Maria Rosa Vilma Tuazon Santos-Recto (born Maria Rosa Vilma Tuazon Santos November 3, 1953 in Bamban, Tarlac), commonly known as Vilma Santos-Recto or Ate Vi is a Filipino actress and box office queen for almost four decades. One of the original Philippine movie queens, she rose up to become the versatile actress that has been given the fitting title of “Star for All Seasons” because of her capacity to adapt to the changing mores and values of the Filipino woman, giving a face to their plight and struggles, albeit in success both critically and box-office wise in some of Philippine cinema’s classics such as Trudis Liit (1963), Lipad, Darna, Lipad (1973), Burlesk Queen (1977), Relasyon (1982), Sister Stella L. (1984), Alyas Baby Tsina (1984), Pahiram ng Isang Umaga (1989), Dahil Mahal Kita: The Dolzura Cortez Story (1993), Anak (2000) and Dekada ’70 (2002). She is currently the governor of Batangas, Philippines (2012)(Wikipedia).

For More Informations, Visit: Vilma Santos-Recto's Official Web-site

Sunday, June 29, 2014

Special Film: Pinay, American Style (1979)


"...PX, short for Paula Xavier (Vilma Santos) was an illegal alien in New York City. She’s broke and waiting for fiancé, Cocoy laurel to fulfill his promise of marriage despite the fact that Cocoy has already married an American to secure a green card. Hiding from the authorities, PX met two men who are willing to take care of her but conflicts arise as the two wanted to maintain a serious relationship with her. Played wonderfully by Christopher Deleon and Bembol Roco, the film resolved the love quadrangle between ex-fiancé, Cocoy Laurel and the two brothers when the jealous Cocoy reported Vilma to the immigration authorities. PX was deported back to the Philippines. But the films didn’t end in a sour note, PX found herself reunited with Christopher Deleon when the later followed her in the Philippines..." - RV (READ MORE)

“…Pinay, American Style (1979) carries such attributes. Shot entirely in America, it depicts the plight of some Filipinos living there – Filipinos who are obsessed with amassing fortunres and landing high-paying jobs and enjoying the dolce vita in the muchballyhooed “land of the brave and home of the free” and the “land of the mighty dollar.” Compared to foreign movies with explicit sex scenes, Pinay… would not even deserve the “For Adults Only” tag or an “X-rated” classification, according to Elwood. Basically, the movie is a relfection of the typical plight of Filipinos living abroad. It is a plight that runs counter to the optimism and false hopes entertained by potential Filipino immigrants. Arriving in the U.S. as tourists, some Filipinos would choose to stay behind in their search for “greener pastures.” Having done so, they have to play hide-and-seek with immigration authorities, accept odd jobs to survive in the asphalt jungle, get married to ward off deportation, and similar evasive maneuvers. These same incidents are what the cast – Vilma Santos, Christopher de Leon, Bembol Roco and Victor “Cocoy” Laurel – portray in Pinay. Pinay is Elwood’s second movie shot abroad after Lollipops…” - Manny B. Fernandez, Expressweek, July 12, 1979 (READ MORE)









Source: gobitz69


FAIR USE NOTICE (NOT FOR COMMERCIAL USE): This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacies of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. - Wikipedia (READ MORE)
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FAIR USE NOTICE: This site contains copyrighted materials the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to preserve the film legacy of actress, Vilma Santos, and to make her career information available to future generations. We believe this is NOT an infringement of any such copyrighted materials as in accordance to the fair dealing clauses of both the Canadian and U.S. Copyright legislation, both of which allows users to engage in certain activities relating to non-commercial/not for profit research, private study, criticism, review, or news reporting. We are making an exerted effort to mention the source of the material, along with the name of the author, performer, maker, or broadcaster for the dealing to be fair, again in accordance with the allowable clauses. For more info: Wikipedia: Fair Dealing

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