About the book: With a career spanning six decades across film, television, and other media, Vilma Santos has built an unparalleled legacy of award-winning performances. This book pays tribute to her remarkable contributions to Philippine cinema and beyond. Santos’s films have consistently achieved both commercial success and critical acclaim. In her more daring roles, she has delivered bold, original, and often controversial performances—works that are not only entertaining but deeply thought-provoking. Vilma Santos, Icon: Essays on Cinema, Culture, & Society offers a scholarly yet accessible exploration of her extensive body of work, focusing primarily on her achievements in cinema while also acknowledging her vital contributions to television and public service. The essays in this volume analyze her most significant performances, highlighting their cultural and social relevance.
Keywords: Recto, Rosa Vilma T. Santos, Actors and actresses–Philippines, Motion pictures
Retail Price: ₱850.00 (SB); ₱2,200.00 (HB)
Where to Buy: The University of Santo Tomas Publishing House (USTPH), Shopee, and Lazada
What does the media says about this book?
19 Academic Essays "...Sixty years in show business is no small feat. Santos has done it all, from being a child star and a box office queen to becoming an award-winning actress and public servant. She’s played a burlesque dancer (“Burlesk Queen”), a rape survivor (“Rubia Servios”), and even a serial killer (“Tagos ng Dugo”). Each role, Zulueta pointed out, adds to a “canon of characters that chart the modern evolution of Philippine womanhood.” The book is a collection of 19 essays by academics and scholars from top universities. “It’s an intensive study of Ate Vi’s work,” said Aguila. “Only articles by authors with master’s and doctorate degrees were included. It is hoped that these essays by leading academics would provide not only a guidepost to navigate through Santos’ extraordinary body of work across six decades, but also define more fully her legacy as an actress, artist, and cultural icon,” Zulueta added. His own contribution to the book analyzes Santos’ roles in “Burlesk Queen,” “Rubia Servios,” and “Tagos ng Dugo” through the lens of abjection, a concept by Bulgarian-French philosopher Julia Kristeva. The idea is that society often rejects what it finds unclean or threatening, and women have been unfairly cast into this marginalized space. But abjection, Zulueta argued, can also be a source of power. “Vilma’s portrayals show how strength can emerge from struggle,” he explained. “Her daring performances exemplify what Kristeva calls the ‘singularity of genius’—the blending of life and thought, the ability to renew oneself. It’s a quality found in icons like political thinker Hannah Arendt and writer Colette. It applies to Santos, too..." - Marinel Cruz, Philippine Daily Inquirer, 15 March 2025 (READ MORE)
Star Book for All Seasons - "THE UST Publishing House (USTPH) is set to unveil four new titles at separate book launches and signings, with plans afoot for a grand book launch. New titles include “Vilma Santos, Icon: Essays on Cinema, Culture, and Society,” “Celebrating More: The St. Thomas More Lectures,” “The Dominican Rite of Solemn Profession: History, Theology, and Spirituality,” and new soft and hardcover editions of “The Trilogy of Saint Lazarus.” USTPH Deputy Director Paul Castillo said the books were selected through careful screening and a peer review and blind review process. “You have [literature], you have star studies, one in religion and ecclesiastical domain, and an anthology of speeches. It’s a good variety of titles and the genres are not the same,” Castillo told the Varsitarian. Asked which of the works he was most excited about, Castillo pointed to “Vilma Santos, Icon: Essays on Cinema, Culture, and Society,” a book of critical essays on the films of iconic actress Vilma Santos, dubbed the “Star of all Seasons.” The book was edited by the UST Center for Creative Writing and Literary Studies (CCWLS) co-director, Prof. Augusto Antonio Aguila, and journalism faculty and Varsitarian adviser, Asst. Prof. Joselito Zulueta..." - John Kobe S. Balod, The Varsitarian, 02 March 2025 (READ MORE)
Three Books - "...Sponsored by the Faculty of Arts and Letters, the event was attended by students and faculty members, members of the media and fans of the veteran actress. Tirso Cruz III, though not a part of the movie’s cast, joined Vilma at the talkback after the film screening. Christopher de Leon played her leading man in Dekada ’70. It was also announced during the talkback that three books on Vilma Santos will soon be published by the UST Publishing House. One of these, according to project head, Prof. Augusto Antonio Aguila, is titled “Vilma Santos: Icon, Cinema, Culture, Society,” a compilation of 90 scholarly articles on some of the critically acclaimed films of the award-winning actress. The book promises to be an exhaustive study of Vilma’s films, including ‘Ekstra,’ ‘Sister Stella L.,’ Dekada ’70, and ‘Relasyon. A second book, a yet untitled coffee table edition, is being co-written by Aguila and arts journalist Lito Zulueta of the Manunuri ng Pelikulang Pilipino. The third book will be a catalog of all her films, beginning from 1963 when Vilma was nine years old and launched as a star via Trudis Liit by Sampaguita Pictures..." - Nestor Cuartero, Manila Bulletin, 11 Dec 2024 (READ MORE)
Women Empowerment - "...The book, titled “Vilma Santos, Icon: Essays on Cinema, Culture, and Society” is edited by UST Center for Creative Writing and Literary Studies (CCWLS) Co-Director Prof. Augusto Antonio Aguila and Asst. Prof. Joselito Zulueta, Varsitarian adviser and a journalism faculty member. “I wanted to show that the characters actually [present] women empowerment, you know, that the characters she portrays somehow uplift the status of women in society,” Aguila told the Varsitarian. The book collected essays from 24 contributors, including CCWLS resident fellows Paul Castillo, Joyce Arriola and Joselito Delos Reyes, Creative Writing instructor Louie Zaraspe, Filipino instructor Mark Angeles, UST Publishing House Director Benedict Parfan, and Faculty of Arts and Letters Dean Melanie Turingan. Scholars from Monash University of Australia and other foreign universities also wrote chapters. “We found out that there are many Thomasian scholars who have seen her films and have admired her as an artist,” Aguila said. “And we found out that there are many professors of UST and other universities who actually would want to write about Ate V,” he added, using a moniker for the Filipina movie star..." - John Kobe S. Balod, The Varsitarian, 16 March 2025 (READ MORE)
