best Supporting Actor - Gabby Concepcion

Film Reviews: Nagsimula ang movie with Clara (Vilma) had a visitor in a jail, ito ay ang ex-wife ng asawa niya. Kasabay nito’y nag-flashback na ang pelikula. Bakit nakulong si Clara? Unang nagkakilala sa isang disco sina Jason at Clara. Inalok ng batang-batang si Jason si Clara ng sayaw ngunit inignore lang nito ang istudyante. Makikita agad na parehong hindi masaya sa buhay may asawa si Clara (Vilma Santos) at Jason (Aga Muhlach). Si Clara ay asawa ng isang malupit at babaerong negosyate, si Roman (Gaby Concepcion). Samantalay si Jason naman ay laging nina-nag ng kasing edad niyang asawa na si Aiko Melendez at pati ang kani-kanilang mga magulang ay nadadaway at madalas na nase-sermunan si Jason dahil rito. Kasabay na pinakita ang problema sa pagaasawa’y ipinakita rin ang mga taong nasasangkot sa pag-iibigan ni Clara at Jason. Ang asawa ni Clara na si Roman ay ubod ng lupit, minsan ay may nahuli ang mga tauhan nito na nagnanakaw sa kanilang bahay ay binaril nito ang magnanakaw. Bukod sa kalupitan ay marami ring naanakan siya at ang laging solusyon nito ay perahan ang mga babae para manahimik ang mga ito.

Nang bumalik sa Pilipinas ang kanyang ex wife na si Leda (Alice Dixon), muling gustong makipagrelasyon ito. Dahil sa mga pambabae ni Roman ay gusto rin sanang makaganti ito sa asawa at maraming mga lalaki na gustong makipagrelasyon sa kanya ngunit napipigilan pa rin nito ang sarili ngunit nang makilala niya minsan ang batang-batang si Jason (Aga) ay hindi na nito napigilan ang sarili. Muling pinagtagpo si Clara at Jason nang masiraan itong una sa kalye at nagkataon na naruon si Jason at tinulungan siya na humantong sa isang dinner date. Nagkaroon sila ng relasyon at nagkikita sa isang apartment na pagaari ng kaibigan ni Clara. Sa kabila ng agwat ng kanilang edad at estado’y natutong mahalin ng dalawa ang kanilang isa’t isa hanggang sa matuklasan ng asawa ni Jason ang relasyon at mag-iskandalo pa ito sa harap ng mga tao’t sa apartment na tagpuan ng dalawa. Bukod sa iskandalo ay nagsumbong pa ito sa asawa ni Clara. Ang naging resulta ng pagsusumbong na ito’y ang pagkakabugbog ni Jason sa malupit na kamay ni Roman. Sinadista nito ang kaawa-awang si Jason. Nang malaman ni Clara ay hindi niya napigilan ang nangyari sa katipan at nang mapuntahan niya’y natuklasan niya ang sinapit ni Jason. Binaril niya ang asawa at pinatay. Dito siya nakulong.

Maayos na nailahad ni Maryo Delosreyes ang istorya nang pag-iibigan ni Clara at Jason. Ito marahil ang dahilan kung bakit tinangihan ni Vilma ang pelikulang Naglalayag na halos kapareho ng istorya, ang pag-ibigan ng isang batang lalaki sa nakakatandang babae. Merong mga eksena rito na hindi kapanipaniwala katulad ng bakit nabuhay pa si Aga Muhlach sa bandang huli dahil nakakapagtaka na sa kabila na sobrang torture na natanggap niya mula sa sadistang si Roman ay nabuhay pa ito. Hindi rin na-isplika ng pelikula kung bakit gustong balikan ni Roman ang ex-wife niyang si Leda (Alice Dixon). Mahusay ang cast ng pelikula, magagalit ka talaga sa kalupitan ni Gabby Concepcion at makikita mo rin na believable siya bilang isang babaerong negosyante. Bilang ex-wife ni Roman, parang tuod si Alice Dixon wala siyang kabuhay buhay na magdeliver ng mga lines. Samantala, litaw na litaw naman ang role ni Aiko Melendez bilang Ana, ang asawa ni Jason. Halos lahat ng eksena niya ay mahusay niyang nagampanan maliban sa bandang huli yung reconciliation scene niya kay Vilma kung saan hindi bagay ang lines niya ba…”pareho natin siyang minahal… blah blah blah…”

Magaling sina Aga Muhlach at Vilma Santos bilang nagtatagong magkasintahan. Lutang na lutang ang pag-arte ng dalawa at nakakatuwa sila sa kanilang mga eksena na nagtatagpo ng palihim tulad ng mag-kita sila sa department store. Dumating si Vilma at hinahanap niya si Aga, hindi nya makita ito hanggang sa mamataan niya ang binata na nakaupo sa may display area. Kinindatan ni Jason si Clara at napatawa na lang ang babae. Mararamdaman mo ang excitement ng mga pagkikitang ito. Nang mahuli ni Ana ang asawa at mag-iskandalo ito, nang umalis na ang asawa at balikan ni Jason si Clara sa loob ng apartment, makikita sa mukha ni Vilma ang pagtatapos ng kanilang affair. Ang sabi niya: “ Hinintay lang kita, guston kong maghiwalay tayo ng maayos…” Bukod sa maraming eksena na lutang na lutang ang pag-arte ni Vilma marahil ang pinaka-memorable ay ang eksena kung saan binaril ni Vilma si Gabby at sabihin niya ang line na: “mamatay kang kasama ng mga baboy mo…” ito ang pagpapatunay na talagang napakahusay niyang artista. - RV

"Scale of 1 to 10, I give it a 9.9!" - Oskee Salazar, Manila Standard, Aug 27 1992 (READ MORE)

"It is well acted, with special mention going to Vilma Santos, Aga Muhlach, and Gabby Concepcion." - Ricky Calderon, Manila Standard, Aug 27 1992 (READ MORE)

"I realized I have lesser problem in life." - Alfie Lorenzo, Manila Standard, Aug 27 1992 (READ MORE)

"Best actress talaga si Vilma. Aga Muhlach is the best actor of his generation." - Mario Dumawal, Manila Standard, Aug 27 1992 (READ MORE)

"Acting superb. Plot realistic. It can happen to the best of families. Aga's talent comes to the fore -- award-winning. I like all his scenes...Pacing last. I'd like to see it again." - Nena Villanueva, Manila Standard, Aug 27 1992 (READ MORE)

"...The stellar achievement in politics, motion picture and television industries of Star for All Seasons and acknowledged Longest-Reigning Box-Office Queen Vilma Santos has necessitated the creation of yet another FAMAS special award: the Exemplary Achievement Award, an award given only to previous Lifetime Achievement Award recipients who have shown continued blossoming and achievement in the movie industry, as well as in other fields. The actress, who is also the incumbent governor of Batangas province, was not able to make it to the Gabi ng Parangal due to short notice, but she was able to send a video message acknowledging her award. It can be remembered that the FAMAS created a special award for Vilma Santos' portrayal in Sinungaling Mong Puso in 1992. By technicality as a Hall of Famer, she cannot receive a regular FAMAS Award, so she was awarded an accolade higher than the Hall of Fame: the Circle of Excellence. This year, that instance is again repeated, a testament to the Star for All Seasons' durability and penchant for excellence and achievement. Santos is also the recipient of yet another special award this awards season, the Ulirang Artista (Lifetime Achievement Award) of the Star Awards for Movies..." - Nicolo Magundayao, The Filipino Academy of Movie Arts and Sciences (READ MORE)

"The film scene is not unlike the current weather - drab, gloomy, mostly uneventful. But the cinematic sky finally clears up and giving us reason to be hopeful once again. We are talking here of a pretty well-made Pinoy movie that comes like a benediction from above especially at a time when every producer in town has plunged deeper into the abyss of profitability. And what irony it is - the movie has come straight out of Mother Lily's dump-site where every piece of film product is beyond recylability. The film is called Sinungaling Mong Puso which, discard its abominable title, is a darling attempt on the part of its makers to raise the genre of marital melodrama into a decent and mature form of filmmaking. The film concerns a May-December affair between Vilma Santos and Aga Muhlach with one major hitch. They both happen to be married - she to Gabby Concepcion and he to Aiko Melendez - and the problems arising from such relationship are apparent from the start. They are quite unhappy in their status, have problems relating to their partners, and now want a way out from the heckling, bullying and, especially in Santos' case, insulting that characterize their married lives.