Cultural Icon - "...The coverage of the book would be all facets of Vilma Santos. She was a child actress and a teenage actress, [and she] evolved into adult roles [as a] broadcast superstar. And then, of course, box office star, both [in] cinema and in film,” Zulueta told The Flame. According to him, the focus of cinema studies rarely explores the actors themselves since it often leans toward the filmmaker, writer’s intent and the historical context behind the story’s creation. “So most of the time in cinema studies and cultural studies, the actors and performing artists are overlooked. Maybe because in cinema studies, the most prominent is the auteur. Auteur studies,” Zulueta said. “There [is a] lack of studies on Vilma Santos as a cultural icon, an actress, performing actress and a filmmaker, a popular culture artifact,” he added. Santos-Recto is known for her performances in ‘80s and ‘90s Filipino films, most notably Sister Stella L (1984), Bata bata paano ka ginawa? (1998), Relasyon (1982) and Anak (2000), where she played her iconic role Josie Agbisit. Santos-Recto’s performances, Aguila said, are not only authentically her own but also represent the everyday struggles and triumphs of Filipinos. “And she [Vilma Santos] has made a lot of movies and films that have a huge impact on culture, cinema, and our society. She has portrayed characters who are strong. And I mean she has portrayed a wide variety of characters, and her films have won numerous awards,” Aguila said. “When you talk about longevity and its impact on popular culture, Vilma has always been in our consciousness. She never disappears within us,” he added..." – Jaila Marjaan Abdul, March 2025 (READ MORE)
Extensive Body of Work - "...The book, titled “Vilma Santos, Icon: Essays on Cinema, Culture, and Society,” is edited by UST Center for Creative Writing and Literary Studies (CCWLS) Co-Director Prof. Augusto Antonio Aguila and Varsitarian adviser Asst. Prof. Joselito Zulueta. It features critical essays from Thomasian writers and faculty members on Santos’s extensive body of work, while exploring her cultural and social significance as the “Star for all Seasons.” “This anthology is a celebration of her exceptional artistry and enduring legacy. Her status as an icon of cinema, culture, and society is well-deserved,” UST Rector Fr. Richard Ang, O.P., said in the book’s introduction. Aguila, apart from being the book’s editor, also contributed to the compilation with his essay, “From ‘Darna’ to ‘Sister Stella L’: Feminist resistance in Vilma Santos’s fantasy and social realist films.” Zulueta also took part in the collection with his essay, “Vilma Santos’s Cinema of Abjection in ‘Burlesk Queen,’ ‘Rubia Servios,’ and ‘Tagos ng Dugo..." - John Kobe S. Balod, The Varsitarian, 15 March 2025 (READ MORE)
From Poverty to Riches – “…The crowd let out a yell and surged toward the car. The group mostly teen-age girls and young women, cried, “Gloria,” and smiled as they had a glimpse of their favoriet movie star. The car moved on. The girls, disapointed they couldn’t touch or speak to their idol, kept screaming after the car. The attractive, slim girl in the car smiled back gently, she waved at her admirers. She seemed embarrassed at the fuss over her appearance. “How does it feel to be a successful actress, the most popular in the Philippines today?” she was asked. Gloria Romero, barely 23, aswered quietly, “This little success I have, I am determined not to let it go to my head.” After a long pause she added, “I fear this is not a lasting thing. It is not something I can keep in a steel safe. It is a slippery thing. A false move, and it will begin to slip from my grip.” Unlike most actresses here, Gloria is a homebody. An introvert by nature, she prefer to go to bed early. She says she has no steady date. “I’ll get married when I’m 28,” she said. “A few years ago I said I’d marry at 25.” Gloria’s meteoric rise in the past five years to become the highest-paid Filipino movie actress – she received $45,000 last year – was preceded by a difficult and often frustrating climb. She remembers the first house her family rented in Manila. It was in a noisy neighborhood. The rent was 75 pesos (37.50) a month. Today, she lives in a 75,000 peso (37,500) mansion in a select suburb of Manila with her sister and two brothers…Gloria could best be described as the Grace Kelly of the Philippines. She is modest, conservative in dressing and shuns cheap publicity. In a recent movie she wore a low-cut dress. The disapproval of her fans was unanimous in the many letters she received. The studio decided to raise the level of the dress, in her next picture. There is something appealing in her quiet and gnetle gestures. She has an almost angelic face. her features are refined. She has bright brown eyes which match her deeper brown hair. She has light, almost white complexion…” – Henry Hartzenbush, St. Petersburg Times, Apr 29, 1957 (READ MORE)
First Lady – “…He played Marcos in the political propaganda movie “Iginuhit ng Tadhana” in 1965 and in the drama film “Pinagbuklod ng Langit” in 1969. Romero, who played First Lady Imelda Marcos to his Ferdinand, recalled that they could only start shooting in Malacañang after office hours at 6 p.m. and wind up at 6 a.m. the next day. In spite of the unusual working hours, Gonzales would remain cheerful, Romero said. “He was a jolly fellow. He was always joking around and he loved dancing,” she told the Inquirer. Batangas Gov. Vilma Santos said Gonzales portrayed her father in her first movie “Trudis Liit” in 1963. Then a child star, Santos also played little Imee in the two Marcos movies. “I was very young then and it was amusing to see and tour the Palace with him,” Santos said. “He really made a big mark in Philippine movies. I will be praying for the repose of his soul and for strength for his family, too.” Ilocos Norte Gov. Imee Marcos remembered Sampaguita producer Jose “Doc” Perez auditioning other actors, but in the end it was Luis’ voice that landed him the role. “In a nation of tenors, he and my dad were the only two baritones,” she said. “We were very fond of him and listening to him [on the set], I sometimes thought he was my father…” – Bayani San Diego Jr. (READ MORE)
The Enchantment – “…To be sure, Gloria Romero would not have survived if she had not created characters that would linger in the minds of audiences long after the last credit had rolled down. She was the combative Ilocana in “Dalagang Ilocana,” the saintly nun in “Monghita,” the first lady of the land in “Iginuhit ng Tadhana,” the teacher who becomes a dark creature at night in “Lipad, Darna, Lipad,” the criminal master in “Condemned,” and the matriarch suffering from Alzheimer’s in “Tanging Yaman.” Of course, even in the most abject and ugly roles, her beauty and bearing still shine through, damning the efforts of the viewer to suspend his disbelief, but never mind, it’s only a movie —and it’s only in the movies that you get to see a goddess like Gloria Romero as a tomboy, as Her Imeldific, as a ghoul or a hag. All of these characters have been keenly etched in generations of moviegoers; they provide the images that constitute the magic of Philippine cinema. And in that magical world, Gloria Romero is a prime enchanter. The enchantment starts with her beauty and proceeds with her varied talents and qualities. Many believe it will never end. And so for her icon-like qualities as an actor and cinematic enchanter, Gloria Romero, the indestructible queen of Philippine movies for five decades now, is this year’s recipient of the Natatanging Gawad Urian for lifetime achievement during the 27th annual Gawad Urian….” – Lito B. Zulueta (READ MORE)
Hepburn and Streep – “…As far as I know, only Eddie Garcia and Gloria Romero are two stars who never had billingitis. There are no small roles. It is how you interpret them. That is why they are still very much around. Because of their stature in the movie industry, the studios respected them and knew how to put them in their proper place. As fate would have it, billing was never a problem between the Veteran Movie Queen Gloria Romero and the Philippines’ Movie Queen for All Seasons Vilma Santos. Ms. Romero, the ever practical and realistic auteur has so much respect and love for her “daughter” Ms. Santos that she allowed to be billed after the longest reigning box-office and movie queen since the 70’s (the monster hit “Lipad, Darna, Lipad” and the blockbusters “Nakakahiya I and II,” for example)…As if Fate would have it, who would ever think that the Two Queens would duke it out in the 2000 awards derbies? Anak versus Tanging Yaman. Gloria may have won the Urian but she shared the award with her “daughter”: “I share this award with Ms. Vilma Santos who is so good in Anak.” So what do Vilma Santos and Gloria Romero have in common? Why are they still Philippine Cinema’s Regal Movie Queens? They are both professionals, humble in both defeat and victory, clean living, and have respect for the profession that is their bread and butter. They are the Katherine Hepburn and the Meryl Streep of the Philippines. Kate Hepburn disliked Streep in real life. She called Ms. Streep’s acting too cerebral. Was it envy, billingitis, or ego? Thank heavens for Gloria and Vilma. They respect and love each other. Terms of endearment. Friends for life. We shall never see their kind anymore…” – Mario O. Garces, V magazine, Vol 1, Issue 4 Oct/Nov 2005 (READ MORE)
One Desire – “…Glamorous Gloria Romero, the hottest attraction in the Philippine movieland, can have just about everything except her heart’s fondest desire – to return to Denver, her birthplace. To most U.S. citizens, Gloria’s name doesn’t mean a thing. But to Philippine movie fans she is the queen of the screen. She is the highest paid, busiest, most appealing and versatile actress in the islands. She is a first rate comedianne and a finished tragedian. The 24-year old beaty, undisputed sweetheart of the Philippines, averages six pictures a year. All in roles caller for artistry on the highest level. She packs ’em in whenever the movies are shown. And that’s the big problem. She can’t find the time to break away to visit the mile high city, which she left when she was three years old. “I could very well pack up this very minute and book passage for the U.S. and take that sentimental journey to Denver,” she said today, “But I am committed to do five more pictures this year.” She added wistfully. “Maybe I can make it next year…Oh you don’t realize how much a trip would make my life complete.” Gloria has an added reason for making the journey: she hopes to find her mother’s relatives who still live in Denver.
The 5 foot 6 inch film star was born to a U.S. mother and a Filipino father. Three years later the family left Denver to settle in the northern Luzon, where her father had a farm. Her mother, the former Mary Borrego, died shortly after the U.S. liberated the Philippines in 1945. Gloria’s first break in films came when Sampaguita studio bosses picked her from a group of extras for a supporting role in a movie titled “Madame X.” She stole the picture from veteran stars, and from there on she climbed steadier to the top. Every one of her 24 pictures has been a hit, only in the Philippines but in Asia. Local critics, consistently caustic and cynical on films made in the Philippines, just love her. So do the gay young blades but Gloria has remained Philippine movieland’s most eligible bachelor girl despite her scores of admirers. She said she is too “frustrated” over that visit to Denver to think of marrying…” – Louella Parsons, The Calgary Herald, Feb 27, 1957 (READ MORE)
Gloria Romero (born Gloria Galla on December 16, 1933 – January 25, 2025) is a Filipino actress appearing in film and television. Her career spans 60 years and includes award winning performances in the films Tanging Yaman (FAMAS Best Actress 2001), Nagbabagang Luha (FAMAS Best Supporting Actress 1989) and 1955’s Dalagang Ilocana. She is the first recipient of the lifetime achievement award from the MTRCB (Movies and Television Review and Classification Board). – Wikipedia (READ MORE)