Santos' problem is clearly more complicated than Muhlach's. She is married to a man who's been married before (to Alice Dixon, from whom he is separated on legal grounds that are not made clear) and who literally abuses her in bed. Worse, he thinks it's perfectly normal for a man to engage in extra-marital affairs. Muhlach's wife is a nagger and whom he was forced to marry at a young age after he impregnated her. Their affair is nothing extraordinary - they meet by accident, she phones him, they began to date and finally go to bed. What makes the story extraordinary is the reactions of their respective spouses to their problem. Melendez becomes hysterical and Concepcion is naturally violent. He orders his bodyguards to beat up Muhlach and leaves him badly battered. Santos comes to the scene and shoots her husband dead, right in the company of the swine that he raises and she calls him whenever he forces her to make love. At the end, she is sent to jail where a tearful reunion between the lovers takes place, with another plea for absolution from their past sins. What makes the film in a way absorbing is the firm, secure hand of its director, Maryo delos Reyes.

He has a nice way of working with the camera (three cinematographers are credited) and even more effective way of working with his actors. Though he occassionally lapses into using visibly commercial devices (such as the effects of slow-mo, freeze frame, and fragmentation shots), he manages on the most part to motivate his actors into giving their best. Ms. Santos is at her usual inspired level (But hasn't she done this part in countless other movies?) though I often got distracted with her outfits, make-up and their age difference (Muhlach is 21 but we never find out Santos' age, presumably 15 years older). Muhlach is a revelation, a natural in his acting even he indulges in pure histrionics. Concepcion has improved considerably and is now at home playing parts like this. Melendez is likewise adequate but a bigger surprise is Dixon's portrayal of a career woman torn between her friendship and love. She has finally blossomed in time even if I do not completely trust the voice on the soundtrack (must be the dubber's). The script is by two people - Jake Tordesillas and Jose Javier Reyes - and it is best with problems, structually mostly. The film is told as a flashback but the device is used only at the opening and closing of the film while Santos is in jail visited by Dixon. But the narrative is not told from her point of view nor anybody else's. This is, however, a monor quibble compared to the merit of the film, not the least of which is its uncompromising view of the problems confronting married people, and the anachronistic standards that Philippine society uses in judging those who violate the sanctity of marriage..." - Justino Dormiendo, Manila Standard, Sep 6, 1992 (READ MORE)

"...Even now, the Sirkian influence could still be seen in many Tagalog movies. The framing makes sense, it adds drama, makes the scene visually beautiful. But, I only wish that the younger filmmakers eradicate the lugubriousness of Sirk’s orchestration of melodrama to solicit emotional response from the audience. But, sad to say, the Philippine movie industry seemed to have got stuck and has been suffering from a fixation known as the “heavy drama obsession." ”Sinungaling Mong Puso" is just one example of Sirk's influence. But what made this film even more horrific is that all the actors in this film, except Vilma Santos, were a hopeless case of "acting running amuck". It was definitely patterned from Douglas Sirk’s smash hit films that many starred Rock Hudson: Magnificent Obsession (1954); All That Heaven Allows (1955); There's Always Tomorrow (1956); Written on the Wind (1956); A Time to Love and A Time to Die (1958); Imitation of Life (1959); to name a few..." - Jose Mari Lee, Pinoy Comics TV Movies (READ MORE)

"...Dahil sa tagumpay sa box-office ng pelikulang “Just A Stranger” nina Anne Curtis at Marco Gumabao, muling nauuso ang mga May-December affair film. Sa Urban Dictionary, ang meaning ng “May-December affair” is a relationship between two people where one partner is in the “winter” of their life (old) and the other partner in the relationship is in the “spring” of their life (young). May/December relationships can either be superficial or serious – so the term doesn’t itself say anything about the status of the relationship...Kung tutuusin ay noon pa uso ang May-December affair films at ang iba rito ay naging award-winning pa…Heto nga ang mga pelikulang nagpakilala sa landian, lambingan, harutan ng mga babae/lalaki na may edad sa mga mas batang-batang nilalang...Sinungaling Mong Puso (1992) - Kuwento ito ni Clara (Vilma Santos) na hindi na masaya sa pagsasama nila ng malupit at babaero niyang mister na si Roman (Gabby Concepcion). Nagkataon na nakilala niya ang young father na si Jason (Aga Muhlach) na hindi rin masaya sa nagging wife niyang si Anna (Aiko Melendez). Nabuo ang isang sikretong relasyon na nauwi sa isang madugong trahedya. Mula sa direksyon ni Maryo J. Delos Reyes, nanalo rito si Aga bilang FAMAS Best Actor..." - Anonymous, Abante, 07 Sep 2019