Kapag Langit Ang Humatol (1990) – “…Fortunately, director Laurice Guillen has more faith in her material, more respect. For she has not only come up with a beautifully-photographed, well-edited and generally superbly-acted melodrama. She has also held up to us a mirror of the dreams and aspirations, the frustrations, suffer¬ing and uncomplicated lifestyle of the so-called masa. Moments of the heroine’s unmitigated oppres¬sion in the hands of her evil mistress is age-old reality in Philippine life and, quite logically, litera¬ture. Her soul nearly scarred by her excruciating, degrading experience, she somehow manages not only to survive but also to rise from her humble, bleak origins, when she leaves the hellhole and finds hope and rewards in the city. In true melodramatic fashion, she plots out her revenge, but alas, even in carrying it out, she must pay dearly, nearly tragically. Feminist observers may easily notice that in this picture – as in, they would say, Philippine society -it is the women who run things. They domineer and dominate, manipulating the men, even the men they love. True enough, from the very beginning, it is the mistress and her poor servant who move things, decide, and tell men what to do. It is they who plot out schemes and plan their destiny…” – Mario A. Hernando (READ MORE)
Saan nagtatago ang pag-ibig? (1987)– “…When Eddie first entered show business, “I said to myself, I’m going to give myself 15 years to be able to direct my first movie. Fortunately, it took me 12 years–or three years earlier than I had planned.” He considers Saan Nagtatago ang Pag-Ibig as his most memorable directorial assignment…” – Sol Jose Vanzi (READ MORE)
Payaso (1986) – “…The 1986 Metro Manila Film Festival was considered the worst in the 12-year history of the annual 10-day festival of local movies. For the first time, it did not give out the traditional first and second best picture awards. Two other categories— best story and best screenplay were not also given. “No one of the seven entries deserved these awards,” according to Tingting Cojuangco, one of the jurors…” – J C Nigado (READ MORE)
Gaano kadalas ang minsan? (1982) – “…From 1979 to 1986, Zialcita was on a roll, doing one film after another, pulling off nine hits in a row beginning with Gaano Kadalas in 1981 up to his sex comedies that include May Lamok Sa Loob ng Kulambo. He could demand anything from a producer and his wish would be granted. When Viva Films asked him to do Gaano Kadalas, he told Vic and Mina del Rosario that he will only do it if they get George Canseco to write the theme song (most of his popular films had songs by Canseco), and that Hilda Koronel would be one of the leads. Viva granted him both—even if it had to pay more for Hilda than for Vilma. “May utang ako kay Hilda eh, I took her out of Langis at Tubig…” – Jerome Gomez (READ MORE)
Makahiya at Talahib (1976) – “…Her metamorphosis began in late 1976 when she agreed to be kissed by Rudy Fernandez in Makahiya at Talahib. It was a “feeler” of sort and when the public clacked its tongue in obvious approval, Vilma shelved her lollipops-and-roses image and proved that she, too, could be a woman – a wise move indeed because at that time her career was on a downswing and her movies were not making money…” – Ricardo F. Lo, Expressweek Magazine January 19, 1978 (READ MORE)
Big Ike’s Happening (1976) – “…All star casts din ang pelikulang handog ng Larry Santiago at Ike Lozada Productions na Big Ike’s Happening (February 27, 1976) na tinampukan nina Vi, Tirso Cruz III, Walter Navaro, Ike Lozada, Aurora Salve, Gina Alajar, Jojit Paredes, Dondon Nakar, Winnie Santos, Arnold Gamboa, Maribel Aunor, Allan Valenzuela, Doyet Ilagan, Edward Campos, German Moreno, Inday Badiday, Ben David, Lilian Laing, Aruray, Nora Aunor, Perla Bautista, Charlie Davao, Esperanza Fabon, Eddie Peregrina, Bella Flores, Lito Legaspi, Christopher de Leon, Van de Leon, Pinky Montilla, Alma Moreno, Dencio Padilla, Andy Poe, Jerry Pons, Ric Rodrigo, Gloria Romero, Daria Ramirez, Darius Razon, Marianne de la Riva, Eddie San Jose, Ricky Santiago, Lorna Tolentino, Eddie Villamayor at Vic Vargas sa direksiyon nina Pablo at Bobby Santiago…” – Alfonso Valencia (READ MORE)
Hindi Nakakahiya Part II (1976) – “…”O cupid, o cupid pag ikaw ang pumana sa puso ninuman…matanda o bata, problema pag tinamaan…..” Hindi Nakakahiya Part II (February 13, 1976) ng Luis Enriquez Films na pinangunahan nina Vi, Eddie Rodriguez, Gloria Romero, Marissa Delgado, Ernie Garcia, Renato Robles, Nello Nayo at Patricia Mijares sa panulat at iskrip ni Ric M. Torres at direksiyon ni Luis Enriquez…” – Alfonso Valencia (READ MORE)
Nakakahiya? (1975) – “…Hit na hit sa takilya at Patok ang Mr. and Miss R.P. Movies na sina Eddie Rodriguez at Vilma Santos, ang nagkamit ng award bilang “Pinakamahusay na actor at actress sa Bacolod Film Festival para sa pelikulang “Nakakahiya.” At hindi lamang iyan. Nakamit din ng pelikulang ito ang mga sumusunod: Best Picture, best screenplay, best director, best sound, at best film editing awards. Isang bagay lamang ang ikinalulungkot ng mga taga-Bacolod. Hindi nakarating sina Eddie at Vilma upang tanggapin ang kanilang awards. At ang pinakahuling karangalang tinanggap ng dalawang sikat na tambalang ito ay ang pagkakapili sa kanilang dalawa bilang Mr. and Miss R. P. Movies ng taong ito. Isang karangalan ang mapiling Mr. and Miss R. P. Movies. Iisa lamang ang kahulugan nito ang mataas na pagpapahalaga sa kanilang dalawa ng pelikulang Tagalog bilang mga pangunahing alagad ng sining. At hindi naman alangan ang pagkakahirang kina Eddie at Vilma sapagkat kapwa sila dedicated sa kanilang propesyon. Si Eddie, bukod sa isang mahusay na actor, director at prodyuser ay isa pa ring mahusay na scriptwriter. At hindi lamang sa pelikula nagdi-direct si Eddie Rodriguez. Maging sa kanyang weekly tv show, ang “Sanyugto” ay siya rin ang director…” – Ely L. Jovez (READ MORE)
Karugtong ang kahapon (1975) – “…Nora Aunor’s entry, NV Productions’ Batu-Bato sa Langit (directed by Luciano B. Carlos), was a hit and won as 3rd Best Picture. Vilma Santos, on the other hand, gave a notable performance in Roma Films’ Karugtong ang Kahapon. That time, Nora and Vilma were in their peak, their career and the movies they made were being followed closely, compared, watched, praised, scrutinized both by fans and critics. Their storied and fierce rivalry dominated our movie industry for years. In fact, one could argue that even to this day, a Filipino movie fan is either a Noranian or a Vilmanian…” – Wikipedia (READ MORE)
Happy Days Are Here Again (1974) – “…In 1974, the Big 3 studios of the 50s, LVN Pictures, Sampaguita Pictures and Premiere Productions reproduced a full-length movie showcasing a compilation of the musical comedies produced by the three studios. It was a painstaking job for the researchers since most of the best musicals produced by the three studios were either lost or destroyed. At the start of the project, director Lamberto V. Avellana was supposed to direct the film but eventually replaced by Cirio Santiago after so many changes in the project including the script. He ended up as consultant of the movie. The film was Happy Days Are Here Again, with brief narrations by movie stars like Gloria Romero, Nida Blanca, Susan Roces, Leopoldo Salcedo, Jaime de la Rosa, Eddie Gutierrez, Tirso Cruz III, Pugo, German Moreno and Ike Lozada…” – Expressweek, November 14, 1974 (READ MORE)
Anak ng Asuang (1973) – “…featuring the Vilma/Gloria mother and daughter team had to be made. Gloria reprised her role as the vampire minus Darna. Vilma was her “doomed” daughter. Gloria was so identified as Impakta that when the second Darna flick cameabout she have to do do a cameo appearance!…” – Mario Garces (READ MORE)
Lipad, Darna, lipad! (1973) – “…In the 1960’s, Gloria Romero portrayed Imelda Marcos in “Iginuhit ng Tadhana” and “Pinagbuklod ng Langit.” In the 1970’s she starred in two memorable movies: Behn Cervantes’s vanished movie, “Sakada” (1976), and earlier, 1973’s “Lipad, Darna, Lipad,” the biggest movie of its time in which she played a “manananggal” to Vilma Santos’s super heroine. Up to now, she considers the last as one of her most unforgettable…” – Lito Zulueta, MPP (READ MORE)
Pinagbuklod ng langit (1969) – “…He has fond memories of shooting “Pinagbuklod ng Langit,” second bio-pic on the late President Ferdinand Marcos (after “Iginuhit ng Tadhana,” directed by Mar S. Torres, Conrado Conde and Jose de Villa).“My staff grew fat while making that movie,” he recalled with a hearty laugh. “Ninety percent of the film was shot in Malacañang Palace and the First Lady was always sending carts of sandwiches and juice drinks to the set…” – Bayani San Diego Jr. (READ MORE)
De Colores (1968) – “…Inihandog ng Arco Iris Productions ang “biggest assemblage of acting talents in the history of Philippine Motion pictures!…..The good and the bad, the saint and the sinner, the meek and the arrogant…this is their story!….” De Colores (March 30, 1968) na pinangunahan nina Vi, Joseph Estrada, Amalia Fuentes, Jun Aristorenas, Divina Valencia, Eddie Garcia, Mario Montenegro, Perla Bautista, Anna Gonzales, Eddie Garcia, Von Serna, Gil de Leon, Mila Ocampo, Paquito Diaz, Leopoldo Salcedo at Gloria Romero sa direksiyon ni Armando Garces. Si Eddie Garcia ang nagkamit ng best actor sa pelikulang ito…” – Alfonso Valencia (READ MORE)
Iginuhit ng Tadhana: The Ferdinand E. Marcos Story (1965) – “…Marcos knew the power of the medium of film. Earlier on, Marcos produced a film biography using the most popular stars for his first presidential campaign. He ran against Macapagal who also came up with a film biography to boost his reelection bid. Marcos would also use another film Iginuhit ng Tadhana (Written by Destiny, 1965) to campaign for a second term. The two Marcos film bios would be the only successful political films—commercial and election wise—as other film biographies in the post-Marcos period by senatorial and presidential aspirants would prove dismal, unhelpful for election bids. The post-Marcos period liberalized the political and economic scene. It conventionalized and intensified the election of movie and sports stars, and even television news hosts to national politics. Television stations were sequestered by the government, the largest of which, however, was returned to its pre-martial law owners. ABS-CBN would become the leading television station until after 2000, allowing two of its news anchors to become senators…” – Rolando Tino (READ MORE)
Anak, Ang Iyong Ina! (1963) – “…Nakihalo lang ako doon sa mga nag-a-audition sa Trudis Liit [1963],” pagbabalik-tanaw ng aktres kung paano siya napasok sa showbiz at naging bida nga kaagad sa nabanggit niyang proyektong iyon. Hindi ako dapat talaga doon [sa audition na iyon]. Nakipila lang ako. Pagpila ko, tinatawag ako ng mommy ko na, ‘Hindi ka diyan! Sabi ko, ‘Andito na, e!’ Makulit na ako no’ng time na ‘yon! So, anyway, tinawag ako ni Doc Perez [of Sampaguita Pictures] at that time. Pinaarte ako. Nag-adlib-adlib pa ako. Nakuha naman ako. So, when I started, dalawa kaagad ang pelikula ko—Trudis Liit at Anak, Ang Iyong Ina [1963]. Ang naaalala ko lang tungkol sa maaga kong pagpasok sa pag-aartista, parang laro lang sa akin iyon. Parang naglalaro lang ako noon kaya hindi trabaho sa akin iyon, e. So, very-very memorable sa akin iyon. At saka no’ng Trudis Liit, every lunch, lagi akong may apple. Lagi akong may chicken. Every lunch talaga ‘yon. Parang… Siguro bata, so ibibigay nila ‘yong gano’ng ano sa ‘yo. Parang may prize ka, gano’n. So, memorable sa akin iyon…” – Ruben Marasigan (READ MORE)
Shoo-in for best actress - "...I’ve never seen a Vilma Santos starrer on the big screen. The first time was during a special screening of Uninvited on Christmas Day at Cinema 3 of Gateway Mall in Cubao. No, it’s not because I don’t like her nor her films. Neither is it because I’m a dyed-in-the wool Noranian. So, why? It’s because I’m not really a film buff. It’s because I am a sucker for Hollywood action movies that star Jason Statham, Jackie Chan, Cynthia Rothrock and Jet Li. I like slam-bang action more and drama less. That’s how it is and always been for me. The only time I get to watch Santos’ movies is when they’re shown on TV or when I browse the Internet. Clearly, Santos gave a nuanced performance in Uninvited. She perfectly foiled any attempt to make herself look glamorous. Her age is clearly defined in her role as Eva Candelaria...Santos has a clear and better grip of her character as a mother who vows to avenge her daughter’s traumatic death. While she’s done this before in Tagos ng Dugo, this time, Santos is not the victim herself and she goes to great lengths to clearly define the two roles apart. What’s highly palpable in this obra maestra by Dan Villegas is the way Santos’ character is presented and the way it is navigated in the course of less than 24 hours. Santos flips through her role with characteristic panache and clearly she’s a shoo-in for the best actress plum. Actually, it’s the ensemble acting that sets Uninvited apart from other festival-quality films. Aga Muhlach is unforgettable in the entire acting exercise. He is presented in a never-before-seen scenario that he convincingly portrays with aplomb. Muhlach plays his character with characteristic chutzpah, the kind that will jolt you in your seat. Nadine Lustre may have just a few scenes but she gallops in these with natural flair. Overall, Uninvited is a very dark movie that naturally seeps through the crisp-as-linen dialogues, nuanced personifications and a no-holds-barred narrative that is darker than dark..." - Alex Brosas, Daily Tribune, 26 Dec 2024
Challending Role - "...It’s been hard for me to find a role that will be suitable for my age and the role that will challenge me because, in my more than 62 years in the industry, I feel like I’ve already done every role and most of the characters appear to be repetitive...But with ‘Uninvited’ and my role, I feel I was somehow challenged..." - Vilma Santos-Recto, Reported by Jan Milo Severo, Philstar, 26 November 2024
Bashing Lotlot - "...Huwag na silang magtampo kasi unang-una magkaibigan naman si mommy at si Tita Vilma. Inaanak ni Tita Vilma si Kiko, yung kapatid ko, so magkumare ang mommy ko at si Tita Vilma. My mom loves Tita Vilma dearly and Tita Vilma loves my mom dearly and pati kaming mga anak, so we're grateful. I guess, yung mga iba lang na nag-iisip ng mga tampu-tampo, baka dahil nga sobrang siyempre loyalist sila kay Mommy. Pero wala naman pong ano, wala silang dapat ipag-alala at ipagtampo dahil Tita Vilma is also like family to us dahil ang relationship nga nila ni Mommy is magkumare. So hindi sila dapat magtampo, plus, trabaho po ito, nagtatrabaho po ako...(Vilma) She's a very nice person. She's beautiful in and out, she's very caring. Wala po akong masasabi, hands up ako kay Tita Vilma...Super grateful! Grateful na nakukuha ako, napagkakatiwalaan ng mga producers to be part of their film. And this is actually my second film with Tita Vilma because last year is When I Met You in Tokyo, but wala kaming eksena dun...So this time it’s different because I had an honor to work with her up close, face-to-face, so very special...So she went to the tent where I was and then sabi niya, ‘Lot, so nice to see you!’ She was very warm, very welcoming and then nagyakapan kaming dalawa. And then sabi ko, ‘Tita, wag niyo po akong pababayaan, ha?’ Natawa siya, sabi niya, ‘Ano ka ba, kayang-kaya mo iyan..." - Lotlot de Leon, Reported by Rommel Gonzales, PEP, 30 November 2024
A-Game - "We are privileged and honored to have three of the finest actors in Philippine cinema leading this project. The legendary Vilma Santos, whose name alone is synonymous with excellence and timeless artistry; Aga Muhlach, who has continuously given audiences his heart and soul in every role; and the ever-versatile Nadine Lustre, who brings a new and electrifying energy to the screen...To say they have brought their A-game is an understatement—they have created performances that will stay with you long after the credits roll. This film would not have been possible without the direction and storytelling mastery of Dan Villegas, whose unique vision and meticulous approach have elevated Uninvited into something truly remarkable. His ability to bring out raw, authentic performances and weave them into a story that grips you from the very beginning has been awe-inspiring to witness. “To top this, is a collaboration with the brilliant directors of their generation, Antoinette Jadaone as one of our Producers and Irene Villamor as our creative producer..." - Bryan Diamante, Presidente and CEO, Mentorque Productions; reported by Reggee Bonoan, Bandera, 22 November 2024
Happy si Ate Vi for Lorna in Espanto - "...Unang inialok kay Vilma ang role ni Lorna sa Espantaho. Umingay pa nga nu’ng unang pumutok ang balita ang posibilidad na magsama sina Vilma at Judy Ann for that project. But it turns out na tinanggihan ni Vilma ang Espantaho and opted to do ang horror movie rin under Mentorque Productions with Nadine Lustre. If ever mapili sa natitirang slots sa MMFF, baka magkabanggaan ang movie ni LT with Judy Ann at ‘yung kay Vilma with Nadine. “Ay… naku,” napabuntong-hininga na sabi ni Lorna. Sey niya, “Pero maraming salamat kay Ate Vi, kay Ate Vi talaga ‘yung role na ‘yun. Kaya kahit magkasabay ang movie namin sa MMFF, okey lang kasi happy naman si Ate Vi na ako ‘yung nakuha for that role. So, happy lang. Let’s all be happy.” Tapos na raw ang shoot ni Lorna para sa Espantaho under Chito Roño’s direction, at ginagawa na lang ang special effects..." - Julie Bonifacio, Bulgar, 19 October 2024
I Love Judy Ann - "...Nag-meeting naman ako dun. Ang nangyari lang kasi, nagkaroon ng problema sa character na gagampanan ko. ‘Yun lang ‘yon pero inayos naman. But I will be honest. While meeting sa movie, I’ll say it, Espantaho, I was also meeting with direk Dan (Villegas) regarding the movie Uninvited. The last thing coz they were preparing for the movie…of course, excited din ako to do the movie with Judy Ann (Santos). I love Judy Ann. Habang inaayos ang movie, nalaman ko na sinabmit ang script sa first para sa MMFF. Unfortunately, hindi napasok sa first 5. Hindi napasok. It was also Atty. Joji who told me, go ahead to do the one with Direk Dan because he is also my son. Sabi ni Atty. Joji, ‘do it and I will watch that movie!’ So dun ho lahat nanggaling ‘yon!...Na challenge ako! I promise we have a good movie!..." - Vilma Santos-Recto, Reported by Jun Nardo, Pilipino Star Ngayon, 22 November 2024
Fake Video - "...The video you see online is fake. It’s made by AI (artificial intelligence). It copied my voice. It used a video of me giving a message on social media. It claims that I’m promoting this product for diabetic patients. That’s not me. I could just imagine how much magic people are able to do with this new technology today. It’s no joke. It’s scary,” she told Inquirer Entertainment in a recent interview.(Despite the experience, Vilma said she has already learned to embrace technology, particularly social media.)...We must all learn to adjust. We need to learn at least the basics so that you don’t go through a generation gap with the young ones. The members of Gen Z are so good at it. We have to be able to relate to them. We need to be techies. While I agree that the young ones should learn from experienced people, seniors should never stop learning, as well. So I make sure that I’m able to communicate with them..." - Vilma Santos-Recto, Reported by Marinel Cruz, Philippine Daily Inquirer, 24 September 2024
No MMFF for Vi - "...Meanwhile, apologies to Vilmanians. Your idol Vilma Santos is not planning to have an entry in this year’s MMFF, even though she has begun shooting for a film directed by the esteemed Dan Villegas, which is expected to be submitted as a possible entry for the MMFF. The Star for All Seasons has told the media that she does not want to rush the completion of the film just to submit it to the MMFF selection committee for completed films. In fact, the film’s title, storyline and lead cast are still undisclosed. Villegas, in recent media interviews, revealed that the storyline and lead character are ideas proposed by Santos herself during a session with Villegas and her partner, scriptwriter-director Antonette Jadaone. Santos is quite busy and visible these days, attending talk-back sessions in retrospective screenings of her old films. These visibility efforts are believed to be part of a campaign to eventually draft her as a senatorial candidate for an unidentified party. While Santos has not declared any serious intention to run for senator, many are speculating about it. They point out that her nomination as National Artist might be part of the campaign to get her onto a senatorial ticket. Therefore, she wants to remain visible to the public and express her views on issues independently, rather than being confined to film shoots. Film industry insiders, however, feel that her presence in the forthcoming MMFF could help boost the festival’s box office gross..." - Danny Vibas, Daily Tribune, 13 Aug 2024
Uncertain Espantaho - Veteran actress Vilma Santos, who recently headlined When I Met You in Tokyo at last year’s Metro Manila Film Festival (MMFF), is now considering new film offers, with a focus on meaningful and high-quality projects. Among these is an offer from Mentorque Productions for a film to be directed by Dan Villegas, as well as another potential project from Quantum Films titled Espantaho, which could see the Star for All Seasons sharing the screen with Judy Ann Santos under the direction of Chito Roño. However, Vilma revealed that the status of Espantaho remains uncertain..."The project with Direk Chito and Juday is still up in the air. It was supposed to be submitted to this year’s MMFF, but it didn’t make it into the top five entries. I’m not sure what the next steps will be, so I can’t say for sure if it will proceed..." - Vilma Santos-Recto, reported by Joseph Peter R. Gonzales, The Manila Standard, 12 August 2024
Wonderful Movies - "...Looking back at all those films, I realized it’s such a joy to see all the projects I did back in the day. When I think about it, it dawns on me that I have done wonderful movies." - Vilma Santos-Recto, reported by Kate Adajar, Manila Standard, 15 August 2024
Media Buzz Deadline - "...It’s going to be something different...Expect a dark movie. (It’s) very challenging! Natsa-challenge ako sa character na gagawin ko (I’m really excited about the character I’ll be portraying)...Ayoko lang kasing magpa-pressure (I don’t want to feel pressured)...Whether we make it in time for the MMFF or not, basta gusto ko, kapag nag-shooting ako, I will feel comfortable (I want to feel comfortable when we start shooting)...It’s not about rushing or winning. At my age, ayoko nang nape-pressure. So, ayokong ma-stress (I don’t want to stress myself out). What’s important is that we finish a good film that we can all be proud of..." - Vilma Santos-Recto, reported by Nathalie Tomada, The Philippine Star, 28 August 2024
Aktor's National Artist - "...Unparalleled versatility. Santos has played an extensive range of characters, showcasing her exceptional acting prowess. From iconic roles such as Darna and Dyesebel to complex portrayals like a socially conscious nun ("Sister Stella L," 1984), a burlesque star ("Burlesk Queen," 1977), an Aids and a terminally ill patient ("Because I Love You: The Dolzura Cortez Story," 1992, and "Pahiram ng Isang Umaga," 1989), and a rape survivor ("Rubia Servios," 1978), her versatility is truly unmatched...Award-winning performances. Santos has won numerous acting awards from prestigious local and international bodies, including Gawad Urian, FAMAS, Catholic Mass Media, the Metro Manila Film Festival, PMPC Star Awards, and international film festivals in Brussels and Dhaka, making her the most awarded actress in Philippine cinema history...Cultural impact, enduring relevance...She has remained a significant figure in Philippine cinema, continuously leading in critically acclaimed films even as she turned 70. Widely-known as the longest reigning movie queen of Philippine Cinema, Santos' ability to stay relevant in a rapidly changing industry is a testament to her talent and dedication...Her films have had a lasting impact on popular culture, addressing social issues and contributing to national discourse. Movies like "Dekada '70" and "Bata Bata Paano Ka Ginawa?" have sparked important conversations on societal topics...Her transition from movie star to public servant underscores her dedication to using her platform to serve and uplift her fellow citizens, proving that her talents extend far beyond the screen...Champion for women...Many of her roles depict strong, empowered women, reflecting her advocacy for women's rights and empowerment. Santos' portrayal of resilient, determined female characters has inspired countless viewers...Legacy...advocate for quality and excellence. Santos' commitment to excellence in both commercial and art films has set a benchmark in the industry. Her performances are marked by exceptional intelligence, sincerity, and brilliance, consistently raising the bar for cinematic artistry. With a relentless drive to reinvent herself, she ensures that each role she undertakes is fresh, impactful, and memorable..." - Aktor PH (League of Filipino Actors), Reported by Manila Times, 26 June 2024...Inspiration to peers...Santos is widely regarded as a role model within the entertainment industry. Her extraordinary talent and unwavering professionalism set a benchmark for both veteran actors and newcomers alike. She embodies the gold standard in acting prowess and stands as a revered industry icon, continuously inspiring her peers and the next generation of thespians..." - Aktor PH (League of Filipino Actors), Reported by Iza Iglesias, The Manila Times, 26 June 2024
Na-excite mag-stage play - "...The controversial apparations were the subject of the late Floy Quintos' final play "Grace," which recently finished its run in PMCS Blackbox Theater in Circuit Makati. "Grace" is set to have another limited run later this September, this time at the Areté's Doreen Black Box Theater in the Ateneo de Manila University. Vilma managed to catch one of the final PMCS Blackbox Theater shows, which had her excited to try out stage acting. In a video captured by producer Noel Ferrer, the "Star for All Seasons" admitted to wanting to go onstage after the show concluded, pointing to her close association to Lipa.'Yung kalakihan ng issue ng pilgrimage every September 12, 'andun ako," Vilma said, adding that fellow Lipa residents know she's a devotee of the Mother Mary. Vilma reiterated she wants to attempt theater acting after decades of performing onscreen. "Nainggit nga ako sa kanila eh, gusto ko nga umakyat sa stage kanina! I really want to experience it," Vilma ended with crossed fingers...Santos said in the video that she personally knew Teresita Castillo, the former noviciate to whom the Mediatrix of All Grace allegedly appeared in San Sebastian Cathedral in Lipa City, Batangas in the 1940s. One of the messages the Mediatrix of All Grace reportedly said to Castillo on Oct. 17, 1949 was "Pray hard for China’s dream to invade the whole world. The Philippines is one of its favorites. Money is the evil force that will lead the people of the world to destruction. Prayers, sacrifices self-denials and the daily recitation of the Holy Rosary will soften the heart of my Son as I said before. The Cultural Center of the Philippines recently confirmed to Philstar.com that Vilma was among the nominees for the next batch of National Artist recipients. All nominees for the award will still undergo a rigorous, multi-step screening. Santos, said CCP, has so far completed the first step, which is the submission of requirements..." - Video by Noel Ferrer on Facebook; with reports from Deni Rose M. Afinidad-Bernardo, The Philippine Star, 26 June 2024
Josie and Essie - "...Besides the theme of a mother’s love, Anak and Expats also shed light on the abuses inflicted upon domestic helpers, which were portrayed contrastingly. In Anak, we see Josie being maltreated by her employers, and in a flashback scene, we learn that her passport is being kept from her. In Expats, the abuse is more subtle, to the point that the employers are unaware of the emotional damage, as it has always been masked by kindness and respect. Last March 2023, the United Filipinos in Hong Kong (UNIFIL-Migrante HK) protested the possible implementation of new regulations by Hong Kong’s Department of Labour that prevent OFWs from leaving their employers. “[If] we are treated justly and humanely, our working conditions [are] good and our rights as migrant workers inside our employer’s household [are upheld] and protected, no migrant domestic worker will be forced to terminate a contract, and we will not think of leaving our job,” said UNIFIL-Migrante HK chairperson Dolores Balladeres. Josie and Essie are two different personas reflective of migrant workers in Hong Kong—one endured abuse, and one experienced kindness—yet they complete a picture of a mother willing to sacrifice her happiness in exchange for another’s joy. This International Women’s Month, we remember how vital mothers are in shining light on a home—whether theirs or not—and how resilient and relentless love shapes this light in their hearts..." - Franz Sorilla I, Tatler Asia, 26 March 2024
Happy Baby - "...Every day, Jessy and Lucky send me pictures and videos. Every day, we Facetime to see my Peanut. And yung apo ko, she’s so maarte and marunong tumingin sa camera talaga hahaha! That’s why I was telling Lucky and Jessy, you know, si Baby Peanut, believe you, me, artista yan! She can really flirt with the camera with her smiles. When you say, give me a pa-cute face, ang arte-arte niya haha! Now, in her latest videos, she’s wearing a headband, ginagaya talaga si Momsie. She’s my inspiration now. Everytime I wake up, I look at her videos. Whenever I hear her laughter, nagiging positive na yung araw ko. One thing I’m very, very happy about is it’s so obvious that she’s a happy baby...” - Vilma Santos, reported by Nathalie Tomada, The Philippine Star, 03 March 2024
Lana's Dream Wish - "One epic movie with Vilma Santos before I retire. That’s all I ask." - Jun Robles Lana, Director/Producer
International Best Actress - "...Maraming, maraming salamat po sa karangalang ibinigay po ninyo sa akin bilang Best Actress sa pelikulang 'When I Met You in Tokyo.' Sa inyo pong lahat, maraming, maraming salamat po,” she said, as she thanked the jury and her producers Weng Jamaji and Rajan Gidwani, the film's directors, and her co-stars...Of course, to my associate director, Mr. Christopher de Leon, maraming, maraming salamat. Bru, para sa atin ‘to. Andito si bruha. 'Yet, thank you, thank you very much...I’d like to take this opportunity to thank all our kababayans sa LA, sa mga nanood po ng 'When I Met You in Tokyo.' I learned na sold out po lahat ng tickets at nagustuhan po ninyo ang aming pelikula. Again, mula sa puso, sa inyong mga kababayan ko sa Los Angeles, maraming, maraming salamat po. Sa lahat po ng mga bumati, sa mga Vilmanians, to all my Vilmates, to all my friends, maraming, maraming salamat po sa pagbati. Mabuhay ang pelikulang Pilipino. Love you! Salamat..." - Vilma Santos-Recto, ABS-CBN news, 02 Feb 2024
Another Film - "...After bagging the Best Actress plum in the recently-concluded 49th Metro Manila Film Festival for When I Met You in Tokyo, Vilma Santos announces that she’ll be busy with showbiz projects this 2024. In considering her next career moves, she asserts that she is content with her comeback to the industry. The Star for All Seasons reveals a preference for film projects with compelling storylines that resonate with her, acknowledging that despite multiple offers, final decisions are yet to be made. Looking ahead to the upcoming year, she anticipates working on at least one movie annually. “I’m looking forward to doing at least one movie a year. But I’m dreaming that it would be in the league of Sister Stella L, Bata, Bata, Paano Ka Ginawa?, or Dekada ’70. I miss doing those kind of films,” she admits. Despite being a veteran Best Actress winner, Ate Vi points out that it doesn’t mean she’ll stop honing her craft. “It doesn’t mean that when you win an award, you’re already the best. Not it’s not. Every day is a learning process and you really have to hone your craft. You shouldn’t stop learning and improving. The object of the game is longevity so you just have to aim for the best. Make sure you love your career and it will love you back!” ends Ate Vi..." - Joseph Peter R. Gonzales, The Manila Standard, 08 January 2024
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